唤起的

For where a man's intentions are published, it is an alarum, to call up all that are against them.

因为一个人底意向若是公开那就''。'等于'。''一''。'声'。''唤起一切敌人的警报。

That woke the man ' s old animosities.

那件事唤起了这个人的旧恨。

FRACTEID, as a portmanteau word, is used to describe a linguistic blend of "fractal" in its definition of fragmented geometric shapes that can be split into parts, and the Greek word Eidos (used for example in kaleidoscope) which refers to Plato's Ideal Forms and evokes the term "Eidetic memory," defined as the ability to recall images, sounds, or objects in memory with extreme accuracy and in abundant volume.

分形"FRACTEID"作为一个混成词，通常被用作形容不规则碎片在语言学上的混合，定义为可以被分成几个块或成碎片的几何形状，柏拉图理念形式所提及的古希腊词语理念，唤起"高级记忆"这个词语，定义为一种唤起记忆中极端准确的意象和物体，最顶峰值的声音。

But circumstances inside the Wang Jia Wei film displays one kind sometimes all in linearity time going over and future hanging to purchase state , that often is able to point out solar terms in event beginning in image "hooligan formal biography " in famous show opening,"Chongqing tells the sum the "east evil west is poisonous to the date relapse in forest "" despite of he uses detail to go to emphasize the time concept unceasingly,these stories that he gives an account of and not special time background, they may may happen within this city corner every day, They whip the specimen being away from out in life only from the city But that you only are capable to do some detail discovering two stories is each other alternative in fact , Wang Jia Wei uses this to play hide-and-seek coming to bring about one kind of synchronic sex effect dyadic game if you had looked at "Chongqing forest " carefully,chance and nothing order having shown the present age city life now that the linearity time concept having dispeled tradition narrating is protruding, the intention having formed one kind of dyadic spirit of existentialism thereby accumulates, Wang Jia Wei applying on space is more than time benefits by associating together, If you have looked at Wang Jia Wei's work but have moved, that is by no means since are what the overall world impression initiates, but being resonance because of detail, is fragmentary as well as atmosphere called up by the subjective soliloquy that the garrulity spends can let you produce mental conception makes

王家卫电影里的场景往往都在线性时间的过去和未来中呈现出一种悬置状态，尽管他不断地用细节去强调时间概念，像《阿飞正传》里那个著名的开场、《重庆森林》里对日期的反复诉说和《东邪西毒》里经常会在事件开头指出节气，但他讲述的这些故事并没有特别的时间背景，它们可能每天都会发生在这个城市的角落里，它们只是从城市生活中抽离出来的标本。如果你仔细看过《重庆森林》，你就会发现两个故事的某些细节其实是互相交错的，王家卫用这种捉迷藏式的游戏来造成一种共时性的效果，既消解了传统叙事的线性时间观念又凸现了当代都市生活的偶然和无序，从而形成了一种存在主义式的精神意蕴，而王家卫在空间上的运用更是与其时间相得益彰，如果你看了王家卫的作品而感动的话，那绝不是由于整体世界的印象所引发的，而是因为细节、片断以及絮语化的主观独白所唤起的气氛能让你产生心领神会的共鸣使然

The incorrect thoughts of crime beneficial theory and relativism idea of criminality existing in do mesic criminal law circle have a spreading tendency,while one of the supportive Viewpoint is to consider that criminal has positive function of arousing examine feeling,i.e criminal can arouse the examine aesthetic feeling of public,which will offer a kind of service to the society.

国内刑法学界当前存在着不正确的&犯罪有益论&、&相对主义犯罪观&思潮，并且有日益漫延的趋势，而其支撑性观点之一，是认为犯罪具有&唤起审判感&的正面功能，即犯罪可以唤起公众的审美感，从而也是为社会提供一种&服务&。对于这一学说的批判，应当逐一进行，而关于犯罪具有唤起审美感观点的批判，是反思和批判此类观点的重要内容。

Nor for the idea, claimed last week by a research team from the University of Edinburgh, that happiness lies in our genetic structure, thus fating us from birth to be happy or grumpy; we either have an "affective reserve" of contentment that we can call on in times of stress, they say - or we do not.

但是并非维纳先生的观点影响，上个星期爱丁堡大学的研究小组发表了这样的看法，他们认为快乐植根于我们的基因结构中，因此一出生我们就注定或者是快乐的，或者是坏脾气的；研究小组还认为，我们也可能具有对有压力时刻所唤起的内心情感的克制能力。

In another set of works of the same series《Chairman》, Mao's statue on a pedestal assumes exactly the same waving posture. This posture is a classic image of Mao in the Nation's visual memory - as though he still stood on the Tiananmen Tower, proclaiming the establishment of People's Republic of China, or receiving thousands of red guards during the Cultural Revolution. But the artist tries to plot a difference in this iconic gesture. Mao's palm is painted in the shape of a hand gun. By doing so, he also instils a sense of violence in a solemn and imposing spiritual symbol. The replaced gesture evokes different kinds of historical memories - memories of civil war, memories of class struggles, as well as memories of total destruction.

他那挥手的姿态已经在有意无意之间模拟了领袖的举动；在这个系列的另一组作品《主席》之中，站立在雕像基座上的毛泽东正是一个挥手致意的姿态，这个姿态可以说是他留给整个中国的经典性的视觉记忆，仿佛他仍然站在天安门城楼上宣告中华人民共和国的成立，或者在文化大革命期间接见着从各地赶来的红卫兵们，而画家在这个手势中找茬，他将毛的手掌换成了一个手枪的样式，某种安详、伟大的精神象征被暴力感替换了，这个手势唤起的是另一种历史的记忆：内战的记忆，阶级斗争的记忆，打倒与毁灭一切的记忆。

Therefore, my take protect animals as this graduation playbill design's subject, the significance lie in arouse the people to protect wild animal's compassion, also hoped that can in arouse the people compassion in the foundation to achieve propagandizes this subject goal.

所以，我以保护动物为这次毕业海报设计的主题，意义在于唤起人们保护野生动物的爱心，也希望能够在唤起人们爱心的基础上达到宣传这个主题的目的。

Such a story may arouse the human feeling in us, but it will not move us to either pity or fear; pity is occasioned by undeserved misfortune, and fear by that of one like ourselves; so that there will be nothing either piteous or fear-inspiring in the situation.

这样的故事可以唤起人们的情感，可是不能让我们体验到怜悯或者恐惧；怜悯总是与不应遭受的不幸联系在一起，而恐惧则由与我们相似的人而引起；因此在这一情况下既不能唤起怜悯，也不能唤起恐惧。

FRACTEID, as a portmanteau word, is used to describe a linguistic blend of "fractal" in its definition of fragmented geometric shapes that can be split into parts, and the Greek word Eidos (used for example in kaleidoscope) which refers to Plato's Ideal Forms and evokes the term "Eidetic memory," defined as the ability to recall images, sounds, or objects in memory with extreme accuracy and in abundant volume.

分形&FRACTEID&作为一个混成词，通常被用作形容不规则碎片在语言学上的混合，定义为可以被分成几个块或成碎片的几何形状，柏拉图理念形式所提及的古希腊词语理念，唤起&高级记忆&这个词语，定义为一种唤起记忆中极端准确的意象和物体，最顶峰值的声音。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。