哲学上的

Since this sort of details might, particularly at the present moment, and to use an expression now in fashion, give to the Bishop of D---- a certain "pantheistical" physiognomy, and induce the belief, either to his credit or discredit, that he entertained one of those personal philosophies which are peculiar to our century, which sometimes spring up in solitary spirits, and there take on a form and grow until they usurp the place of religion, we insist upon it, that not one of those persons who knew Monseigneur Welcome would have thought himself authorized to think anything of the sort.

由于这种详细的叙述，特别是在我们这时代，很可能赋予迪涅的这位主教一副泛神论者（暂用一个目下正流行的名词）的面貌，加以我们这世纪中的哲学流派多，那些纷纭的思想有时会在生活孤寂的人的精神上发芽成长，扩大影响，直到取宗教思想的地位而代之，我们的叙述，又还可以使人认为他也有他一套独特的人生观，无论这对他是指责还是赞扬，我们都应当着重指出，凡是认识卞福汝主教的人，没有一个敢有那样的想法。

This paper mainly includes two parts The first part falls into three main sections. First, it analyses the formative causes of the Chinese traditional house interior display art through five aspects, including the structure and forms of Chinese traditional architecture, the productive mode of Chinese traditional society, Chinese traditional philosophy, the idea of ethics and grading and custom of Chinese traditional society. Second, it briefly introduces the history of Chinese traditional house interior display art's development. Finally, it focuses on the analysis of Chinese traditional house interior display art's design ideas and concludes that its design ideas embodies the five sides as follows: respect for nature and imitate artfully nature, practical-oriented and function incorporated into form, images of space of what the theory and practice forms, balanced natural pattern of the display, artifacts with the thoughts and respect for poetic imagery. Another part of the article further researches on the application of Chinese traditional house interior display ideas to the contemporary home display, and leads to the author's view, that is that each era should has its own character when it inherits the traditional culture. What's more, the contemporary Chinese-style home display design not only have to take over the spirit of the tradition but also have to give full consideration of the contemporary aesthetic concepts, principles and methods. In the 21st century, humanistic care is greatly proponed in the interior design. The interior display art should develop towards the ecological, personalized and comfortable direction and the cultural dimensions. It should absorb the traditional cultural elements to decorate contemporary living space. In order to upgrade the simple and primary "appearance likeness" to a higher level of "spirit likeness", it must effectively grasp the poetic imagery of space, which can reach the artistic effect of "both appearance and spirits".

本文的重点内容有两部分：一部分是从中国传统建筑的结构形式、中国传统社会的生产方式、中国传统的哲学观念、中国传统的伦理等级观念、中国传统社会的风俗习惯等五个方面简单分析了中国传统民居室内陈设艺术形成的原因；简要介绍了中国传统民居室内陈设艺术的发展过程；着重对中国传统民居室内陈设艺术设计理念的具体内涵进行了深入的分析，总结出其设计理念集中体现在五个方面，即崇尚自然与巧法造化、实用为本与文质彬彬、虚实相生的空间意象、均衡自然的陈设格局、器以载道与以境为尚；另一部分是对中国传统民居室内陈设设计理念在当代居室陈设设计中的应用作了较深层次的探讨，并提出了自己的见解，即每个时代对传统文化的继承都应该呈现出自己的特色，当代中式风格的居室陈设设计既要秉承传统民居室内陈设艺术的设计精髓，又要充分考虑当代审美观念、原则和方法的融入。21世纪，室内设计大力提倡人文关怀，具体到室内陈设艺术设计上，应该向生态化、个性化、舒适化和文化层面发展；吸收传统文化元素装饰当代居室空间，要有效地把握空间意境，使当代中式风格的居室陈设设计从简单、初级的&形似&上升到较高层次的&神似&，进而追求&形神兼备&的艺术效果。

When life does not get on well with work, he redresses the balance.

听力译文(J=詹姆斯P=帕玛拉M=麦尔文) P詹姆斯在你辉煌的事业中你比别人更成功是走运吗 J这一点我不争辩事实上我是既是幸运又幸福 62 M那么说确切一些你把成功归结于什么呢 J我的哲学一直是找出自己从中能得到满足的工作 P大概也是能使你从中得到乐趣的荼 J绝对正确 M那跟我们说说你的秘密 J嗯在我工作的日子里我总问自己某些问题主要是在我感到不满意的时候 P对自己不满 J这么说吧对自己的生活感到不满职业方面的和个人生活方面的每次做出的回答都能给我指出新的方向或新的奋斗目标 M你问了哪些问题 J显然事业早期主要的问题都是关于钱的例如想挣的更多吗如果回答是肯定的那我就在采取步骤去实现或者使老板相信我值更多的薪水或者另谋职务首先钱对我是主要动力 P那么在你需求的阶梯上下一项是什么 J嗯下一项跟钱同样重要的是得到人们的承认别人真正懂得珍视我的努力吗如果回答是否定的那就到了应该打破原先平衡的时候这样方能谋求我理应得到的那份尊重 M照你这么一说你是把得到承认和金钱放在同样的位置了 J当然这样了接下来的便是责任我需要接受更多的挑战不仅是为了挑战本身而且我也从担负较多的责任中获益匪浅走向成功确保事事都顺利一旦有点差错就勇担其责当然责任大了必然需要更多的支持不言而喻当今成功的群体全都是由各种职业的人才组成的简单地说责任加支持就是我想要的 P毫无疑问你在鲁毕康组建了这样一个成功的团队 J确实如此他们无疑是与我共过事的同事中最有才华的无论是工作上还是其它方面我们观点一致相互配合达成默契 M詹姆斯我看你在鲁毕康达到了成功的顶峰 J我同意这点事实上在鲁毕康的最后期间我已经实现了自己大部分的目标我需要更多的时间来发展业余爱好顺便提一下我的妻子一直忠实地支持我是我坚强的后盾她认为我应该在工作会议之外多花些时间于是我开始培养一系列的业余爱好一些我以前总是浅尝辄止但从未真正精通的事情比如打高尔夫球或看优秀小说 P退出权力核心对你来说困难吗 J一点儿也不更多的时间用于业余爱好这正是我所想要的我还希望假期更长些一般说来别人认为你应抽出两周来恢复精力我想我的精力一直在很好地恢复不过需求总是在变化的我需要休息时间和假若来好好考虑下一步 P那么我们要看到詹姆斯里布鲁德卡潇洒退出公众生活了 J不是这样正如我刚才说的需求总是在变化的我的巾是总要把握住平衡我现在所处的位置使有足够的空间去做自己想做的事情总的来说我到目前为止对自己的生活十分满意 M剩下还有什么 J找到更多自己想做的事这是个挑战是寻求生活中更丰富内容的挑战

When life does not get on well with work, he redresses the balance.

听力译文(J=詹姆斯 P=帕玛拉 M=麦尔文) P 詹姆斯在你辉煌的事业中你比别人更成功是走运吗 J 这一点我不争辩事实上我是既是幸运又幸福更多请进大家学习网http：//club.topsage.com M 那么说确切一些你把成功归结于什么呢 J 我的哲学一直是找出自己从中能得到满足的工作 P 大概也是能使你从中得到乐趣的荼 J 绝对正确 M 那跟我们说说你的秘密 J 嗯在我工作的日子里我总问自己某些问题主要是在我感到不满意的时候 P 对自己不满职业方面的和个人生活方面的每次做出的回答都 J 这么说吧对自己的生活感到不满能给我指出新的方向或新的奋斗目标 M 你问了哪些问题 J 显然事业早期主要的问题都是关于钱的例如想挣的更多吗如果回答是肯定的那我就在采取步骤去实现或者使老板相信我值更多的薪水或者另谋职务首先钱对我是主要动力 P 那么在你需求的阶梯上下一项是什么 J 嗯下一项跟钱同样重要的是得到人们的承认别人真正懂得珍视我的努力吗如果回答是否定的那就到了应该打破原先平衡的时候这样方能谋求我理应得到的那份尊重 M 照你这么一说你是把得到承认和金钱放在同样的位置了 J 当然这样了接下来的便是责任我需要接受更多的挑战不仅是为了挑战本身而且确保事事都顺利一旦有点差错就勇担我也从担负较多的责任中获益匪浅走向成功其责当然责任大了必然需要更多的支持不言而喻当今成功的群体全都是由各种职业的人才组成的简单地说责任加支持就是我想要的 P 毫无疑问你在鲁毕康组建了这样一个成功的团队 J 确实如此他们无疑是与我共过事的同事中最有才华的无论是工作上还是其它方面我们观点一致相互配合达成默契 M 詹姆斯我看你在鲁毕康达到了成功的顶峰 J 我同意这点事实上在鲁毕康的最后期间我已经实现了自己大部分的目标我需要更多的时间来发展业余爱好顺便提一下我的妻子一直忠实地支持我是我坚强的后盾她一些我认为我应该在工作会议之外多花些时间于是我开始培养一系列的业余爱好以前总是浅尝辄止但从未真正精通的事情比如打高尔夫球或看优秀小说 P 退出权力核心对你来说困难吗 J 一点儿也不更多的时间用于业余爱好这正是我所想要的我还希望假期更长些一般说来别人认为你应抽出两周来恢复精力我想我的精力一直在很好地恢复不过需求总是在变化的我需要休息时间和假若来好好考虑下一步 P 那么我们要看到詹姆斯里布鲁德卡潇洒退出公众生活了 J 不是这样正如我刚才说的需求总是在变化的我的巾是总要把握住平衡我现在所处的位置使有足够的空间去做自己想做的事情总的来说我到目前为止对自己的生活十分满意 M 剩下还有什么 J 找到更多自己想做的事这是个挑战是寻求生活中更丰富内容的挑战 Unit 7 Actions speak 更多请进大家学习网

The cultural inheritance that this theory left to us was very huge and plentiful, To research this theory very clearly and overall is beyond the author"s ability , knowledge and .the article"s space , so in this paper , through elaborating on the following theories that composed the theory of speech acts -Attaching importance to the preferential status of the ordinary language philosophy A the distinction theory of language and speeclu the distinction theory of performative utterance and constative utterance , Three theories of speech acts, Three theoriesreplaced the distinction theory of performative utterance and constative utterance, the author introduced the contents, philosophy significance and contribution of this theory .

奥斯汀的言语行为理论给我们留下的文化遗产是十分巨大和丰富的，要对这一理论做全面透彻的深入细致的研究是笔者的学识、能力和篇幅所不能及的。本文通过对构成奥斯汀言语行为理论的注重日常语言的优先地位、语言与言语区分说、履行式话语与记述式话语区分说、言语行为三分说、&三分说&取代&区分说&等各个部分的阐述，介绍了奥斯汀的言语行为理论的内容并在此基础上阐述了奥斯汀言语行为理论的哲学意义及贡献。

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

These research results Deepen people's understanding of the works of Tang Xianzu,Nevertheless,The most of the research are pase the Focus on the literature and the opera of the hia works.the research which in-depth study the works of Tang Xianzu From the level of thinking was very few.

首先，本文根据&意识取决于一定物质条件&的哲学原理，详细闸述了汤显祖所处的时代环境和个人成长经历对其思想形成的影响，其次，在总结了前人研究的基础上，分析了汤显祖&至情&思想产生的思想根源，再次，本文深入的研究了汤显祖作品中所渗透的&情&的思想及其从&一点情痴&到&生死为情&的升华，并重点阐述了汤显祖关于&情&与&理&的关系的观点，得出如下结论：汤显祖虽然&主情&，但并不是单纯的要以&情&代&理&，而是驳斥虚理、张扬实情，基于真情、维护合理，统一理欲于真情。

In contrast, Diogenes, one of Antisthenes most famous followers carried the cynical philosophy to its farthest extreme. Diogenes was not known merely as one of "The Dog Philosophers," his personal nickname was "The Dog" and Plato referred to him as "Socrates gone mad." He denied all physical wealth and pleasure; he lived in a barrel and his only possessions were a robe to cover himself and a walking stick. There is an antecdote of questionable historical accuracy that demonstrates the character of Diogenes: One day Diogenes was sitting on a hill next to his barrel enjoying the warm rays of the sun when he was approached by Alexander the Great. Alexander asked Diogenes if he was the infamous Diogenes of whom the Athenians had spoken. Diogenes replied that he was. Alexander asked Diogenes if it was true that he had no desire for anything. Diogenes looked up at Alexander and said that he only wanted one thing, with that he asked Alexander to move a little to one side because he was blocking the sun. After the encounter, Alexander reportedly stated that if he could be anyone other than Alexander he would want to be Diogenes. Although Diogenes' behavior was sometimes amusing, he was not well liked in Athens primarily because of his writings encouraging incest and cannibalism.

和他形成对比的是带奥珍妮丝，他最著名的一个把犬儒哲学发扬到极致的追随者，带奥珍妮丝不光被看成犬儒哲学家，他自己的外号是狗并且柏拉图称他为疯了的苏格拉底，他漠视一切身体健康和愉悦，他住在一个罐子里，所有的财产是用来遮盖自己的一挂长袍，和一只拐杖，曾有一个轶闻能够体现带奥珍妮丝的性格，尽管历史准确性存在争论：有一天带奥珍妮丝坐在小山坡上，身边是他的罐子，正在沐浴和煦的阳光，这是亚历山大王走到他的身边，亚历山大问带奥珍妮丝是不是雅典人所热论的那个声名不佳的带奥珍妮丝，带奥珍妮丝回答是，亚历山大接着问你什么东西都不想要是否属实，带奥珍妮丝抬头看看亚历山大王，说道，除了一样东西，说着，他请亚历山大挪开一点因为他挡住了他正在享受的阳光，据传言，这次邂逅以后，亚历山大说过，如果给他一个不是亚历山大的机会，他愿意成为带奥珍妮丝，尽管带奥珍妮丝所为有时趣味横生，但是他还不是很见爱于雅典人，主要是因为他的著述里面提倡乱伦和食人

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。