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Ernst eagerly intended to break through the new vision effect, created by Giorgio De Chirico, which was similar to Freud's "unconscious theory". After all, Ernst created a brand new combination style of philosophic theory, which was not only limited in "dream" but a all new theory combined with psychology, philosophy, and Freud's theory. Simply speaking, Ernst owned unique thought which was free from the limitation of logic and traditional esthetics thinking.

恩斯特野心勃勃的在艺术界全力以赴,企图超越基里诃所创造的一种新的视觉效果,一种接近佛洛伊德所描绘的潜意识理论,最后恩斯特不仅跨越佛洛伊德所发现的潜意识理论,进而创造一种全新的哲学风貌混合意象,这新的混合意象不再只限於梦的单纯表象而已,这全新的意象是结合心理学、哲学以及佛洛伊德学说三者而成。

Basle, Erfurt, Heidelburg, and Leipzig showed unmistakably their sympathy towards the movement, and in a short time the programmes of university studies in nearly all the leading centres were modified in accordance with the new ideas of education.

巴塞尔,埃尔夫特,海德堡,莱比锡等地大学都明白无误地表白了对复兴运动的同情。一段时间内,几乎所有大城市的大学学习课程都根据新的教育理念进行调整:经院哲学被迫让位于古典哲学和自然科学。

Since Gustav Theodor Fechner,aesthetic as a branch of philosophy for a long time was transfered from philosophy to science gradually.

美学长期隶属于哲学,在费希纳之后,美学逐渐由哲学走向科学,但这一转向并没有给美学带来整体上的突破。

Since Gustav Theodor Fechner,aesthetic as a branch ofphilosophy for a long time was transfered from philosophy toscience gradually.But thetransference had not changed the aesthetic on whole.

美学长期隶属于哲学,在费希纳之后,美学逐渐由哲学走向科学,但这一转向并没有给美学带来整体上的突破。

The paper firstly examines the philosophical background. It holds that philosophical currents such as phenomenology and existentialism have an effect on this theory to some degree, and then traces the inner logic of origin and development of the theory from post-modernism and "anti-cultural" trend. Afterwards, it generalizes several important post-modern theorists such as Alain Robbe-Grillet, Roland Barthes, Susan Sontag, Michel Foucault, Jacques Derrida, Gilles Deleuze, Jean Baudrillard and so on. The paper proposes that "against-interpretation" is not only a literary critical claim, but also a cultural theory. Its attitude that overthrows and rebells tradition makes it inevitably tend towards the logic of deconstruction.Chapter two, chapter three and chapter four analyze in detail of Robbe-Grillet, sontag and Baudrillard respectively, and systematicly discuss the aesthetics pursuit and the cultural significance of the theory against interpretation through comparing the thoughts of them.

论文首先对反阐释理论产生的哲学背景作了辨析,认为现象学和存在主义哲学思潮在某种程度上对反阐释理论产生了一定的影响;再从60年代之后,后现代主义对现代性的批判与美国的&反文化&潮流两方面追寻反阐释理论产生与发展的内在逻辑;然后又概括介绍了阿兰·罗伯—格里耶、罗兰·巴尔特、苏珊·桑塔格、米歇尔·福科、雅克·德里达、吉尔·德勒兹、让·博德里亚等几位对反阐释理论发生过重要影响的后现代大家,指出&反对阐释&不只是一种文学批评主张,还是一种文化批判理论,它对传统的颠覆与反叛姿态使它不可避免地走向了&解构主义&的逻辑。

DM Armstrong, Universals and Scientific Realism: Nominalism and Realism, II; F Copleston, History of Philosophy, II; R Seeberg, Textbook of the History of Doctrines; M deWulf, History of Medieval Philosophy, I; WGT Shedd, Dogmatic Theology; E Gilson, History of Christian Philosophy in the Middle Ages.

马克阿姆斯特朗,共性和科学的现实主义:唯和现实主义,二女copleston ,哲学史上的第一,第二; r seeberg ,教科书的历史理论;米dewulf ,历史,中世纪哲学,我; wgt谢德,教条式的神学电子商务吉尔松,历史上基督教哲学在中世纪。

The theory of soul is a very important part of Plotinus\' philosophy which is also one of the central theses of Greek philosophy.

灵魂学说在普罗提诺哲学中具有举足轻重的地位,它也是希腊哲学中的一个主要论题。

We also analyze Plotinus\' great influence on Augustine\'s theology.

通过分析普罗提诺哲学的原创性,我们可以把握古代晚期基督教神学典范的特殊脉络及它所根基的普罗提诺的哲学基础。

Plotinus's works had an important influence on the catholic theology that came with the end of the Roman Empire and subsequent Christian era of the Middle Ages.

普诺提诺的作品对天主教哲学理论的影响是巨大的,正是这个天主教的哲学思想见证了罗马王朝的终结,以及稍后的基督教纪元:中世纪的来临。

He took their views, especially those of Plotinus, and made them the basis for his philosophy, which became the foundation for subsequent Christianity.

奥古斯丁接过前人的观点,特别是普诺提诺的思考,把这些光彩夺目的珍宝作为自己哲学体系的基石;而后,基督教哲学将从他的体系发扬光大。

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Finally, according to market conditions and market products this article paper analyzes the trends in the development of camera technology, and designs a color night vision camera.

最后根据市场情况和市面上产品的情况分析了摄像机技术的发展趋势,并设计了一款彩色夜视摄像机。

Only person height weeds and the fierce looks stone idles were there.

只有半人深的荒草和龇牙咧嘴的神像。

This dramatic range, steeper than the Himalayas, is the upturned rim of the eastern edge of Tibet, a plateau that has risen to 5 km in response to the slow but un stoppable collision of India with Asia that began about 55 million years ago and which continues unabated today.

这一引人注目的地域范围,比喜马拉雅山更加陡峭,是处于西藏东部边缘的朝上翻的边框地带。响应启始于约5500万年前的、缓慢的但却不可阻挡的印度与亚洲地壳板块碰撞,高原已上升至五千米,这种碰撞持续至今,毫无衰退。