哈姆的

This moving and majestic film would be a landmark if only because it is the first Hollywood movie to unmask the homoerotic strain in American culture that Leslie Fiedler discerned in his notorious 1948 Partisan Review essay,"Come Back to the Raft Ag'in, Huck Honey." Fiedler characterized the bond between Huckleberry Finn and Jim, a runaway slave, as an unconscious romantic attachment shared by two males of different races as they flee the more constraining and civilizing domain of women.

这部感人至深和气势恢弘的电影将是一个里程碑，就单论其是第一部披露美国文化中同性恋所承受的压力的好莱坞电影。1948年费德而在《党派评论》中发表的一篇著名的杂文中提及这种文化压力："回到木筏时代，亲爱的罕克"费德而将哈克和和在逃奴隶吉姆的关系描述成两个不同种族的男性所萌生难以自禁的情愫，他们从受制和开化女性社会的枷锁中潜逃出来。

Claudius the King 's Men is not only political, but also the scum of human relations, and his brother to kill levirate is the reverse纲常ethical confusion, so Hamlet on the fight against Claudius had double meaning: the representative of the progressive forces of humanism and strength of reactionary feudal regime; to represent the moral force of good and evil forces in the struggle.

克劳狄斯不仅是政治的奸雄，也是人伦的败类，他的杀兄娶嫂同样是伦理的纲常的颠倒混乱，所以哈姆雷特对克劳狄斯的斗争就有了双重的意义：代表人文主义的进步力量与反动封建政权较量；要代表善良的道德力量与邪恶势力斗争。

No. 3, with its glimpses of mazurka, followed by a solemn chorale section that suddenly curtails the piece without the expected return to the opening material ---- evidently a late inspiration, since an early manuSCRIPT fragment of the piece assumes the conventional da capo return.(the other side of the same manuSCRIPT contains the study op. 10 no. 9, suggesting that this nocturne was at least partly composed well before the date of 1833 usually ascribed to it.) chopin is said to have associated the piece with hamlet ---- one of many literary images prompted by his music.

最为典型的例子是op.15no.3，在它中间有着玛祖卡舞曲的惊鸿一瞥，之后是肃穆的赞美诗部分，这一部分突然缩减了这一篇章，而不是象预期的那样回到开始之处，而早期的手稿中这里是采用了传统的da capo返回（这篇手稿的另一面还写有op.10no.9，这表明这部夜曲至少有一部分是在1833年以前创作的）据说肖邦把这个乐章和哈姆雷特——在他的音乐中提及的众多文学映像之一——联系在了一起。

The Renaissance is an age which calling and bringing up the giants, The hero motif in the literature of this age have also immediately taken place of tremendous change: The hero images in the literature at that times have break through the traditional molding pattern of divine nature hero , The angle of view has changed from the divine nature heros to giant heros:For example, Pantagruel writed by Rabelais, Hamlet writed by Shakespeare and Quixote writed by Cervantes, They are the outstanding delegates of he hero type of giants in the giant epoch.

文艺复兴时代是一个呼唤与造就巨人的时代，这一时期文学中的英雄母题也随之发生了巨大转变：这一时期文学中的英雄形象突破了传统神性英雄的塑造模(来源：ABCd8论文80网www.abclunwen.com)式，把视角从神性英雄转向了巨人英雄身上：比如拉伯雷笔下的庞大固埃、莎士比亚笔下的哈姆莱特以及塞万提斯笔下的堂吉诃德，他们是文艺复兴时期巨人式英雄的杰出代表。

We are now in the midst of an extremely rich and varied period for Shakespeare on film which began with the release of Kenneth Branagh's Henry V in 1989 and includes such films as Richard Loncraine's Richard III, Julie Taymor's Titus, Zeffirelli and Almereyda's Hamlet films, Baz Luhrmann's William Shakespeare's Romeo + Juliet, and Shakespeare in Love.

我们现在处在一个及其丰富多样的时期中，莎士比亚电影上起始于Kenneth Branagh的《亨利五世》在1989年开始发行，包括了像Richard Loncraine的《理查德三世》，Julie Taymor的《泰特斯》，Zeffirelli和Almereyda的哈姆雷特电影，Baz Luhrmann的威廉·莎士比亚的《罗米欧和朱丽叶》以及《恋爱中的莎士比亚》。

The wide windows look out on Harlem's invincible and indescribable squalor:the Park Avenue railroad tracks, around which, about forty years ago, the present dark community began; the unrehabilitated houses, bowed down, it would seem, under the great weight of frustration and bitterness they contain; the dark, the ominous schoolhouses from which the child may emerge maimed, blinded, hooked, or enraged for life; and the churches, block upon block of churches, niched in the walls like cannon in the walls of a fortress.

宽大的窗户俯瞰着哈莱姆的破败，它一成不变，难以描述：那里有帕克大街的车轨，在此周围，大约40年前，现今黑暗的社区就开始形成了；那里有无法修复的房子，耷拉着，似乎在承载着其中失败与痛苦的巨大压力；那里有黑暗的、带来坏运气的学校教室，因为从这些校舍里出来的孩子可能是伤残的、瞎眼的、吸毒的或一生愤怒的人；那里还有很多教堂，街区连着街区，教堂的墙壁都装饰着神像，就像加农炮加在堡垒的堞垛上。

Tom's excitement enabled him to keep awake until a pretty late hour, and he had good hopes of hearing Huck's "maow," and of having his treasure to astonish Becky and the picnickers with, next day; but he was disappointed. No signal came that night.

汤姆也激动得很晚才睡着，他怀着极大的希望等着听哈克的&猫&叫，好在第二天野餐时拿出财宝给贝基和参加野餐的人一个惊喜，可他的如意算盘落了空，令他失望的是那天晚上根本没有任何&猫&叫声传来。

Chapter III focuses on Gould and Nostromo the Quixotes who stick to their convictions, respectively "material interests" and "personal reputation", but inevitably meet with failure because of their improper beliefs and the alienation caused by their obsession.

这三个人物的命运说明，极端怀疑论必然导致毁灭，而错误的信仰同样会异化和吞噬痴迷的追随者。由于虚无和异化的泛滥，一部动荡不安的现代史必然也是一部哈姆雷特型和堂吉诃德型人物的血泪史。

I would thou couldst; For who would bear the whips and scorns of time, The oppressor's wrong, the proud man's contumely, The law's delay, and the quietus which his pangs might take, In the dead waste and middle of the night, when churchyards yawn In customary suits of solemn black, But that the undiscovered country from whose bourne no traveler returns, Breathes forth contagion on the world, And thus the native hue of resolution, like the poor cat i' the adage, Is sicklied o'er with care, And all the clouds that lowered o'er our housetops, With this regard their currents turn awry, And lose the name of action.

但是那世人有去无还的冥界，正向人间喷出毒气阵阵，因此那刚毅的本色，象古语所说的那只可怜的小猫，就被烦恼蒙上了一层病容，一切压在我们屋顶上的阴云，因此改变了漂浮的方向，失去了行动的力量。那正是功德无量。且慢，美丽的峨菲丽雅：别张开你那又大又笨的大理石嘴巴，赶快到女修道院里去吧——快去①。①《文库》本注：&公爵&自以为在背诵哈姆雷特这段著名独白，其实背得颠倒错乱，还胡乱插进了莎剧《麦克白》和《理查三世》中的台词。

Who sat in boxes breathing in the darkness under the bridge, and rose up to build harpsichords in their lofts, who coughed on the sixth floor of Harlem crowned with flame under the tubercular sky surrounded by orange crates of theology

他们走投无路地坐着吸进大桥底下的黑暗，然后爬上自己的阁楼建造大钢琴，他们头戴火冠咳嗽在哈雷姆的六楼，结核的天空被神学的橘园围困

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。