哈克贝里芬历险记

Two of the best books during this period are The adventures of Tom Sawyer and Adventures of Huckleberry Finn.

这一期间他最伟大的作品是《汤姆。索亚历险记》和《哈克贝里。芬历险记》。

Firstly, Mark Twains life and literary career are summarized; secondly, a brief survey of the book and its translation history in China are generally stated; at last, the three Chinese versions are introduced with their translators, and the reasons why these versions should be chosen to study out of dozens of translations.

首先，原文作者马克·吐温的生平和文学生涯在本章中得到概述；其次，本章介绍了《哈克贝里·芬历险记》的相关情况及其在中国的翻译情况；最后，本章对这三种译本及其作者进行了介绍，并且论述了本文从众多译本中选择这三种译本进行比较的缘由。

One of the most distinguished features, which is the spirit of the book, in The Adventures of Huckleberry Finn is the constant use of dialects.

哈克贝里·芬历险记》中大量采用的方言土语是本书最重要的特色之一，这种风格已经成为该书灵魂的一部分。

This thesis makes a comparative study of the three Chinese versions of the world famous masterpiece The Adventures of Huckleberry Finn from the perspective of German functional approaches to translation.

本文对世界文学名著《哈克贝里·芬历险记》的三个译本进行了比较研究，旨在从德国功能主义的角度探索不同译本的特色，从而进一步指出功能主义在文学翻译中的指导作用。

This thesis makes a comparative study of the three Chinese versions of the world famous masterpiece The Adventures of Huckleberry Finn from the perspective of German functional approaches to translation. Through the exploring of the differences of the Chinese versions, the thesis attempts to show the application of functional approaches in literary translation.

本文对世界文学名著《哈克贝里·芬历险记》的三个译本进行了比较研究，旨在从德国功能主义的角度探索不同译本的特色，从而进一步指出功能主义在文学翻译中的指导作用。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。