咏叹调的

The duty of the drame and the music which was give by the subject was accomplished by three elements used in this dissertation as following:the musical theme"La Roi S'amuse"(from the opera"Rigoletto")was the center clue;the forming precess of the three main characters (Rigoletto、Duke and Gilda)was the major may to interprete the drama subject; meanwhile, their own Arias were used to rebuild the musical figures; and the chorus between each of them was the main means to put forward the plot of the drama.

本论文以歌剧《黎戈莱托》的主题"诅咒"作为主轴线，以歌剧中三个主人公(黎戈莱托、曼图阿公爵、黎戈莱托的女儿吉尔达)在歌剧中各自音乐形象的塑造过程作为对歌剧主题诠译的主要手段，同时又以他们各自在歌剧中的咏叹调作为塑造音乐形象的主要方式，以他们相互之间的合唱作为歌剧情节向前发展的重要方式，从而完成歌剧主题所赋予的戏剧任务和音乐任务。

First the formation of composing features is explored with reference to the life experiences of Lehar, the social and cultural background of his age and the development of Viennese operetta; secondly, the composing features are analyzed as to rhythm, melody, instruments device, ensemble and play books; Finally, the work is analyzed from the angle of singing. In this part the style of singing is explained specifically in terms of rhythm, timbre, etc. Also a famous Aria "vilja-lied" in this work is explained in detail and a comparison is made between operetta and opera to impress people with the singing style of operetta in a deeper way.

首先，本文从雷哈尔的生活经历、所处时代的社会文化背景、维也纳轻歌剧的发展来分析《风流寡妇》创作特特征的形成；其次，从节奏、旋律、配器、重唱以及剧本这几个方面来分析作品的创作特征；最后，从演唱的角度分析作品，除了从节奏、音色、起句等方面具体的分析作品的演唱风格外，还对其中的一首著名咏叹调维利亚之歌做了详细地分析，并且从演唱的角度把轻歌剧和歌剧做了一个比较，从而使人们能够更深刻的理解轻歌剧演唱的风格。

Namely they are prelude, recitative, aria, duet and chorus which elaborate Mozart's opera's music language and display its unique techniques.

这部分主要包括：《虚伪的单身汉》的序曲；《虚伪的单身汉》的宣叙调；《虚伪的单身汉》的咏叹调；《虚伪的单身汉》的重唱；《虚伪的单身汉》的合唱等。

The nearest parallel in Russian opera is Mikhail Glinka's Ruslan and Lyudmila , but echoes of Musorgsky are present too: tritones used to depict alarm bells in the scene between Yaroslavna and the boyars, the closing measures of Igor's aria (suggesting the closing measures of Act II of Boris Godunov ), the comic gudok players' recitative.

在俄罗斯歌剧中与它最相似的一部是米哈伊尔格林卡的《鲁斯兰与柳德米拉》，但是与穆索尔斯基作品也有相似之处：在雅洛斯拉夫那与贵族们间的场景中用三全音来描绘警报声，伊格尔的咏叹调中相似的小节（让人想起《鲍里斯格杜诺夫》第二幕中的相似的小节）以及滑稽的古多克琴演奏者的宣叙部。

Among the windings of the violins And the ariettes Of cracked cornets Inside my brain a dull tom-tom begins Absurdly hammering a prelude of its own, Capricious monotone That is at least one definite "false note.——Let us take the air, in a tobacco trance, Admire the monuments, Discuss the late events, Correct our watches by the public clocks. Then sit for half an hour and drink our bocks.

随着小提琴的抑扬及铜号嘶哑的小咏叹调我的脑中响起了沉闷的咚咚声荒谬的敲打它自己的前奏曲，任意无常的单调那根本是一个明显的"错音"——让我们换一换空气，在烟熏的恍惚间，敬仰那些纪念碑，讨论时下新闻，跟街钟对表，然后坐上半个小时，喝点烈性的黑啤酒。

" Among the windings of the violins And the ariettes Of cracked cornets Inside my brain a dull tom-tom begins Absurdly hammering a prelude of its own, Capricious monotone That is at least one definite "false note.--Let us take the air, in a tobacco trance, Admire the monuments, Discuss the late events, Correct our watches by the public clocks.

随着小提琴的抑扬及铜号嘶哑的小咏叹调我的脑中响起了沉闷的咚咚声荒谬的敲打它自己的前奏曲，任意无常的单调那根本是一个明显的"错音"--让我们换一换空气，在烟熏的恍惚间，敬仰那些纪念碑，讨论时下新闻，跟街钟对表，然后坐上半个小时，喝点烈性的黑啤酒。

Opera seria, rising in these situations, is characterised with serious polt, dignity historical material and arias which are the focus of music.

在这些条件中成长起来的正歌剧具有严肃的情节，高贵的历史题材，和以咏叹调为中心的音乐特征：其戏剧的本质是展现真正的人生悲剧，是专门为音乐而作的戏剧。

To analyze people's music image, the article mainly discusses three main arias which show the development of Chan Juan's character; to exhibit figural extemporizes, the article analyzes various techno-lays such as vocality volume, timbre and breath in term of the movement of Chan Juan's emotions.

本文在梳理歌剧创作背景的基础上，聚焦于婵娟的人物刻画和艺术形象的塑造，并通过重点分析剧中展现婵娟人物性格发展脉络的三个主要咏叹调来具体展开讨论。本文还依托剧情，按照婵娟的感情变化，在歌唱的气息、音色、语言、形体表演处理等各种技术层面上对婵娟的演唱处理进行了全面总结。

The nature of opera seria is to expose the real tragedy of life.

在这些条件中成长起来的正歌剧具有严肃的情节，高贵的历史题材，和以咏叹调为中心的音乐特征：其戏剧的本质是展现真正的人生悲剧，是专门为音乐而作的戏剧。

Bellini is one of the most significant Italian opera playwrights in the 19th century.

贝利尼是意大利十九世纪重要的歌剧作家，他的歌剧创作极具个性化特征，这些歌剧在捍卫意大利歌剧传统的同时，开辟了民族艺术的新天地，其中许多咏叹调既是人类艺术宝库中的瑰宝，又是声乐教学中的重要教学内容。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。