和音的

It can be realized at lexico-grammatical level by informal slang, vulgarisms, ellipses, tags, etc., formal complex sentences, nominalization, and vocatives, modalization with both formal and informal style; at phonological/graphological level by allophone/allograph.

人际功能在词汇语法层体现为非正式的俚语、俗语、省略句、附加句等，正式的复合句、名物化结构和正式与非正式兼有的称呼语、情态等；在音系/字系层体现为音位/字位变体；其中方言可表现出词汇语法和音系/字系特征。

According to guitarist Manolo Sanlúcar , in this flamenco Phrygian mode, E is the tonic , F would take the harmonic function of dominant , while Am and G assume the functions of subdominant and mediant respectively.

根据吉他家 Manolo Sanlúcar 的说法，在这一弗拉门戈弗利基亚调式中， E 是主音， F 发挥了属音的和声作用，而 Am 和 G 则分别起到了下属音和中音的作用。

Chapter one is "Introduction". On the basis of summarizing the history of the study of the pictophonetic characters, we suppose some theoretical principle, such as the principle of the correspondence between the form and the meaning of the individual graph of Chinese characters, the principle of the total graphs of Chinese characters being a character-formation system, and the principle of the optimum development of the character -formation system in the history, and som analytic methods, such as the methods of structrue-function analysis, form-position analysis and meaning factor analysis, in the study of the pictophonetic characters. Chapter two is titled"General knwledge of the pictophonetic character." We discuss their origins, nature and some standards of distingnishing them, introduce the knowledge about the editions of SHUO WEN JIE ZI, analyse the functions of the modules of pictophonetic characters in detail, discuss concretely the function of phonetic graphs showing origins and pronunciations, the function of meaning graphs showing meanings and analogies, and the function of distinguishment when the two kinds of graphs are conbined. Chapter three is"The system of meaning graphs of Xiao Zhuan system."After we describe the structure of the meaning graph system, the relations between meaning graphs, the distributions of the function of meaning graphs showing meanings, and the frequency of all this kind of graphs, we get a table of all meaning graphs, a table of the frequency. Chapter four is"The system of phonetic graphs of Xiao Zhuan system."We describe the structure of the phonetic graph system, the relations between phonetic graphs, and between their function showing origins and their function showing pronunciations, and their frequency, then we get ageneral table of phonetic graphs and table of their frequency. Chapter five is "conclusion". We think that systematical methodology is useful in describing and analysing the formation system of Chinese characters. The methodology is adaptable in describing the formation system of modern Chinese characters as well as the historical character systems, adaptable in describing horizontally as well as comparing vertically. Only when we finish the systematical vertical compare on the base of systematical horizontal decription, could we know the true history of the system of Chinese characters, recover the rule of the system's development, and supply the theoretical supports for the scientifical arrangement of modern Chinese characters.

第一部分—绪论，在总结形声字研究历史状况的基础上，提出了研究形声系统的理论原则和分析方法，即汉字个体字符形义统一的思想，汉字字符集合构形系统的思想，汉字构形系统历史演变系统优化的思想等三项理论原则和结构功能分析法，形位分析法，义素分析法等三种分析方法，还扼要地介绍了具体的工作程序和论文的主要内容；第二部分—形声字概述，论述了形声字的来源、性质和鉴别标准，介绍了对《说文解字》正篆形声字说解中的传抄讹误，版本异文，说解错误校勘和考证的经过，详细分析了形声字构件的功能，具体讨论了声符的示源功能与示音功能，义符的示意功能与类化功能以及声符与义符组合中的相互区别功能；第三部分—小篆字系的义符系统，从义符系统的构成、义符间的相互关系，义符示意功能的分布及义符的构字频度等不同侧面，对义符系统进行了全面的描写，产生了义符总表、义符间意义关系总表和义符构字频度总表；第四部分—小篆字系形声字的声符系统，从声符系统的构成、声符间的相互关系，声符的示源功能与示音功能的关系以及声符的构字频度等不同侧面，对声符系统进行了全面描写，产生了声符总表和声符构字频度总表；第五部分—结束语，在全面测查小篆字系形声字的基础上，对研究汉字的方法和现代汉字发展方向的问题提出了一些看法，认为系统论的方法是描写和分析汉字构形系统行之有效的方法，系统论方法，不仅适用于历史上文字系统的描写，也适用于现代汉字构形系统的描写，不仅适用了断代描写，也适用于历史比较，只有在对汉字断代系统描写的基础上进行系统的历史比较，才能认清汉字系统历史演变的真相，揭示汉字系统发展的客观规律，为科学地整理现代汉字提供理论上的依据。

Presently, Dizis comes in adjustable and nonadjustable versions.

现在，笛子有可调音和不可调音的两种。

Poetic rhythms of New Metrical Poetry are the regular arrangement of time units of the same sound intervals,which comprise several levels: the most basic rhythmical unit is sound caesura and semantic caesura.

新诗格律节奏构成的最基本节奏单元是音顿和意顿；向外发展形成两种建行方式——音顿连续排列建行和意顿对称排列建行；再向外发展就形成构节构篇的形式化节奏体系和口语化节奏体系，其基本构形原则是&句的均齐和节的匀称&，由此形成新格律诗体丰富的具体格式。

And Abel, he also brought of the firstlings of his flock and of the fat thereof.

却没有惠顾加音和他的祭品；因此加音大怒，垂头丧气。

Until now, though, it was only monophonic vocal and instrumental parts that could benefit from Melodyne's much-admired editing algorithms: algorithms capable of everything from minor corrections of intonation to extreme pitch shifting and from the subtle modification of grooves to drastic time stretching.

录音艺术家和工程师们很早就知道Melodyne，单音的声乐和器乐能从它令人赞赏的编辑算法处理从声乐中微小的校正到极限音调转变和从音谷的微小改动到剧烈的时间延展。

First, the relationship among dissonances, beats, and critical bandwidths is analyzed.

首先分析不协和音、拍音与临界频宽的关系。

Standard major triad,with the input set as the root.

标准的大调三和音，输入设为基础音。

To emulate the original studio mix environment, THX Music Mode repositions the 5.1 surround sound mix further behind you for an accurate and increased sense of spaciousness and localization - placing you directly in the recording session.

为了模拟原始专业录音棚混音环境，THX音乐模式通过将5.1环绕音轨进行处理使听众身后有精确和加强的空间感、定位感–从而让听众置身于节目录制过程中。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。