和声的

Singing both solo and a cappella with rich harmonies was also part of the slave heritage.

独唱和伴随着丰富和声的合唱也是奴隶传统的一部分。

The changes in harmony shift the emotional color of the music.

和声的变化改变了音乐的感情色彩。

Of? of exuviate of low clear of Li of to bang of horsefly admire island is contained fall Ⅶ class, fall Ⅵ class, fall Ⅲ class, fall the processing technique of harmony of Ⅱ class sound.

概要： 本文分析探索德国作曲家勃拉姆斯所喜用的一种和声手法：小下属领域的降号音系统和声，亦即包含有降Ⅶ级、降Ⅵ级、降Ⅲ级、降Ⅱ级音和声的处理手法。

It focuses on examining the subjects' abilities to find tonality and mode, perceive tendency of melodic pitches and harmonic functional progression, and recognize meter and segment the groups of rhythm. We can thus consider whether or not receiving harmonic training has an influence on recognizing meter and segment groups of rhythm.

它包含调式调性的确定、旋律音高的倾向、和声的功能解决、拍号的识别以及节奏组合的划分等测验项目，实验结果表明，师范类音乐专业大学生对调性音乐音高层面基本组合规则的感知能力不存在统计意义上的差异；是否学过和声对个体把握音乐在时间层面的基本组合规则具有影响作用。

Many of them performed in honky-tonk style.

他们很多都用"HONKY-TONK"的表演方式(HONKY-TONK是一种主要重视节奏多于重视旋律和声的音乐)。

Thoughts appear as kaleidoscopic patterns of light and sound.

思想显现为光和声的万花筒般的图案。

The structure of a work or passage as considered from the point of view of its chordal characteristics and relationships.

和声的结构：从和声特色和联系角度来看的作品或片段的结构

Transcription, and analyzes Wangs inheritance, reproduction and development of Chinese ethical folk music. She also makes transverse comparisons between the musical forms of piano works by composers of both China and abroad, and illustrates that Wang uses for inference but not copies the western musical forms, that he attaches importance but not stickles to the framework of traditional Chinese music, and also that he demonstrates a characteristic of not sticking to one pattern. She makes contrastive comparisons as well of the melodies and harmonies of piano works by composers of both China and abroad, and indicates that in inquiries into the folk style of counterpoint, Wang is flexible and creative in harmonies by inheriting the character of a clear melody and the method of multi-voice in Chinese traditional music and also by absorbing the character of emphasizing the layers of texture in western piano music.

拿民族民间音乐与钢琴改编曲作纵向比较，分析其对中国民族民间音乐的继承再现与发展；拿中外钢琴作品的曲式原则作横向比较，说明他借鉴但不照搬西方音乐曲式规范，重视但不拘泥于传统中国音乐结构方法，在作品的结构上，呈现出不拘一格的特点；拿中外钢琴作品在旋律、和声等方面作相异比较，指出了在探索多声部音乐的民族风格过程中，王建中一方面继承了传统音乐中旋律线条十分突出的特点，另一方面又吸收了西方钢琴音乐注重织体的网状结构的特点，有意识地运用了我国民间多声手法，在和声的运用方面表现出灵活多样而又富于创新的特点。

Based on functional harmony of majorand minor, the work maintains the organizational role of major and minor triad;emphasize the leading position of keynote and central chord, and using a lot of coloredchromatic harmony and modern harmony with the special language of " Prokofiev"sharmony", which forms the peculiar harmony style in "song of composer"s swan".

作品以大小调功能和声为基础，保持大小三和弦的组织作用，强调主调性和中心和弦的主导地位；同时大量使用色彩性半音化和声与近现代和声手法；伴以&普氏和声&的独特语言，在作曲家的&天鹅之歌&中形成别具一格的和声风格。

Through the briefings and case analyses of Traditional Analysis, Hindemith Analysis, Schenkerian Analysis , Allen Forte Set Analysis, this thesis is to compare differences in the theoretical basis, analytical steps and analytical results of the above four mentioned harmony analysis.

本文通过对传统分析、申克分析、亨德米特分析、艾伦·福特集合分析中有关和声的分析方法的概要阐述与实例分析，比较这四种和声分析法的理论基础、分析步骤、分析结果等方面的差异。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失