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The phylogeny and applied prospect of MES are summarized in the paper. The principle of this system is analyzed from the point of view of acoustics. The surveying and filtering technology of auxiliary parameters, sounding data and the theory of image form, backscatter strength data processing, are researched deeply in the paper. The optimal model of velocity of sound is given. For sound ray tracing, some methods of correction of sound ray curve are developed. At the same time, an ideal model of sound ray tracing is proved and given. The GPS technology is applied for the determination of tide, attitude of vessel. Moreover, some methods are given. As an important topic, the systematic error is discussed in the paper. Some filtering methods are researched in this paper. Based on the current methods of image processing, the procedure and methods are tested and given that adapt to sonar image processing.

本文研究的工作是在总结多波束声纳测深系统的发展历史、应用前景的基础上,从声学角度分析了多波束系统的工作原理;对多波束辅助参数的测定和滤波方法、测深数据的滤波方法、多波束声纳图像的形成机理、图像处理以及最终应用等作了比较深入的研究;得出了适合于多波束精密深度计算的最优声速模型和声线改正模型;提出了 GPS 载波相位定位技术用于多波束辅助参数测量的思想、算法,改善了多波束系统的作业模式;系统地分析了深度数据的误差来源和类型,首次将系统误差作为影响测深精度的主要因素给以研究,并给出了削弱系统误差的方法,提高了深度数据的质量;对多波束声纳图像的形成、处理方法进行了细致的研究,给出了适合多波束图像处理的算法和流程,并从理论和实践上对声纳图像的应用进行了比较全面的研究。

Bridged theclassical music and modern music, Symphony No. 7 inserts lots of modern compositiontechniques into the classical musical structures, such as the unique "Prokofiev"sharmony, the canonic melody of horizontal polytonality, and hybrid structuralborderline form.

作品将独特的&普氏和声&、多调性横向进行的卡农式旋律、混合结构的边缘曲式等现代作曲技法,巧妙地组织在古典调性音乐的结构之中,从而在古典音乐形式与现代音乐语汇之间搭起一座由此及彼的桥梁。

The first one and the eleventh one are concentrate to the tensibility of finger, the second one is famous of it"s fingering technique which is the typical fingering of Chopin, the third and six one are experience the layer of mufti voice parts, the fourth one is keenness which carries on by its speed and music the alone difficulty , the fifth one is the"black keyetude , harmonic innovate are visibly reflected at the seventh, the tenth and the eleventh one, humorousness is performance in the bass field in the eighth one, the ninth and the twelfth one are training stretching and running technique of left hand.

第一首与第十一首是针对手指的伸张技术;第二首是赋予了肖邦典型技术特征的指法;第三首与第六首是多声部织体的演奏;第四首是以其速度和音乐进行的尖锐性而独具难度;第五首是&黑键&练习曲;和声的创新手法在第七、第十以及第十一首里都有明显地体现;第八首最大的特点在于它用左手在低音区表现出谐谑式的旋律;第九首与第十二首在单纯手指技术上是分别训练左手的伸张及快速均匀的跑动。

This music is solemn comes gentleman's one modern outstanding works auspicious, gently beautiful tactful and the sound coordinates urheen's exquisite performance by the central philharmonic orchestra youth chorus, says the tunesmith moral nature deep place clearest thought on and on:"I have happily, good desire people for to pray silently -- forever!"

本乐曲系穆祥来先生的一现代优秀作品,由中央乐团少年合唱团柔美委婉的和声配合二胡的细腻表现,娓娓道出作曲者心底深处最真切的意念:&我默默地为一切具有美好、善良愿望的人们祝祷--永远!&。。。

He could hear the hum of half-a-dozen voices in a room near him, and the jingling harmonies of a set of variations to Deh Conte, upon a piano, whose every wire was evidently in the last stage of attenuation.

他听得见隔壁一个房间里有五六个人在嘈杂地说话,有钢琴上弹奏的德·孔特的变奏曲的简单和声,而每一根琴弦显然已经到了声嘶力竭的最后阶段。

This trend of Chinese literature is well-oriented because it did not restore the literary concept of combining writing and academic study into one in the Han Dynasty nor did it partially seek the sphere of rhetorical brilliance and prosodic beauty.

相对于唐代以前诸朝而言,唐代政治意义上的文学是一种综合了儒学、文辞、智略、品德诸因素的文化实体,它既肯定并要求文学的独特性,又强调并鼓励文学的政治性;它既没有回复到汉代的文章与学术合一的文学概念上,也没有走向片面地追求词采和声律的境地,是比较健康的。

As the loading increases count of hit and AE energy increases markedly. This proves that safety assessment of crane beam by AET is fully creditable. It can accurately evaluate the critical degree of crack and the safety reliability of the crane beam.

随着载荷的增大,撞击计数和声发射能量都明显增大,这证明用声发射技术进行起重机梁的安全评价是完全可靠的,它可准确地评价裂纹的危险级别和起重机梁的安全可靠性。

By comparing typical examples of music scores in terms of material , harmony , composition , melody , rhythm , tone type and sound , one can clearly see the deep link between Czerny's tudes and classical works of Viennese music .

通过对典型谱例从材料、和声、织体、旋律、节奏、音型、音响等方面的比较,清晰地看出车尔尼练习曲与维也纳古典作品之间深刻的联系。

The essay takes the research of Czerny's piano tudes , which is comparatively weak in China and abroad , as its object of study . The study begins with the research of the tudes'material , harmony , composition , melody , rhythm , type of tone and sound , through the comparison of a great number of typical examples of music scores , uses the comparison and analysis of different details between different music pieces , expounds thoroughly form music itself , the technical system and artistic features of Czerny's music tudes as well as their connection with music compositions of the school of Viennese classical music .

本论文《车尔尼钢琴练习曲研究——技术系统、艺术特色、与维也纳古典主义钢琴音乐之间的内在联系》把车尔尼钢琴练习曲作为整体研究对象,从材料、和声、织体、旋律、节奏、音型、音响等方面入手,通过大量典型谱例的比较,运用乐曲之间细部对比、分析,从音乐本体出发,详尽地阐述了车尔尼练习曲中的技术系统、艺术成分及其与维也纳古典乐派钢琴作品的关系。

The essay takes the research of Czerny"s pianoétudes, which is comparatively weak in China and abroad, as its object of study. The study begins with the research of theétudes"material, harmony, composition, melody, rhythm, type of tone and sound, through the comparison of a great number of typical examples of music scores, uses the comparison and analysis of different details between different music pieces, expounds thoroughly form music itself, the technical system and artistic features of Czernys musicétudes as well as their connection with music compositions of the school of Viennese classical music.

本论文《车尔尼钢琴练习曲研究——技术系统、艺术特色、与维也纳古典主义钢琴音乐之间的内在联系》把车尔尼钢琴练习曲作为整体研究对象,从材料、和声、织体、旋律、节奏、音型、音响等方面入手,通过大量典型谱例的比较,运用乐曲之间细部对比、分析,从音乐本体出发,详尽地阐述了车尔尼练习曲中的技术系统、艺术成分及其与维也纳古典乐派钢琴作品的关系。

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