和...平等

With the principles of sincerity,Equality and mutual benefit,We believe that we will have a very good development with the clients through friendly consultation and making joint efforts.

本着真诚，平等，互利的原则发展业务。我们相信通过友好合作，共同努力，我们与各方客商的业务往来会有很好的发展和成功。

We should take action as follows: lawmaking link with judge-made law and insist on principia such as procedural justice, make a difference between close company and public company, equal protection and national treatment.

我们未来的股东诉讼制度应走立法先行引导司法、与判例法结合的路子，坚持程序正义、平等保护、区分有限责任公司和股份有限公司并予以不同规制以及国民待遇的原则。

With the concept of core notion" creating perfect products, promising the sincere services, keeping new concepts and new technology ", and based on mutual benefit, our company has built long-term co-operation relationship with our customers and always provide high quality product and knight service to our customers.

公司以：&创完美的产品，诺真诚的服务，新概念新科技。&为核心理念，以此同时，在平等，互利的基础上与客户建立长期的合作关系，并将继续为客户带来更高质量的产品和更优质的服务。

It has also exposed the complex attitude to wealth and business in modern China where the new rich are lionised for their dynamism but are also considered suspect at a time when social inequality is widening.

它还暴露出现代中国人对财富和商业的复杂态度--人们崇拜中国新富们的活力，但在社会不平等日益扩大时，又会对他们产生怀疑。

According to the writer, Li balances literary critics w...ith other artistic categories, and appreciates critical works from the height of aesthetics. From Li's brand-new perspective, critique is not only"independent"but also"artistic", which is of remarkable significance as regards its implication in the revolutionary changes of literary criticism. The 2nd chapter"literary criticism is a form of discovery", literarily refers to Li Jianwu stressed that critic main body consciousness to text permeating, and his claims on critics'subjectivity and capabilities in aesthetic judgments. The writer concludes Li's ideas as the three following aspects:"critique is self-discovery","critique is the discovery of the writer's mind", and"critique is the discovery of humanity in literature", and gives full illustration one by one.

他把文学批评放在了与其他艺术品类平等的位置，并且从审美的高度衡量文学批评，认为批评是&独立的批评&，也是&艺术的批评&，其意义非常深远，具有文学批评革命性的改变这一意味在里面；第二章&文学批评是一种发现&指的是李健吾强调批评家主体意识对文本的渗入，要求发挥批评家的主体作用和审美判断能力，笔者将此概括为：&批评是自我的发现&、&批评是作家心灵的发现&、&批评是作品中人性的发现&三个方面，并一一进行阐释；第三章重点论述李健吾文学批评的模式。

Play is the way to enforce motivation、transform emotion and promote creativity. Since play is a dynamic active and constructive behavior and a pleasurable activity that is engaged in for its own sake. It becomes an important metaphor and means of Derrida's deconstruction. For pedagogy, deconstructive play is ludic、funny and awe-some. It plays in the forms of opening reading、creative dialogue and equal status. Such ludic pedagogy takes profound insights on traditional doctrine.

游戏是引发动机、调节情感、促进认知及提升创造力的一种自由运作方式与态度，由於游戏代表的是动态、主动和建构经验的行为，也是自行参与的愉快活动，在Derrida 解构思想当中乃作为一种去中心化的譬喻与手段，藉以松动僵化的系统结构，对教学而言，这种解构的游戏是嬉戏、有趣且惊奇的，其方式表现在开放的阅读、创造性的对话，平等而无对立的师生关系上，对於传统以来重视规训的教学模式深具反省与启发的作用。

In this measure each line is divided into two unequal members having respectively three and two stresses, as for example in the introductory first three lines of the book.

在这方面的措施，每一行分为两个不平等的成员分别为3和2讲，例如在介绍头三行这本书。

In this measure each line is divided into two unequal members having respectively three and two stresses, as for example in the introductory first three lines of the book.

这一措施在每一行分为两个不平等的成员分别有三个和两个强调，例如在头三行介绍的书籍。

The utopians hoped that if these plans were presented to rich and powerful people, they would be convinced by the rationality of socialism, and they-- the bourgeoisie --would give us an egalitarian society.

这些乌托邦分子希望：如果这些计划能够被介绍给富人和有权势的人们，就会使他们相信社会主义的合理性，他们——资产阶级——就会给我们一个主张平等的社会。

What do you think are the obstacles for women to gaining equal opportunity with men in modern society.

我认为是文化和时间的问题，我们需要时间去让我们平等。没有什么可以认识到了就马上变得成为现实。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。