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与 和...对抗 相关的网络例句 [注:此内容来源于网络,仅供参考]

In this process of suspicion and antagonism, would Chinese culture accept and embrace Christian culture?

在这质疑和对抗中,中国文化能接受和拥抱基督文化吗?

Black brickkiln " incident," Hua Nahu " incident, arrive to just be opened even " hide feline cat incident, say the power that is Internet with its, be inferior to saying is a citizen in participating in a process, formed joint force, critically to undeserved policy and corrupt behavior with opposed result.

黑砖窑"事件、"华南虎"事件,甚至到刚刚揭开的"躲猫猫事件,与其说是互联网的威力,不如说是公民在参与过程中,形成了共同力量,对不当政策和腐化行为批判和对抗的结果。

When the determent of punishment andtheeffectofreformation counteract the effect of anti law,criminal punishment has no relation to future crimes.

以人的尊严和情感反应为视角,研究程序公正和刑罚效果的关系,可以得出以下结论:经历认为是公正的惩罚和认为是公正的惩罚程序,将会对刑罚和适用刑罚的程序产生认同感,从而产生刑罚的威慑和改造效果,这将减少未来的犯罪;经历认为是不公正的惩罚和认为是不公正的惩罚程序,有可能导致对廉耻的淡漠、无知和对刑事法律甚至对法律整体的傲慢,这些将增加未来的犯罪;而在刑罚威慑、改造的效果和对抗法律的效果相抵消时,刑罚惩罚和未来的犯罪无关。

When audience face these images, it is natural to invoke the memory of source images, and it is such basic memory or source images intention that produce the reaction and confrontation to Xu's works, spur his works to enter audience's habitual recognition of images, and combine thinking with image cognition to form new interpretation of images, as to highlight the dubiety of source images and to increase the possible reinterpretation of source images, but the artist's conceptual interference is not close-ended but discloses the mechanism of contemporary image reading: i.e. the interaction between image and audience, as result such works are the presence of artistic conception but the absence of artist and that artist doesn't stress the input of personal experience into the work, but looks for the methodology of image-construction and the combination of thinking methods for creating the entity of joint between image and language.

当观众面对这些图像时,很自然地唤起对原有图像的记忆,正是这种基本记忆或原图像意图的捕捉对许昌昌的作品产生了反作用和对抗,促使作品图像进入到观众的图像识别习惯中,将思考与图像认知结合,形成新的图像阐释,既是突出原图像的可疑性,又增加了对原图像的重新解释的可能性,但艺术家的观念介入并不是封闭的,而是敞开了当代图像阅读的机制:即图像与观众的互动性,这样的作品是艺术观念在场而艺术家缺席,艺术家不强调个人生活经验进入作品,而是寻求图像构成的方法论和思维方法论的结合,创造图像与语言切合的实体。

When audience face these images, it is natural to invoke the memory of source images, and it is such basic memory or source images intention that produce the reaction and confrontation to Xus works, spur his works to enter audiences habitual recognition of images, and combine thinking with image cognition to form new interpretation of images, as to highlight the dubiety of source images and to increase the possible reinterpretation of source images, but the artists conceptual interference is not close-ended but discloses the mechanism of contemporary image reading: i.e. the interaction between image and audience, as result such works are the presence of artistic conception but the absence of artist and that artist doesnt stress the input of personal experience into the work, but looks for the methodology of image-construction and the combination of thinking methods for creating the entity of joint between image and language.

当观众面对这些图像时,很自然地唤起对原有图像的记忆,正是这种基本记忆或原图像意图的捕捉对许昌昌的作品产生了反作用和对抗,促使作品图像进入到观众的图像识别习惯中,将思考与图像认知结合,形成新的图像阐释,既是突出原图像的可疑性,又增加了对原图像的重新解释的可能性,但艺术家的观念介入并不是封闭的,而是敞开了当代图像阅读的机制:即图像与观众的互动性,这样的作品是艺术观念在场而艺术家缺席,艺术家不强调个人生活经验进入作品,而是寻求图像构成的方法论和思维方法论的结合,创造图像与语言切合的实体。

Understanding of the characteristics of chemotherapeutic drugs and antagonism mechanism, through the education of patients, close observation and care, as well as the correct approach to the prevention and reduction of fluid extravasation and reduce the suffering of patients.

了解化疗药物的特性和对抗机制,通过对病人的宣教、细致的观察和护理以及正确的处理方法,来预防和减少药液外渗,减轻患者痛苦。

It's 'preverbal', but controls life functions such as autonomic brain, breathing, heart rate and the fight or flight mechanism.

它是『置於之前』,除了控制生命的功能例如自律的脑、呼吸、心率和对抗或对抗机制之外。

His paintings show a kind of individual heroism, which is so rare in our times. The contemporary painting circle is full of queerness and namby-pambyism, vulgar game and spiritual compromise. So when this young artist emerged with critical attitude of distain and antagonism, he looked quite distinctive of others and well acclaimed.

他的绘画表现出一种个人英雄主义的气质,在我们的这个年代显得罕见,当代绘画的领域内确实充溢了炫奇和矫饰,低俗的游戏性与不断的精神妥协,当这位年轻的艺术家以充满蔑视和对抗的批判姿态出现的时候,他就显得如此与众不同,并且倍受瞩目。

Paul had heard that the pride and vainglory of some, especially of two women, Evodia and Syntyche, had aroused misunderstandings and rivalries.

保罗听说的骄傲和虚荣一些,尤其是两名妇女,吴茱萸和Syntyche ,引起了误解和对抗。

The first level of energy is defined by feelings of apathy and thoughts of victimization.

第一级能量是根据冷漠的感情和牺牲他人的思想而定义的;第二级能量的人怀有愤怒的感情和对抗的思想;人的能量级别越高,他的感情和思想也就更加积极。

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The concept of equivalent rotationally rigidity is offered and the formula of rotationally rigidity is obtained.

主要做了如下几个方面的工作:对伸臂位于顶部的单层框架—筒体模型进行分析,提出了等效转动约束的概念和转动约束刚度的表达式。

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