和...一样

The reality is that the lineages of these gurus are no different than anyone else; they have the same brutality and abusiveness in their ancestry as any other human.

但事实是，这些古鲁的血统和其他任何人没有什么不同。在祖先中就和任何其他人一样，他们也拥有同样的残暴和虐行。

This manner of Action painting had in common with Surrealist theories of automatism that it was supposed by artists and critics alike to result in a direct expression or revelation of the unconscious moods of the artist.

这种绘画方式和超现实主义自动化原理一样，这种画家和批评家假定的理论，结果揭示出直接的感觉和画家无意识情绪。

The detail course is to set up the coordinate of the machine and the workpiece, use the intersection of the tool tracing line caused by the adjacent edge in the cutting process as the point on the flank, deduce the function of the flank and program the cutting process of spiral bevel gears using VISUAL BASIC language.

此程序最大的特点就是和实际的加工过程相似——不但齿轮的形成过程和实际相同，而且机床切齿参数的调整过程也和实际一样，因此使用者可以直接在计算机上调整切齿参数，从而根据自己的要求来模拟加工，得到满意的切齿参数，进而在实际机床上获得满意的产品。

For all the cuteness and adorability that they possess, they do dribble, slobber, vomit and overfill their diapers with some of their profuse outputs, and they are like that for about the first year or so of their lives.

所有cuteness和adorability认为，他们所拥有的，他们这样做运球， slobber ，呕吐物和overfill他们的尿布与他们的一些丰富的产出，和他们一样，约的第一年，或使他们的生命。

On scenography and anthropotomy, he create d lots of painting works which refelct the social reality. He wrote Introduction to Painting and Principles of Anthropotomy.

同达芬奇一样，丢勒也具有科学的头脑，因而曾深研数学和透视学并写下了大量笔记和论著，在透视法和人体解剖学方面，他创作了许多反映社会现实的绘画作品。

Anger can be caused by both external and internal events, and like other emotions, anger causes heart rate and blood pressure to increase, in addition to the levels of the hormones adrenaline and noradrenaline.

愤怒可能造成的外部和内部的事件，和其他的情绪一样，愤怒的原因心率和血压增加，除了水平的荷尔蒙肾上腺素和去甲肾上腺素。

In contrast, Diogenes, one of Antisthenes most famous followers carried the cynical philosophy to its farthest extreme. Diogenes was not known merely as one of "The Dog Philosophers," his personal nickname was "The Dog" and Plato referred to him as "Socrates gone mad." He denied all physical wealth and pleasure; he lived in a barrel and his only possessions were a robe to cover himself and a walking stick. There is an antecdote of questionable historical accuracy that demonstrates the character of Diogenes: One day Diogenes was sitting on a hill next to his barrel enjoying the warm rays of the sun when he was approached by Alexander the Great. Alexander asked Diogenes if he was the infamous Diogenes of whom the Athenians had spoken. Diogenes replied that he was. Alexander asked Diogenes if it was true that he had no desire for anything. Diogenes looked up at Alexander and said that he only wanted one thing, with that he asked Alexander to move a little to one side because he was blocking the sun. After the encounter, Alexander reportedly stated that if he could be anyone other than Alexander he would want to be Diogenes. Although Diogenes' behavior was sometimes amusing, he was not well liked in Athens primarily because of his writings encouraging incest and cannibalism.

和他形成对比的是带奥珍妮丝，他最著名的一个把犬儒哲学发扬到极致的追随者，带奥珍妮丝不光被看成犬儒哲学家，他自己的外号是狗并且柏拉图称他为疯了的苏格拉底，他漠视一切身体健康和愉悦，他住在一个罐子里，所有的财产是用来遮盖自己的一挂长袍，和一只拐杖，曾有一个轶闻能够体现带奥珍妮丝的性格，尽管历史准确性存在争论：有一天带奥珍妮丝坐在小山坡上，身边是他的罐子，正在沐浴和煦的阳光，这是亚历山大王走到他的身边，亚历山大问带奥珍妮丝是不是雅典人所热论的那个声名不佳的带奥珍妮丝，带奥珍妮丝回答是，亚历山大接着问你什么东西都不想要是否属实，带奥珍妮丝抬头看看亚历山大王，说道，除了一样东西，说着，他请亚历山大挪开一点因为他挡住了他正在享受的阳光，据传言，这次邂逅以后，亚历山大说过，如果给他一个不是亚历山大的机会，他愿意成为带奥珍妮丝，尽管带奥珍妮丝所为有时趣味横生，但是他还不是很见爱于雅典人，主要是因为他的著述里面提倡乱伦和食人

Rutherford and Teller were both immigrants who became fiercely patriotic in defense of their adopted countries. Both often behaved like overgrown children, losing their tempers over trivialities and then regaining their equilibrium with a friendly smile. Both were father figures to their students, taking care of students' personal problems as well as their professional education. Both were more interested in the strategy of science than in the tactics. Rutherford made the decision to explore nuclei with an accelerator, and then left the details of the accelerator to Cockcroft and Walton. Teller made the decision to build a hydrogen bomb or a safe reactor and then left the details to others. Both had a lifelong dedication to science, but spent more time helping younger people than doing research themselves. Teller published his version of the hydrogen bomb story under the title The Work of Many People. The names of Cockcroft and Walton appear on the letter to Nature announcing their discovery but Rutherford's does not. My name appears on the patent for the safe reactor but Teller's does not.

卢瑟福和泰勒都是移民，都对维护他们移民去的国家表示出狂热的爱国主义情绪；两者的行为都很像身体过度发育的孩子，对琐事大发雷霆，随后又若无其事，友好亲切；两者都对学生像父亲一样，既关心他们的个人问题，也关心他们的学业；两者都多科学研究的策略而不是技巧更感兴趣，卢瑟福决定用加速器研究原子，把有关加速器的细节问题留给卡斯喀特和华尔顿，泰勒决定造氢弹和安全反应堆，然后把细节问题留给其他人；两人都把一生献给科学研究，但花费在帮助年轻人的时间比自己做研究的时间要多得多；泰勒以《齐心协力》为标题讲述了他眼中的氢弹故事；卡斯喀特和华尔顿的名字出现在写给《自然》杂志宣布他们发现的信中，但信中没有卢瑟福的名字，我的名字出现在安全反应堆专利中，但也没有泰勒的名字。

Modern Judaism was full with figures like Spinoza, Freud, Zunz and Marx, scientists like Einstein, Meitner, Fermi and Bohr, painters like Chagall, Soutine and Pissario, statesman like Disraeli and Leon Blum.

现代犹太教与像斯宾诺莎，弗洛伊德，聪茨和马克思一样，爱因斯坦，迈特纳，费米和玻尔，像夏加尔画家科学家数字充分，苏蒂纳和Pissario，像迪斯雷利和莱昂布鲁姆的政治家。

He loves to dart from the present to the remotest past, to join names not usually associated, to link pagan with Christian, or human with divine, in single rapid sentences, such as that about "Scipio, and the Cid, and Sir Philip Sidney, and Washington, andevery pure and valiant heart, who worshiped Beauty by word or by deed."

他喜欢脱离现实回到遥远的过去，去融入到那些不常把异教徒和基督教徒，或与信奉神的人联系起来的人之中，简练地说，就像是西庇阿，希迪，菲利普·悉尼和华盛顿，和每一个纯洁和勇敢的人的一样，他们用言行仰慕美好的事物。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。