呈现空间

In its reflection over the reality, art comes as a mirror with a certain angle of reflection, and image and the depth of focus depending on the angle; the reflection is always accompanied with persistent blind spots which I would like to leave to my viewers.

艺术若反映现实，艺术便是一种镜效，它有呈现的角度，以及因角度而产生的观照和景深，它会有死角，有永远观照不到的空间，我把这个空间留给了观众。

After experts' assessment, the final framework comprised six categories with a total of 38 items involving vision, hearing, cognitive map, time, symbol, assemblage, communication of information, other-centered development, classification, individual memory and group memory. The design language developed can be applied to planning the site, architectural form, open space, interior setting and plant layout of children learning institutions.

谘询结果呈现环境设计语言架构可分为6大分类、38项指标，设计语言内容涉及视觉、听觉、认知地图、时间、符号、阶层集合、讯息交流、他中心发展、分类、个体记忆、整体记忆等儿童认知发展项目；可应用於园舍配置、建筑造型、户外空间、室内空间、植栽等各层面之规划设计。

To let these similar pictures which were largely identical but with minor difference present themselves together, perhaps this was one of the real purposes, because only with such presentation could you see a realistic as well as a surrealistic world,a conjecturally invented as well as really existing world, a world which you have already placed yourself thereinto while you have no regard for, a world of "no value,but a value judgement itself",a world among which time and space has been twisted and interveined.

让这些看似大同小异的照片集体呈现，也许才是其目的之一，因为只有在这样的呈现中，你可以看到一个既是现实的却又是超现实的世界，一个既是臆想虚拟的却又是真实存在的世界，一个已经置身其中却又置之度外的世界，一个"没有任何价值，但本身就是价值判断"的世界，一个扭曲交错了时间和空间的世界。

Yellow Box" is a project initiated by the Visual Culture Research Centre of China Academy of Art, its purpose is to investigate issues about contemporary art, creativity and culture of connoisseurship in response to the modern "white cube.

美术馆的空间被规定为"白盒子"，它是一个可以替代教堂的建筑容器，不同类型的艺术实践皆可在这个圣殿般的空间中呈现为"作品"——个人观看主体膜拜、凝视的对象。

However, the traveller encountered drastic transformation after his contact with the Other in the Pacific. In his last travel writing In the South Seas, Stevenson adopted a contrapuntal viewpoint located in the space of "liminality," challenging the Western hegemonic discourse of imperialism. His anti-imperialist tendency offended his contemporary readers, and the struggle between two cultures rendered the travel text fragmented.

但是，旅行者的自我在交会区与差异极大的他者接触之后，旅行者的自我发生转变，在《南太平洋记行》采用「阈越的空间」的对位观点，呈现出反帝国主义的倾向，这种反帝国主义论述的倾向遭到当时西方读者的排斥，同时在西方与南太平洋文化的两相拉扯之下，呈现出支离破碎的文本。

That is an even more personal manner in this research. With attitude of the"flaneur" to go to the interpretation of the city's cultural observation.The scale of the picture book from huge scope to small, gradually in-depth the life of Taipei City experience. It displayed the "megacromic and microcosmic things" in this two scales of picture book. Finally, I arranged all images and let it become a personal thinking for interpreting of the experiences the life of Taipei.

本论文试图透过自身熟悉的沟通语言─绘本，作为个人对於台北城生活经验的认知书写，以自我个人化的第一人称描述我所见、所感觉到的台北城，同时以「步行的漫游者」作为空间实践的态度，并透过尺度上由大变小的差异角度呈现不同的绘本观点，这样的绘本过程，对於自身是一种深入台北城生活的方式，同时「漫游者」的态度更可以反应一种文化观察的眼光与反思，呈现出两种差异尺度的绘本─巨观与微观，最后将这些图像予以安排成一个观看城市的方法与态度。

Especially Taipei is in globalization and flow space at present, face with new flaneur experience to improve and the culture of the goods amazingly, make the traditional public sphere constructed disappear in the street at the same time, transfer it to with the transition of the consumption culture that mass media bring. Walter Benjamin' urban allegories predicts the kinds of city in the future , is when the city changes and improves most, but today's Xin Yi commercial area is in the city too rapidly while developing, there is a great difference with Paris in the 19th century in one kind of flaneur culture appeared, also break away from the space practice to constructed that traditional flaneur culture in the street, manifest the modern urban flaneur cluture conflict and contradiction in modernity development.

尤其当前台北处於全球化流动空间一环，面临著全新的漫游经验革新与商品文化刺激，同时也使得传统以街道建构的公共领域消失，转为以大众传播所带来消费文化的转型， Benjamin 的城市寓言预测城市未来的样貌，在城市最变动革新的时候，但时至今日的信义商圈同样处在城市急遽发展的时候，所呈现漫游文化样貌却与十九世纪的巴黎有极大的差异，也脱离传统漫游文化以街道建构的空间实践，显现现代城市漫游在现代性发展的冲突与矛盾。

Land use degree of Guangzhou City is highly positive global spatial autocorrelated. The spatial autocorrelation types of Guangzhou City land use degree is distributed in a centric circle. High-high aggregation is in the central part and low-low aggregation is in the peripheral area. Non-aggregation and Sparse low-high and high-low aggregation are in the intermediate area. Decrease of Moran's I since 1995 shows the weakening of the single-center structure of land use degree.

广州市土地利用程度呈高度的正全局空间自相关，各局部空间自相关类型呈同心圆分布，中间为高高集聚，外围为低低集聚，两者之间为非集聚和零散的高低、低高集聚，呈现出单中心结构。1995年以后， Moran's I 有所下降，说明这种单中心结构在弱化。

The results show that urbanization of Wuxi City presents a growing trend from 2001 to 2008,with an uneven development of spatial expansion which mainly includes centralized development and ribbon\|shaped development. The mostly direction is along the centerline of Changzhou\|Wuxi\|Suzhou Cities and encircles the Taihu Lake. The expansion speed in south\|east is the fastest.

结果表明：2001-2008年无锡城市化呈现出不断增加的态势，同时城市空间扩张呈现出不均匀性，主要表现为集中发展和条带状发展两个特点，扩张方向主要集中在常州-无锡-苏州城市中心线沿线和环太湖方向，其中，以东南部扩张最为迅速。

The study indicates that 1 the age, occupation and education backgro u nd and other main features of Table Tennis Super League home court audience are in a diverse situation; 2 The motivation of audience in the home court is also a diversity; 3 The intensity and effect of stars is an important element influe ncing the quality of the League; 4 The adjustment of new tournament makes match es more combative and regulates the market of Super League. However, media promo tion, sponsors' funding and operation spaces are main problems existing in the o peration of clubs.

研究表明：1乒超联赛主场观众年龄、职业及文化程度等主要特征均呈现出多样化态势；2乒超联赛主场观众看球的主要动机也呈现出多元化倾向；3联赛激烈程度、球星作用是影响乒超联赛质量好坏的重要因素；4新赛制的调整，增强了比赛对抗性，同时也较好地规范了整个乒超联赛市场，但是媒体宣传、赞助资金及经营空间仍是当前俱乐部经营过程中存在的主要困难和困惑。

The absorption and distribution of chromium were studied in ryeusing nutrient culture technique and pot experiment.

采用不同浓度K2CrO4(0，0.4，0.8和1.2 mmol/L)的Hoagland营养液处理黑麦幼苗，测定铬在黑麦体内的亚细胞分布、铬化学形态及不同部位的积累。

By analyzing theory foundation of mathematical morphology in the digital image processing, researching morphology arithmetic of the binary Image, discussing two basic forms for the least structure element: dilation and erosion.

通过分析数学形态学在图像中的理论基础，研究二值图像的形态分析算法，探讨最小结构元素的两种基本形态：膨胀和腐蚀；分析了数学形态学复杂算法的基本原理，把数学形态学的部分并行处理理念引入到家实际应用中。