呈现空间

Simple lines interweave in a two-dimensional world to produce illusory space, and combine with frames of different shapes and various cubical space.

单纯的直线在平面中交织出幻化的空间，与不同形态具有多样立体空间的画框相结合，以一种极单纯的手段呈现出无限可能的复杂空间，流露出画家纯净的心性和睿智。

So the space is very important to my work. I hope my work will have relationship with the space. Animation is like history. Animation shows the most external thing. Actually the creation process of animation is full of fraudulence . The combination of this work and space is an imaginary world.

所以这个空间对于我的工作是非常重要的，我希望我的工作能和这个空间发生关系，动画很象历史，动画成片后呈现的永远是最表面的，其实动画的工作过程中充满了欺骗性，这样的工作与空间现场的结合是一个虚拟的世界。

Like the kaleidoscope, the characteristic of multivalence, opening, and flow in the postmodern multi-dimensional"space", in particular in the dominative cyberspace, agrees with some important concepts of poststructuralism. Among them, the aesthetic thought of French thinker Deleuze who has the reputation"the most important philosopher of space in the 20th century"has special value.

后现代多维"空间"，尤其是主导性的赛博空间呈现出万花筒般的多元、开放、流变的特征，与后结构主义一些重要概念相契合，其中有"20世纪最重要的空间哲学家"之誉的法国思想家德勒兹的美学思想具有特殊的价值。

By analyzing the drama Roadmetal Sweetbread, the space characters are compared with these of the gardens space on the Yangtze Delta, and it is pointed out that the composition of the reflecting pool, wall and other landscape factors constitutes mirror space.

通过分析一出英国戏剧所呈现的空间秩序，并联系其与江南园林①空间的相似之处，从体验入手，指出江南园林空间中镜池、粉墙与其他景观要素的结合能够形成镜像空间。

In The Big Typescript, this dichotomy is detailed in his analysis of the temporal, spatial and genitive expressions, resulting in the distinction between the unspeakable"memory-time"(Ged〓chtniszeit) and the speakable"physical time", and that between the unspeakable"visual space" and the speakable"Euclidean space", etc;(4) From another perspective, the destruction of the conception of the "phenomenological language"could also be seen as the logical consequence of the radicalization of the one and the same conception, since this destruction does reinforce rather than weaken RLF's original intention of distinguishing the physical system from what are given in phenomena by demonstrating the incompatibility between this intention itself and the insistence on the speakability of the phenomena, which gives birth to the illusion of the"phenomenological language";(5) Nevertheless, what the radical distinction between the sense-data and the physical language (as the unique possible language) implies, according to Wittgenstein, is not that the latter has nothing to do with the former, but that the association between the two does not follow the"original sample-copy"pattern but the"screen-presenting-filmoperation"pattern, which indicates that phenomenon itself can be aroused by or included in-rather than to be described by-the physical language/system;(6) Thus Wittgenstein leads us to depart from the obsolete ambition of representing the immediately given data perfectly for a new destination where a comprehensive "perspicuity" of the"grammar"should be required and where his later philosophy is coming into being.

在《大打字稿》中，这一二分法在他对于时间表达式、空间表达式与人称表达式的分析中得到了细化，并导致了他对于"记忆时间"与"物理时间"的区分，以及对于"视觉空间"与"欧几里得空间"的区分，等等；(4)从另一个视角来看，维氏对于"现象学语言"观念的拆解也可以被视为同一观念在被加以彻底化后所导出的必然后果，因为这一拆解工作实际上乃是加强了，而不是削弱了他在写作《略论逻辑形式》时就已怀有的信念，即：必须将物理系统严格地区分于在现象中被直接给予的东西。换言之，维氏在这一拆解工作中所做的，只不过就是暴露了这一信念本身与对于现象之"可说性"的坚执之间的固有矛盾罢了——而所谓"现象学语言"的幻相，亦正是导源于上述坚执；(5)然而，根据维氏的本意，感觉予料与物理语言之间巨大的逻辑差异却并不意味着后者与前者毫无关联，而只是意味着两者之间的关系并不遵循着所谓的"原本—摹本"模式，而遵循的乃是"屏幕呈现—胶片运作"模式。

This paper mainly includes two parts The first part falls into three main sections. First, it analyses the formative causes of the Chinese traditional house interior display art through five aspects, including the structure and forms of Chinese traditional architecture, the productive mode of Chinese traditional society, Chinese traditional philosophy, the idea of ethics and grading and custom of Chinese traditional society. Second, it briefly introduces the history of Chinese traditional house interior display art's development. Finally, it focuses on the analysis of Chinese traditional house interior display art's design ideas and concludes that its design ideas embodies the five sides as follows: respect for nature and imitate artfully nature, practical-oriented and function incorporated into form, images of space of what the theory and practice forms, balanced natural pattern of the display, artifacts with the thoughts and respect for poetic imagery. Another part of the article further researches on the application of Chinese traditional house interior display ideas to the contemporary home display, and leads to the author's view, that is that each era should has its own character when it inherits the traditional culture. What's more, the contemporary Chinese-style home display design not only have to take over the spirit of the tradition but also have to give full consideration of the contemporary aesthetic concepts, principles and methods. In the 21st century, humanistic care is greatly proponed in the interior design. The interior display art should develop towards the ecological, personalized and comfortable direction and the cultural dimensions. It should absorb the traditional cultural elements to decorate contemporary living space. In order to upgrade the simple and primary "appearance likeness" to a higher level of "spirit likeness", it must effectively grasp the poetic imagery of space, which can reach the artistic effect of "both appearance and spirits".

本文的重点内容有两部分：一部分是从中国传统建筑的结构形式、中国传统社会的生产方式、中国传统的哲学观念、中国传统的伦理等级观念、中国传统社会的风俗习惯等五个方面简单分析了中国传统民居室内陈设艺术形成的原因；简要介绍了中国传统民居室内陈设艺术的发展过程；着重对中国传统民居室内陈设艺术设计理念的具体内涵进行了深入的分析，总结出其设计理念集中体现在五个方面，即崇尚自然与巧法造化、实用为本与文质彬彬、虚实相生的空间意象、均衡自然的陈设格局、器以载道与以境为尚；另一部分是对中国传统民居室内陈设设计理念在当代居室陈设设计中的应用作了较深层次的探讨，并提出了自己的见解，即每个时代对传统文化的继承都应该呈现出自己的特色，当代中式风格的居室陈设设计既要秉承传统民居室内陈设艺术的设计精髓，又要充分考虑当代审美观念、原则和方法的融入。21世纪，室内设计大力提倡人文关怀，具体到室内陈设艺术设计上，应该向生态化、个性化、舒适化和文化层面发展；吸收传统文化元素装饰当代居室空间，要有效地把握空间意境，使当代中式风格的居室陈设设计从简单、初级的&形似&上升到较高层次的&神似&，进而追求&形神兼备&的艺术效果。

This high-class mobility represents the taste space and life style by coffee chain shops. Through the coffee clustering direction to visit the city leisure experience, may divide the scatting tastespace into banding and bulk and dot by the views of horizontal vertical points. It also will become a brand symbol for visiting this city, such as Starbucks which is the most visible consuming symbol in the elegant shopping space. Aslong as the Starbucks spreading its brand through the media, the Starbucks soon will be becoming a symbol for consumer in daily shopping area.

这种高级化品味的流动呈现於连锁咖啡馆的空间胃纳以及咖啡生活节奏，经由都会咖啡族群在流动中的城市悠游体验，进而可将品味空间分为水平向度的带状、块状与垂直向度的点状空间型态，成为一个由品牌符号所构成的城市品味空间，其中以全球连锁咖啡品牌Starbucks的精品空间符码最为显要，其藉由媒体之全球扩散，成为一种都会日常生活的符号消费场域。

At a certain range, habitat loss and its spatial structure can benefit the control of the epidemic disease, which indicates the possibility of using human disturbance in habitat as a potential epidemic-control method in conservation.(6) Not only the quantity of habitat loss but also the spatial correlations of patch types caused by nonrandom habitat loss affect the invasion and transmission of disease. More fragmented landscape (high amount of habitat loss, low clustering of lost patches) hinders the parasitic infection, which also indicates that whether the spatial heterogeneity benefits or hinders the invasion is dependent on the considered ecological process.(7) Two components of the spatial heterogeneity (the amount and spatial autocorrelation of the lost habitat) form a trade-off in determining the host-parasite dynamics.(8) Within a certain range of habitat loss, host can counterbalance the positive and negative effects, and shows a rising tendency.(9) The epidemic is more likely to break out in the prey-predator system if only a small amount of habitat loss.(10) A highly aggregated distribution of species is a common behavioral strategy when dealing with habitat loss or other environmental stresses.(11) The parasite-host/prey-predator eco-epidemiological systems have the similar mechanism with the intraguild predation systems, and the predator acts as the intraguild predation, the infected prey acts as intraguild prey, and the susceptible prey acts as shared resource.(12) Species at the highest trophic level are no longer affected the most by habitat loss, which depend not only on the biological mechanism but also on the external environmental disturbances.

随着邻体数目的增加，病毒的感染力度变得更大而且在空间上形成聚集的波形；(5)生境破坏及其空间结构在一定范围内有利于疾病的控制，这暗示人为对生境的干扰可作为疾病控制的一个潜在方法；(6)生境破坏的数量以及不同类型生境的空间分布格局都显著地影响了寄生病毒的入侵和传播，生境破碎化程度越高(高丧失斑块的数量或低聚集程度)，将越有害于病毒的入侵和传播，这暗示了空间异质性是否有益于物种的入侵依赖于所考虑的生态过程；(7)由生境破坏引起的空间异质性的两个组分之间存在负偶联关系trade-off(8在适度的生境破坏范围内，宿主种群能够平衡生境破坏带来的正负两种效应并呈现增长趋势；(9)在捕食-食饵系统中，寄生感染病毒极有可能在生境破坏量较低时爆发；(10)物种在面临生境破坏或者其它环境压力时表现出更高的聚集分布策略；(11)寄生-宿主/食饵-捕食生态传染病系统与共位捕食食物网结构具有相似的生物机制，其中捕食者扮演共位捕食者的角色，已感染食饵作为共位食饵，易感染食饵扮作共同消耗的资源；(12)位于最高营养级水平的种群对生境破坏的响应不一定是最敏感的，这不仅依赖于内在的生物机制同时也依赖于外在的环境干扰。

In the term of transform of institution, cultural and positivism in urban studies of China today, the view of researches must pay attention on self-organization rules of urban space with socialites, in order to realize the unity of subjectivity and objectivity and the scientific researches of urban space with social logical.

提出在当前国内城市空间研究呈现制度文化转向和科学实证转向的双轨转型时期，通过对蕴含社会性的城市空间自组织规律的研究，有利于实现研究对象主客体属性的统一，使城市空间研究具有社会逻辑下的空间科学性。

As to the first research topic, we present a 'Noble Brand Positioning Four Master Phases Theory': Brand Space Theory, Brand Capital Theory, Brand Value Theory and Brand Circle Theory in advance. Following based on the Principal Component Analysis of statistical theory, we implemented the quantitative research in the 'Noble Brand Positioning Four Master Phases Theory'. We used the most famous fast food brand 'McDonald' s' as the sample space. The simulation test result shows that the Overall Index Explanatory Power is 83% under the Cronbath' s a is 0.88 through the quantitative verification. This result gives a strong support in defining the Noble Four Niche Phases Theory as the important strategic factor in establishing brand positioning index. After completing the quantitative research, the Principal Weight of each Sub-Niche is positive. This also implies that the Noble Brand Positioning Four master Phases Theory represents positive affection to brand positioning index. We also created the following Sub-Niches those are rarely mentioned in the past literatures. The Sub-Niches are:'Endless Running Strategy, Business Environment Strategy, Physical Capital Strategy, Brand Logo, Brand Music, Business Life Strategy, Personnel Capital Strategy, Life Cycle Strategy, Trust Mask Strategy, Re-Positioning Strategy, Word-Power Strategy, Globalization Strategy, Network Revolution Strategy and Green Brand Strategy'. The quantitative verification model can classify the responses of the sampling space into groups. After that, we used the quantitative verification process to classify the Target Consumer. And through the Principal Component Analysis, the group that owns the biggest average value consists of the Master Target Consumers for the business. This result would become the best suggestion for the business to adjust its strategies and to upgrade the productivity efficiency and create higher profit. As to the second research topic, we focused on finding the best corresponding characteristics attributes of the Brand Music for the Brand Log.

针对第一个研究主题，本文首先提出了一种创新性的品牌定位利基理论（A New Brand Positioning Niche Phase Theory）；品牌空间论，品牌资本论，品牌价值论与品牌循环论，接着本文以统计理论的主成份分析方法针对本文所提的创新性的品牌定位利基理论进行量化研究，本文以快餐业中知名品牌麦当劳作为样本空间，由量化验证的结果显示在信度分析Cronbatch's α为0.88之下其总指标解释力（Overall Index Explanatory Power）为83％，验证本文所提的创新性的品牌定位利基理论是构建品牌定位的重要策略因素，同时经由量化分析结果每项主成分权重值皆为正值更验证了本文所提的企业创新性的品牌定位利基理论与品牌定位指标呈现正相关：同时本文所提出次利基：'永续经营策略、企业环境策略、实体资本策略、企业生命策略、品牌标志策略、品牌音乐策略、人际资本策略、生命周期策略、信任标志策略、重新定位策略、文字威力策略、放眼全球策略、网络革命策略与绿色品牌策略'更是其它文献所未提及的：本文量化验证模式更可将样本空间中的responses分类群组，然后量化验证以界定目标市场，经由分析结果显示，其中具最大主成份百分位序均值者所属群组，即为企业中的主力消费群，提供企业决策者参考，进而调整其企业策略，而为企业提升生产效率创造更大的利润。

The absorption and distribution of chromium were studied in ryeusing nutrient culture technique and pot experiment.

采用不同浓度K2CrO4(0，0.4，0.8和1.2 mmol/L)的Hoagland营养液处理黑麦幼苗，测定铬在黑麦体内的亚细胞分布、铬化学形态及不同部位的积累。

By analyzing theory foundation of mathematical morphology in the digital image processing, researching morphology arithmetic of the binary Image, discussing two basic forms for the least structure element: dilation and erosion.

通过分析数学形态学在图像中的理论基础，研究二值图像的形态分析算法，探讨最小结构元素的两种基本形态：膨胀和腐蚀；分析了数学形态学复杂算法的基本原理，把数学形态学的部分并行处理理念引入到家实际应用中。