吴宇森

You can write a child my father took me've been to a lot of film shooting, and I have said before Zhang Yimou, John Woo, Zhao Benshan chip market had been a log keeper, so I am very fascinated by the film's shooting.

你可以写小时候我的爸爸带我去过非常多片场，我也曾经在张艺谋，吴宇森，赵本山的片场当过场记，所以我对电影的拍摄┼分着迷。

Had Zhang Yimou, John Woo, Zhao Benshan chip market had been a log keeper, witnessed a lot of TV and film editing process.

曾经在张艺谋，吴宇森，赵本山的片场当过场记，亲眼见证了很多电视剧和电影的剪辑过程。

As for Chang, is the Kaishanzushi Chinese martial arts films,classic "one-armed knife,""Ma thorn""Ma Yongzhen,""revenge","Shaolin Temple","Outlaws of the Marsh" are constantly beingreproduced in the younger generation, he is a Chinese-language films of violence Aesthetics originator of the now-known inthe world of big John Woois the director of his disciples.

至于张彻，则是华语武侠片的开山祖师，经典之作《独臂刀》《刺马》《马永贞》、《报仇》《少林寺》《水浒传》都不断被后辈翻拍，他是华语电影暴力美学的鼻祖，如今名扬四海的大导演吴宇森正是他的弟子。

Such signature themes as male bonding and David-and-Goliath face-offs still drive the action, but the functional script has dismantled much of the original story's dramatic intricacies and character complexities, then reassembled it into a easy-to-follow three-act structure.

吴宇森的招牌风格，诸如兄弟情意和以弱胜强的对抗仍在影片中占有主导地位，但为实用而编写的剧本对原故事大部分戏剧性的错综复杂的情节和人物角色多变难控的关系有所改动，重新改编成易于遵循的三幕剧结构。

Such signature themes as male bonding and David-and-Goliath face-offs still drive the action, but the functional script. has dismantled much of the original storys dramatic intricacies and character complexities, then reassembled it into a easy-to-follow three-act structure.

吴宇森的招牌风格，诸如兄弟情意和以弱胜强的对抗仍在影片中占有主导地位，但为实用而编写的剧本对原故事大部分戏剧性的错综复杂的情节和人物角色多变难控的关系有所改动，从新改编成易于遵从的三幕剧结构。

Such signature themes as male bonding and David-and-Goliath face-offs still drive the action, but the functional script has dismantled much of the original storys dramatic intricacies and character complexities, then reassembled it into a easy-to-follow three-act structure.

吴宇森的招牌风格，诸如兄弟情意和以弱胜强的对抗仍在影片中占有主导地位，但为实用而编写的剧本对原故事大部分戏剧性青山丽子，杭州一夜情网站，治疗慢性荨麻疹偏方，明星合成图网的错综复杂的情节和人物角色多变难控的关系有所改动，从新改编成易于遵从的三幕剧结构。

But the director breathes new life into Cao and the colorful cast of characters that oppose him.

但是吴宇森凭借着自己的理解和感受，赋予了影片中每个历史人物以新的生命。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。