吴哥窟

Angkor Wat, the world's largest temple and Cambodia's greatest work of art, was neglected during the Khmer regime.

吴哥窟，这座世界上最大的寺庙和柬埔寨最伟大的艺术品，在高棉政权曾被忽视。

For many years, Angkor Wat was totally isolated from the Western World.

多年来，吴哥窟一直孤立于西方世界，她位于高棉的市中心且长期被丛林覆盖。

It is decorated with images of the mythical Hamsa bird and a view of the Khmer monument Angkor Wat.

它装饰有鸟图像神话般哈姆萨和1纪念碑鉴于高棉吴哥窟。

Icon of Khmer civilization, Angkor Wat in Cambodia endures as a revered religious shrine.

它是高棉文化的象征，长期以来，柬埔寨的吴哥窟是高棉人尊敬的宗教圣地。

With tourist numbers at Angkor Wat growing every year, most agree more needs to be done if the temples are to be protected for future generations.

随着吴哥窟的游客数量逐年增加，大多数人同意，为了后人，必须采取更多措施来保护这些庙宇。

Angkor Wat combines two basic plans of Khmer temple architecture: the temple mountain and the later galleried temple, based on early South Indian Hindu architecture, with key features such as the Jagati, a kind of hindu scripture.

吴哥窟结合了两种高棉寺庙建筑的基本布局，祭坛及后来的回廊，都是基于南印度的建筑风格，还有一些关键的特征像是 jagati ，是一种印度教的经文。

Now in its 11th year, the Angkor Wat Half-marathon event was organized by the Japanese NGO "Heart of Gold" from the Okayama city of Japan, and joined by the Cambodian Olympic Committee.

吴哥窟国际半程马拉松，今年已经是第十一届，由日本冈山市的非政府组织「金心」发起，与柬埔寨奥委会共同举办。

Angkor is the most important monument of the south-east Asian Khmer Empire and the world's largest sacred temple.

吴哥窟是东南亚高棉王朝最重要的纪念物，是世界上最大的神庙。

Giant strangler fig tree roots embrace the crumbling Ta Prohm temple at Angkor.

巨大的绞杀植物无花果树树根互相拥抱这破碎的塔布隆寺在吴哥窟。

The aerial roots of strangler fig have damaged ancient Mayan temples in Central America and the temple of Angkor Wat in Cambodia .

气根的扼杀者无花果破坏古老的玛雅寺庙在中美洲和寺庙吴哥窟在柬埔寨。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。