吴哥

Giant strangler fig tree roots embrace the crumbling Ta Prohm temple at Angkor.

巨大的绞杀植物无花果树树根互相拥抱这破碎的塔布隆寺在吴哥窟。

The aerial roots of strangler fig have damaged ancient Mayan temples in Central America and the temple of Angkor Wat in Cambodia .

气根的扼杀者无花果破坏古老的玛雅寺庙在中美洲和寺庙吴哥窟在柬埔寨。

The roofed and unroofed structures are covered with bands of finely carved stone sculptures.

吴哥窟大部分的雕刻都是最好也是最精美的艺术品。

A baby in a makeshift bike basket stares into the camera in Angkor, Cambodia. It's common in some Buddhist cultures to shave children's heads, often leaving a small unshaved tuft above the forehead.

在吴哥有一位小男孩子将就地放在自行车的篮子里他凌视照相机，柬埔寨――它是信仰佛教文化的国家，小男孩的头顶区的头发被剃去，通常是保留前额一小部分的头发不于剃掉。

I have never been to Angko Wat, but I'd love to.

我从未去过吴哥窟，但我很想去。

In 2007 an international team of researchers using satellite photographs and other modern techniques concluded that Angkor had been the largest preindustrial city in the world with an urban sprawl of 1,150 square miles.

2007年，一个世界性的研究小组利用卫星照片和其它现代技术得出了这一结论：吴哥城市扩张达1150公里，它已成为世界上最大的工业化前的城市。

There are two lotus ponds in front of angkor wat, the little house at the back serves as breakfast parlour, they make great egg baguettes

在吴哥窟前有两个莲花池，后面小一点的房子是早餐厅，那可是有相当美味的鸡蛋法国棍式面包

Struggles between banyans and temples over thousands of years, Siem Reap, Cambodia

树与房的千年斗争，柬埔寨吴哥窟

Center of a tower gate, the gate is Angkor Wat, it left the door there are two storeyed, the two towers gallery connected double columns.

正中的一座塔门，是吴哥窟的山门，它和左右两塔门有二重檐双排石柱画廊连通。

Kwong, as he presides over displays of the yellow-tinged liquor at the Angkor Rice Wine Workshop, a distillery and souvenir shop he owns.

&邝先生说，他在&吴哥窟米酒场坊主持展示这种淡黄酒品，这家米酒礼品店是他开的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。