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The song is one of the representative works debuted by Wu Li, which required high perfoming skills and is full of tension and rhythm. It depicts the chase, hiding, stalemate and contest between the hunter and the quarry, with wind blowing fiercely, horse nickering nervously, everything around blurry and soul-stirring.

Composed by 陶一陌Tao Yi Mo GuZheng by 吴莉Wu LI（www.wulimusic.com）此曲是吴莉首演的代表筝曲之一，乐曲技术难度高，音乐极富张力，描写了猎人与猎物间追逐、躲藏、相持、较量，一派狂风猎猎、马嘶弩张、琢磨不定、动人心魄的狩猎场面。

The study focuses on the Meinong writing representing for Hakka writing to realize Wu Jin Fa and his novels through the research of yarning for his country and Hakaa consciousness.

本论文特别聚焦美浓书写作为其客家书写的代表，研究吴锦发小说呈现的思乡情怀及客家意识，以期对吴锦发及其小说有更多认识与了解。

Kui Wu Dong, founder of the art Guild has become the capital of a beautiful scenic art, from last year as a free public service to the public opening of the Art Guild has received some workers, artists, students, military personnel, public and the community to visit and related arts organizations, Dong Wu Kui first the first visit to the central leaders on Arts Guild, said:"After decades of our time and energy on building the arts Guild Hall is to use the brand to a cultural platform. architecture for building" a harmonious society "and" harmonious economy,"" a harmonious community "played a lead role of Arts Guild is the main arts, painting circles for greater returns, so that more artists can display their works of art out so that they can revive the traditional Chinese culture, Chinese culture and history of several thousand years orderly inheritance, more brilliant spectacular!"

吴东魁先生创办的艺术会馆目前已成为京城一道亮丽的美术风景线，从去年作为一个免费向公众开放的公益性艺术会馆已接待了有工人、艺术家，学生、军人、市民等社会各界的参观人员及相关艺术机构，吴东魁先生一次给中央领导人参观艺术会馆介绍时说：&我们历经数十年的时间及精力建这个艺术会馆就是想用会馆这个品牌来构架一种文化平台，为构建&和谐社会&、&和谐经济&、&和谐社区&起到一牵头作用，艺术会馆主要是对艺术界、绘画界抛砖引玉，让更多的艺术家能够把自己的艺术作品展现出来，这样才能够振兴中国的传统文化，让中国几千年的文化历史有序地传承，更加辉煌壮观&！

It turned out that the third China Folk Art Festival at the Wushan Square, officially opened yesterday, to 10 from 24, across the country, more than 100 folk artists to be bright in the Wushan Square, unique skills.

原来，第三届中国民间艺术节在吴山广场正式开幕，从昨天到10月24日，全国各地的100多名民间艺术家都要在吴山广场亮绝活。

It turned out that the third China Folk Art Festivalat the Wushan Square, officially opened yesterday, to 10 from 24,across the country, more than 100 folk artists to be bright in theWushan Square, unique skills.

原来，第三届中国民间艺术节在吴山广场正式开幕，从昨天到10月24日，全国各地的100多名民间艺术家都要在吴山广场亮绝活。

AD duyu successor in the generalfor the captaincy general Jingzhou Town, and during the irrigation, Xiling surprise, three Ping Wu.war in the final as the West line of command, to circumvent dependencies Jianglingpay, Canton, for the unity of the Western Jin Dynasty made an outstanding contribution.

公元278年杜预继任羊祜为镇南大将军都督荆州事，期间兴修水利，奇袭西陵，三陈平吴。在最后的灭吴战争中担任西线指挥，智取江陵，招降交、广，为西晋的统一作出了卓越的贡献。

Angered with Wu Kang's impatience, the master banished Wu Kang to the Moon Palace telling him that he must cut down a huge cassia tree before he could return to earth.

愤怒与吴康的不耐烦，主放逐吴康到月球宫告诉他，他必须削减庞大的肉桂树前，他可以返回地球。

During his forty-year career at General Electric, he led the company to year-after-year success around the globe, in multiple 1markets, against brutal competi...product.dangdang.com/product.aspx?product ...

赢在中国》36强进12中央电视台《赢在中国》36强进12第一场比赛中，我分析了下四位选手的表现，以此总结到吴志祥成功的心得：01号吴志祥——用一。。

Seem to be "casual", the Wu Rujun toward the stage from the orchestra pit, Lut from long sleeves, ran rounders, became the "Wu Yi", Peking man Dan.

似乎是&不经意&间，吴汝俊从乐池走向台前，甩起水袖，跑着圆场，成了&吴氏青衣&，京剧男旦。

The tourist traffic design of Tianmen Mountain is worth the title of world-shocking masterpiece.It will bring shocking and unforgettable experiences for the tourists.

天门山是张家界地区最早载入史册的历史名山，古称嵩梁山，云梦山，于三国吴永安六年（公元263年），形成天然穿山溶洞天门洞，吴王孙林因此而将嵩梁山改名为天门山。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。