吴

Risk factor for osteoarthritis in the tibiofemoral and patellofemoral joints of the knee.

吴婓瑶（1992）。从行为影响因素探讨台北市某国民中学一年级学生节制饮食的意向及行为。

YE Li;YE Lin-bai**;SHE Ying-long;Khalid Amine Timani;LIAO Qing-jiao;WU Zheng-hui;GAO Jin-rong;KONG Ling-bao;LI Bao-zong;ZENG Ying-chun

叶力；叶林柏**；佘应龙；Khalid Amine Timani；廖庆姣；吴正辉；郜金荣；孔令保；李宝宗；曾莹春

Objective To observe the change of gastric air tonometric pH, oxygen delivery ,oxygen consumption and gastric mucosal perfusion during cardiopulmonary bypass, during CPB.

内容摘要：作者：胡序凯吴国荣吴一霄陈骏萍目的观察体外循环中空气法胃粘膜pH值与氧供、氧耗的变化了解体外循环期间胃粘膜的血流灌注。

Guazi and Xing Xin both presented their ascetic action of strenuous efforts in their work, whereas Tozer Pak and Effe Wu satirized actions such as breathing and smiling in the context of everyday life.

刮子和幸鑫的作品都见一种刻苦沉重的力量；反观白双全与吴逸中都在轻松嘲讽日常生活里如呼吸或微笑的动作。

The four Merit Award winners - Pak Sheung-chuen Tozer from Hong Kong, Guazi (Liu Cheng-rui) and Xing Xin from Mainland China (Beijing and Chengdu respectively), and Effe Wu from Taiwan - were all born in late 1970s or early 1980s.

譬如说，与2005年相比，今届得奖者全是年轻一辈的艺术家，而且平均分布在不同地区－－来自香港的白双全、北京的刮子、成都的幸鑫和台湾的吴逸中，全部出生於七十年代末或八十年代初。

Younger artists, for example Lee Kit, Magdalen Wong, Enoch Cheung, Hanison Lau, Hei Ng Ka Chun, Otto Li, Tozer Pak, Tang Kwok Hin and Lui Long Tin have all recently produced three-dimensional work that touches on the absurd, often with a subtle political and social commentary.

年轻的艺术家们例如李杰、黄颂恩、张康生、刘学成、吴家俊、李天伦、白双全、邓国骞和吕朗婷，最近都制作了触及荒谬性的三度空间作品，当中通常也都带有一丝细微的政治社会评论。

The chief traducer is Brother Wu an effete and punctilious man with a pencil mustache, cigarette holder and ostentatious silver watch chain.

行政traducer是兄弟吴一effete和执男子与铅笔mustache ，香烟持有人炫耀银观赏链。

Methods:260 patients,who suffered disease of adrenal glands,kidneys,ureter or bladders,were treated with laparoscopic surgery by retroperitoneal and transperitoneal approach.

作者：汪清，吴群，王胜军，马力克，郭峰，艾合买提，姜有涛，艾尔肯目的：探讨后腹腔镜在治疗肾上腺、肾脏、输尿管、膀胱等脏器疾病中的临床效果。

Objective Optimum extraction technology of triterpene acids of medicine Herba euphorbiae Humifusae was studied with orthogonal test.

作者：周玉平，吴玉娣，张纪兴目的对地锦草的提取工艺进行研究。

In a word, mass! Recently undeliberated NB was popular, like old saying of making all clear without mention a word, using Beijing dialect it's much easier --"B-Pretending", represented by part small star blogs and strange name blogs, more over the writing is, the better it can up to people's demands, just like Taiwan entertainment programs, but it cannot be formal, as it's not necessary to collect and publish a book. Talk about Taiwan entertainment programs I had to mention Jacky Wu, this man who was characterized by A use his own power saved many programs, and it's really funny. Recently I always view "People in the Pan", it stands for another Taiwan entertainment character -- imitation, it makes me laughing a lot, and I can refer a sentence from Dong Lu's blog "If Li Yong comes to Taiwan he must lose his job." Fortunately ordinary family cannot see these Taiwan TV Stations, or CCTV cannot defend its market share, in fact it's forced by a loose competitive atmosphere, the fact that Hunan TV is so hot now in China reminds me what an ancester said: a kid became famous only because of there is no hero in world.

这两 年流行的网络文字是不经意间的NB，就像古话说得&不着一字尽得风流&，拿北京话说就简单多了叫&装B&，以部分小明星的博和名字怪异的为代表，文字越潇洒或者越俗越能迎合大家的需求，就像台湾的娱乐节目，不过上不了台面，如果硬要出个书什么的我看大可不必，说起台湾娱乐节目，不能不提吴宗宪，这个活跃舞台几十年的以A为特点的全才中年男子以一己之力养活了很多节目，而且确实很好笑，最近我看的比较多的是全民大闷锅，代表台湾娱乐的又一大特点－－模仿，常常能让我前仰后合，不由想到董路 BLOG上的一句话，&如果让李咏去台湾肯定会失业&，还好现在台湾的这些台普通家庭还看不到，不然CCTV一定招架不住，其实说白了都是一个宽松的竞争环境逼的，湖南卫视现在在大陆这么火，让我想到一句话：世无英雄，遂使竖子成名。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。