吴

Oh's book,"The Hidden People of North Korea: Everyday Life in the Hermit Kingdom," is based on more than 200 interviews with defectors, and it paints a picture of a restless populace, increasingly dubious about the official propaganda.

哈西格和吴孔丹的书《被藏起来的北朝鲜人：遁世王国的日常生活》，是依据对投诚者的两百多次访谈写成，描绘焦躁不安的人民对官方宣传怀疑日深。

Jennifer Hillman, chief US trade negotiator, and Wu Yi, Minister of China's Foreign Trade and Economic Cooperation, attended and spoke at the signing ceremony.

美方首席贸易谈判代表詹妮弗·希尔曼和中国对外贸易经济合作部部长吴仪出席了签字仪式，并发表了讲话。

Marketing is a hit and miss affair.

营销是一击中吴私事。

"Madame Wu," he said slowly and hoarsely, I'm glad I've had the opportunity of telling you all this.

"吴夫人！我有机会把这段故事讲给你听，我死也瞑目了！"

We have all the latest new, information and pictures for the dreamy singer Howie Day!

我们所有的最新资料和图片，为梦幻歌手吴一天！

When the chairman came, we started our interview, and after that, because the chairan is in a hurry, so he went off.

吴董事长到了以后，它讲了一下话，我们就开始我们的访问。

Small Wu Ye encounters identically in experience.

小吴也在经历相同的遭遇。

She is able to speak with images and colors and her paintings express a very accurate language idiosyncrasy.

吴笛笛的画想象力很丰富而饱满，她能用形象和色彩说话，画面上表达出一种很确切的语言特质。

Researches reveal that personal objects of idolization will influence the formation of self-concept; therefore there is certain relation between idolization and self-concept.

霹雳布袋戏是近年来广受讨论的话题，剧中角色深受戏迷崇拜与模仿（吴明德，2004），研究显示（张酒雄，1993）个人的认同对象会影响其自我概念的形成，因此偶像认同与自我概念间存在著某种关连性。

He had read on the Internet about the practice, in which a woman feeds her own breast m ilk to someone else's child.

之前吴先生在网上已经看到过这样的消息了，一位母亲用母乳喂其他人的孩子。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。