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Prime Minister Goh Chok Tong, in his speech at the Lianhe Zaobao's 75th anniversary gala dinner on

吴作栋总理本月6日在《联合早报》75周年报庆盛宴上发表演讲，强调我国各族人民在发扬各自的传统文化时，须促进新加坡社会的共同特色，以维护国家的凝聚力。

Another initiative was also officially launched last year in June when our Prime Minister Mr Goh Chok unveiled the vision of Thinking Schools, Learning Nation as the direction we should take in preparing our young for the future.

去年六月，吴作栋总理正式提出了"重思考的学校、好学习的国家"的目标，并认为我们在培育年轻一代的工作上，应该朝这个方向走。

At his National Day Rally speech this year, Prime Minister Goh Chok Tong spoke about riding on China's economic growth and urged Chinese pupils to learn the Chinese language and Mandarin seriously.

在国庆集会演讲上，吴作栋总理谈到要借中国经济增长之东风，推动中国学生认真学习汉语和普通话。

In his speech at Lianhe Zaobao's 75th anniversary gala dinner on September 6, Prime Minister Goh Chok Tong said: In Singapore, we have evolved our own unique formula of a multi-racial, multi-cultural society.

9月6日晚，在《联合早报》75周年报庆晚宴上，吴作栋总理在致词里提及：在新加坡，我们已经为多元种族、多元文化的社会发展出自己的一套独特的方程式。

In a forum held in the Nanyang Technological University , Prime Minister Goh Chok Tong pointed out that when other countries make offensive remarks about Singapore, there should be a sense of silent indignance amongst our university students.

吴作栋总理在南大举办的"总理论坛"上指出当其他国家对我国发出攻击性的言论时，大学生之间应有一股"沉默的忿怒"。

Flowers and cards poured into the Embassy and, along with Prime Minister Goh Chok Tong and the Singapore leadership, thousands of ordinary Singaporeans came to the memorial service at the National Stadium.

大使馆不断的收到鲜花和慰问卡，成千上万的一般新加坡人，也和吴作栋总理及其他新加坡国家领袖，出席了在加冷国家体育场为死难者举行的追悼会。

"UME International Cineplex" is founded and run by Mr. Ng See Yuen, the most outstanding film producer and director in Hong Kong.

由香港著名导演吴思远先生投资的UME新天地国际影城是目前全上海最新的顶极影院。

Ng See-Yuen, founder of the UME Cineplex chain, pledged no film featuring Ms Stone would be shown from now on at any UME cinema on the mainland.

香港著名影人吴思远率先发表声明，表示自己在中国内地的UME影院将全面封杀莎朗·斯通的电影。

By this contrast, we can see clerisy were in a dilemma when they faced the two kinds of culture, and willgive a more appropriate estimate.

本文力图通过对胡适和吴宓的比较分析，揭示当时中国知识分子在面临中西文化抉择时的矛盾心态，从而对文化激进主义及保守主义做出客观的评价。

By be opposite at first of actual person and event realistically, arrive realistically the draw wrong conclusions by false analogy on the foundation, the myth that to shirt-sleeve Buddha again is created, the knot is written and become finally 100 times via Wu Chengen this, meantime was full of intended draw wrong conclusions by false analogy and buckle involuntarily close, the be in harmony of culture collects the collision with culture, valuable creation and worthless join together... abnormal and various, complex extremely.

由最初对真人真事的写实，到写实基础上的附会，再到融合佛道的神话创造，最终经吴承恩结撰而成为百回本，其间布满了故意的附会和无心的扣合、文化的融汇和文化的碰撞、有价值的创造和无价值的连缀……变态多方，复杂万状。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。