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It is decorated with images of the mythical Hamsa bird and a view of the Khmer monument Angkor Wat.

它装饰有鸟图像神话般哈姆萨和1纪念碑鉴于高棉吴哥窟。

Icon of Khmer civilization, Angkor Wat in Cambodia endures as a revered religious shrine.

它是高棉文化的象征，长期以来，柬埔寨的吴哥窟是高棉人尊敬的宗教圣地。

With tourist numbers at Angkor Wat growing every year, most agree more needs to be done if the temples are to be protected for future generations.

随着吴哥窟的游客数量逐年增加，大多数人同意，为了后人，必须采取更多措施来保护这些庙宇。

But "whoever it will be, we hope that the person will return to the common values of anti-fascism," he said.

吴先生说，下任首相是谁，是日本的内政，但是"不论是谁，我们都希望他能回到世界反法西斯的共同立场。"

Hence, here is an MFC version of the Wu Antialiasing Algorithm.

因此，这里是一个吴反锯齿算法MFC版本。

Objective: According to the brain-intestinal connection theoretics,to carry out the experimental study of kaiqiao and tongfu treating virosis fever,discuss the antifebrile effect of niuhuang chengqi tang to virosis fever,study the function and significance of brain-intestinal peptide and immunoregulation to virosis fever,show the essential of kaiqiao and tongfu treating virosis fever.

目的：在"脑-肠相通"学说指导下，开展"开窍"与"通腑"之法合用治疗病毒性发热的实验研究，探讨"开窍通腑法"的代表方—清代吴鞠通牛黄承气汤对病毒性发热的退热效应，研究脑肠肽和机体免疫调节在发热中的作用及意义，揭示中医"开窍通腑法"治疗发热的实质。

The following year, Woo's A Better Tomorrow… introduced Chow Yun-fat as the sullen, brutal antihero and Cheung as his sensitive counterpart.

第二年，在吴宇森的《英雄本色》中，周润发以郁郁寡欢、残的反英雄形象出现，与他演对手戏的张国荣则扮演性情敏感的角色。

The following year, Woo's A Better Tomorrow … introduced Chow Yun-fat as the sullen, brutal antihero and Cheung as his sensitive counterpart. TIME, Jan.

第二年，在吴宇森的《英雄本色》中，周润发以郁郁寡欢、凶残的反英雄形象出现，相对的，与他演对手戏的张国荣则扮演性情敏感的角色。

Ns The following year, Woo's A Better Tomorrow … introduced Chow Yun-fat as the sullen, brutal antihero and Cheung as his sensitive counterpart.

TIME， Jan.29， 1996， p.40 第二年，在吴宇森的《英雄本色》中，周润发以郁郁寡欢，凶残的反英雄形象出现，相对的，与他演对手戏的张国荣则扮演性情敏感的角色。

Mr Wu said that he had read the new aper.

吴先生说他已经看了那份报纸。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。