启示录的

Defeaning screams filled the Rockhal, when the androgynus Frontman of Tokio Hotel, Bill Kaulitz, began to sing the first words of "Komm" in front of the steam-punk-post-apocalyptic Stage-Scenery dressed in a Sci-Fi-Designer-Outfit from Dsquared2 (who designed 5 stage outfits for the new show).

当超越性别的Tokio Hotel 主唱Bill Kaulitz 身穿出自Dsquare2(此品牌为新巡演设计了5套演出服)之手的科幻风演出服，站在以重机械朋克式+后启示录风格布景搭建的舞台上(这句翻得想吐血，亲们有好的翻译请指教)，唱出歌曲" Komm"的第一句时，，震耳欲聋的尖叫声响绝Rockhal 演奏厅。

The remainder of the book of Revelation describes those convulsive judgments that will be like the death throes of the present age and the birth pangs of the coming kingdom of Christ.

在启示录书的其余部分描述的抽搐判决将像当代的垂死挣扎和基督的未来王国诞生前的阵痛。

Secondly, it summarizes previous interpretations of Atwood's works and points out their deficiency, that is, most researches analyze her works from the angle of feminism or literary narrative strategy or creative technique. Though there are some comments from the ecological perspective, few researches into Oryx and Crake have been made.

其次综述阿特伍德其人其作，梳理总结前人对其及其作品进行的研究，并指出研究的不足，即大多数研究都从女性主义或文学叙事策略和创作技巧的角度来分析其作品，虽然也有从生态角度评述的，但对于本文将要研究的文本《羚羊与秧鸡》进行的研究却不多，尤其是从环境启示录角度研究的更少。

Jahve is the spouse of Israel, the bride of Jahve,–a profoundly philosophical and mystical image which appears here for the first time and which we find again in Jeremias, Ezechiel, Canticle of Canticles, Apocalypse, etc.

Jahve是以色列的配偶，新娘的Jahve ，一个深刻的哲学和神秘的形象，似乎第一次来这里，我们再次找到在赫雷米亚斯， Ezechiel ，颂歌的Canticles ，启示录等

Amillennialists encounter a serious problem when they spiritualize this transitional period into the present age. They must conclude that the judgments of Revelation 6 through 19 are being fulfilled concurrently with the blessings of the kingdom age.

当者将这段「充满苦难的过渡时期」加以抽离、赋予精神上的涵义，转化成为「当今的时代」时，他们面临一个很严重的问题：即他们必需断定〈启示录〉6至19章中的「审判」和天国时代的「祝福」，二者是同时发生的。

Second, their works will be evaluated within the broader theological, scientific and pedagogical episteme of the period, as portrayed by the most important cosmographic works of early modernity, including Ortelius' Theatrum orbis terrarum and Mercator's Cosmographiucae meditationes .

这种理解的灵感是来自《圣约翰启示录》中的一节（&崛起和衡量耶路撒冷圣殿&），后者正是冥思修行传统的核心，这种修行方式在十六世纪的复兴主要是依靠以圣伊格内修斯为首的耶稣会士，以及古典基督教哲学（例如，马克罗比乌斯［Macrobius］于5世纪对西塞罗《西庇阿之梦》的评论）。

"Our Lord and God" was the official title of Domitian, the Roman emperor during the time of the writing of the book of Revelation. It was in refusing to acknowledge the emperor as lord and god that the Christians of John's day suffered persecution and death.

4：11 「我们的主，我们的上帝」曾是杜米仙的御用头衔，他正是在启示录写作时期在位的罗马皇帝，就是因为在约翰的时代基督徒们，拒绝承认这位皇帝是主、是神，他们遭受到逼迫和死亡。

At that moment, the cudgelling, multiplied by a hundred hands, became zealous, blows with the flat of the sword were mingled with it, it was a perfect storm of whips and clubs; the convicts bent before it, a hideous obedience was evoked by the torture, and all held their peace, darting glances like chained wolves.

这是从判刑走向服刑的行列，惨不忍睹，他们坐的不是《启示录》里所说的那种电光闪耀骇人的战车，而是用来公开示众的囚车，因而形相更惨。

Preterists assert that the prophecies found their primary fulfillment during the first several centuries of the Christian era; historists affirm that the fulfillment continues throughout the age; futurists say that the fulfillment is at the end of the age; and the idealists maintain that the book transcends any time framework.

者宣称：预言最早已先在西元的首几个世纪中应验了；者则坚信预言的应验是连续贯穿在此时代中的；者说：预言将应验在当今时代的末期；者主张：〈启示录〉这本书超越任何时代的框架。

It's "Ride of the Valkyries" from "Apocalypse Now"... See, here's the thing: The corn rose were really a solution to your frizzy hair problem.

那是《现代启示录》里的《狂热的瓦格纳》……知道吗，事情是这样的：这种麦穗是你卷曲的头发问题的解决方案。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了