听不见的

He entered his novitiate to the true wilderness with Sam beside him as he had begun his apprenticeship in miniature to manhood after the rabbits and such with Sam beside him, the two of them wrapped in the damp, warm, negro-rank quilt while the wilderness closed behind his entrance as it had opened momentarily to accept him, opening before his advancement as it closed behind his progress, no fixed path the wagon followed but a channel nonexistent ten years ahead of it and ceasing to exist ten yards after it had passed, the wagon progressing not by its own volition but by attrition of their intact yet fluid circumambience, drowsing, earless, almost lightless.44

孩子就这样进入了熟悉真正的荒野生活的见习阶段，有山姆在他身边，正如他小时候追捕兔子这类小动物度过雏形的见习时期，山姆也陪伴在他身边，这时两人裹在湿漉漉、暖烘烘、散发出黑人臭味的被子里，方才暂时对他开放来接纳他的荒野在他身后合拢了，森林在他前进之前开放，在他前进之后关闭，大车也没有固定的路可走，只有一条仅仅看得清前面十码路的通道，大车走过十码后，这段路也就湮没，这大车并没有按自己的意志往前行进，而是由人和大车所造成的纯净的气流浮托着在往前滚动，大车在打瞌睡，听不见一点声音，也几乎见不到一点光线。45

School, and I like rice sprint to the general went to the Office of the teachers, no matter Yiwuyishi pencil cases, said the teachers had to listen to, listening to the teacher, thought, told me:"Pik-yee, it does not matter , Do not cry, teachers must help you find the only pen, the teacher told you, it is the sum of what kind of shape?"

下课了，我像白米冲刺一般地跑到老师办公室，把不见笔盒的事情一五一十的说给了老师听，老师听了，想了想，对我说："壁仪，没关系的，别哭，老师一定帮你找出那只笔来，你告诉老师，那只笔的形状是怎样的？"

Jostling with unemployed labourers of the lowest class, ballast-heavers, coal-whippers, brazen women, ragged children, and the raff and refuse of the river, he makes his way with difficulty along, assailed by offensive sights and smells from the narrow alleys which branch off on the right and left, and deafened by the clash of ponderous waggons that bear great piles of merchandise from the stacks of warehouses that rise from every corner.

到处都是最低级的失业人员、搬运压舱货的脚夫、煤船装卸工、浪荡女子、衣衫褴楼的儿童，还有河滨的渣滓废物，你在中间挤来挤去，吃力地往前走。无数的小巷左右岔开去，巷子里不断涌出令人恶心的景象和气味。笨重的马车装载着堆积如山的货物，从遍布每一个角落的堆栈、库房里哐啷哐啷地开出来，叫人什么也听不见。

The tact and skill which suffice to avert a Woman's sting are unequal to the task of stopping a Woman's mouth; and as the wife has absolutely nothing to say, and absolutely no constraint of wit, sense, or conscience to prevent her from saying it, not a few cynics have been found to aver that they prefer the danger of the death-dealing but inaudible sting to the safe sonorousness of a Woman's other end.

在技巧和技能，足以避免一个女人的刺是不平等的阻止女人的嘴任务，并作为妻子绝对没有什么可说的，绝对没有智慧，意识，还是良心约束，以防止它她说，不少愤世嫉俗已发现断言，他们更喜欢的死亡危险性交易，但听不见刺的女人的另一端安全sonorousness。

These drums turn out to be the second weapon made by Tung's masters—heart shaking drum. After looking up in document, the masters found that Long-shen-goon comes into existence by driving whole body energy up with fast flowing blood. So, one can use Long-shen-goon only when his heartbeat is accelerated by running, qi-goon or emergency situation. For that, masters made drums that generate special low freqency sound. This kind of sound cannot be heard by humen ears but can marvelously lower the rate of heartbeat. Besides, those drums make temporary magic barrier while being beaten. Concludingly, Po is trapped in an invisible cage now!

原来这便是三长老作出的第二样武器—震心鼓，他们研究记载之后发现，龙神功是靠血脉急速流动带动全身能量产生的，所以使用之时若非以跑动或运气加速心搏，就须是在紧急之下，心跳加速时才能使出，於是他们作出一种能发出特殊声音的鼓，这种声音人耳听不见，但会奇妙的降低心跳速度，而且在敲击时会形成暂时的结界，也就是说，童博现在被困在了一个无形的牢笼！

The direction with the aid of the piece in mouth of the character is rephrasing in own words this to us about "the wind" and "free" the truth, deaf young people to luff, is also similarly for feels "the wind" the sound, Pacific Ocean's wind has the language, even if cannot hear, can also be able to feel.

导演借助片中人物之口向我们转述着这个关于&风&和&自由&的道理，失聪的年轻人逆风行驶，也同样是为了感受&风&的声音，太平洋的风是有语言的，即使听不见，也能感受得到。

The merry party was so much absorbed in its own merriment as to be deaf to all common-place summonses from the outer world; and it was only when Robert, advancing further into the cavernous little shop, made so bold as to open the half-glass door which separated him from the merry-makers, that he succeeded in obtaining their attention.

这欢乐的一帮子是那么全神贯注于自己的欢宴，根本听不见外部世界普普通通的叫唤；直至罗伯特向这洞穴似的小店再深入一步，大着胆子推开了那隔开他和欢宴者的半玻璃门时，他才成功地引起了他们的注意。

They do not hear our whimpers or understand our pleas. We're miserable and it's scary here we all would rather die. But since we don't we do our best to run away and hide. I know you think my story too sad to leave me be. You want to take me home with you, a happy little puppy. But please, though it is fearful to live here against our will. If you take me that leaves a spot another pup will fill. You can stop our suffering but not by taking us home. You must be strong and leave us here, unsold and all alone. For if you do not take me, then another pup won't come. And maybe he will not be shipped so far away from home. Tho some of us may not survive the cycle 'ere it falls. If we don't sell they will not need more puppies in these halls. And if they need no puppies then the Man will not bring more. Eventually it can all stop! You CAN close the door. So when you see a puppy face so sad and sweet and small.

他把我们全部塞在这些小小笼子里，我们长途跋涉，只能睡在粪便里现在我们坐在宠物店里，接受小孩子们的戏弄和捏挤他们听不见我们的哀哭，不懂得我们的哀祈我们处境悲惨，这里这么恐惧真是生不如死但是我们死不了，所以只能尽力躲避我知道你觉得我的故事太凄惨你不想让我在此久居你想把带我回家让我做只快乐的小狗但是，虽然我们不情愿充满恐惧地待在这里如果你带我走，另外一只小狗将步我的后尘被带到这里你可以帮我们解脱痛苦，但是不是用带我们回家的方式你一定要坚强，坚决把我们留在这里，无人问津，孤独凄凉因为如果你不带走我，另一只小狗就不会来到此地他可能就不会被从遥远的家里运来虽然我们中间有些小狗不会生存到这个循环的终止但如果我们卖不掉，他们就不需要更多的小狗如果他们不需要更多的小狗，那个人也不会带来更多总有一天这个循环会完全停止！

For everything on earth that doesn't concern her she were black shirts, but she doesn't care a rap that one elderly mower whose stroke she can hear, wears black trousers instead of bright blue glassy slope and say to the fat mower: Cher monsieur, pourquoi portezvous les pantalons noirs?

她特别关心，因为在看不见的远方，假想中的意大利人穿着黑衬衫，可是她却毫不关心那位身穿黑裤而非天蓝色棉布裤子的年长割草人，尽管她听得到他割草的声音。假如她现在会从阳台上走下去，爬上平静的山坡，对胖胖的割草人说：亲爱的先生，你为什么穿了一条黑裤子啊？

Audio/visual unsynchronized: When Lena is having problems talking into the microphone hidden in the bush and Rosco and the sound man are in the booth, the sound man shakes his head and says "She's gotta talk into the mike, I can't pick it up."

没有心的妹妹解释：声像不同步：当丽娜冲着藏在小树丛中的话筒说话有点问题，rosco和音像师在录音间的的时候，音像师摇着头说：它应该冲着麦克风说话，我听不见他的声音。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。