听不见

"No!"he ripped the earpiece from his ear."I hear nothing!"

"不行！"他把耳机从耳朵上拉下来，"我什么都听不见！"

He was out of earshot and could not hear our shouts.

他离得很远了，听不见我们的喊声。

He's out of earshot.

他听不见。

Relax, He's out of earshot.

放轻松，他听不见的

I want to tell you something privately; let's go out of earshot of all these people at the party.

我想私下告诉你一件事，咱们离开到晚会上这些人听不见我们话音的。。。

Someone is out of earshot...

某人已走远到听不见我们说话的声音了。。。

I'll be out of earshot, stone deaf.

反正我听不见，完全聋掉。

Eddie: What? I can't hear you.

什么？我听不见。

Eddie: I can't hear.

我听不见。

I can't hear you, EI.

埃尔，我听不见你说什么

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。