听不见

Ah! yet doth beauty, like a dial-hand,Steal from his figure and no pace perceived;So your sweet hue, which methinks still doth stand,Hath motion and mine eye may be deceived: For fear of which, hear this, thou age unbred; Ere you were born was beauty's summer dead.

但你，还是和初见时一样明媚；唉，可是美，像时针，它蹑着脚步移过钟面，你看不见它的踪影；同样，你的姣颜，我以为是常驻，其实在移动，迷惑的是我的眼睛。颤栗吧，未来的时代，听我呼吁：你还没有生，美的夏天已死去。

My poster was about to become a book, and my "writing" became "literary creation", which is very uncustomary to me, but still I have to give opinions on "literature", thus, I wrote the following words: Shortly after the New Year of the millennium, Rose went into the chatting BBS, hoping to write something, but not knowing how to start. A net friend asked Rose:Often hear you say want to write something, but why do I not see your poster?

我的帖子就要变成书了，我的"写"成了"创作"，这让我很不习惯啊，但是还是要谈一谈"创作谈"的，于是，就这样写了：千禧年元旦刚过，玫瑰初次走进泉聊的BBS，一直想写点什么东西，却又觉得无从着手，有网友问玫瑰：老听你说想写点什么东西的，怎么不见你发帖子呢？

And it was the mournful influence of the unperceived shadow that caused him to feel --although he neither saw nor heard --to feel the presence of my head within the room.

正是这种未曾察觉的阴影的忧伤之力让他感受到--尽管他看不见也听不着--感受到房间里我的头的存在。

Xury was dreadfully frighted, and indeed so was I too; but we were both more frighted when we heard one of these mighty Creatures come swimming towards our Boat, we could not see him, but we might hear him by his blowing to be a monstrous, huge and furious Beast; Xury said it was a Lyon, and it might be so for ought I know; but poor Xury cryed to me to weigh the Anchor and row away; no says I, Xury, we can slip our Cable with the Buoy to it and go off to Sea, they cannot follow us far; I had no sooner said so, but I perceiv'd the Creature within Two Oars Length, which something surprized me; however I immediately stept to the Cabbin-door, and taking up my Gun fir'd at him, upon which he immediately turn'd about and swam towards the Shoar again.

佐立吓坏了，我自己也吓得要死。然而，更让我们心惊胆战的是，我们听到有一头巨兽向我们船边游来。虽然我们看不见，但从其呼吸的声音来听，一定是个硕大无比的猛兽。佐立说是头狮子，我想也可能是的。可怜的佐立向我高声呼叫，要我起锚把船划走。&不，&我说，&佐立，我们可以把锚索连同浮筒一起放出，把船向海里移移，那些野兽游不了太远的，它们不可能跟上来。&我话音未落，那巨兽离船不到两桨来远了。我立刻走进舱里，拿起枪来，对着那家伙放了一枪。那猛兽立即调头向岸上泅去。

Xury was dreadfully frighted, and indeed so was I too; but we were both more frighted when we heard one of these mighty Creatures come swimming towards our Boat, we could not see him, but we might hear him by his blowing to be a monstrous, huge and furious Beast; Xury said it was a Lyon, and it might be so for ought I know; but poor Xury cryed to me to weigh the Anchor and row away; no says I, Xury, we can slip our Cable with the Buoy to it and go off to Sea, they cannot follow us far; I had no sooner said so, but I perceiv'd the Creature within Two Oars Length, which something surprized me; however I immediately stept to the Cabbin-door, and taking up my un fir'd at him, upon which he immediately turn'd about and swam towards the Shoar again.

佐立吓坏了，我自己也吓得要死。然而，更让我们心惊胆战的是，我们听到有一头巨兽向我们船边游来。虽然我们看不见，但从其呼吸的声音来听，一定是个硕大无比的猛兽。佐立说是头狮子，我想也可能是的。可怜的佐立向我高声呼叫，要我起锚把船划走。&不，&我说，&佐立，我们可以把锚索连同浮筒一起放出，把船向海里移移，那些野兽游不了太远的，它们不可能跟上来。&我话音未落，那巨兽离船不到两桨来远了。我立刻走进舱里，拿起枪来，对着那家伙放了一枪。那猛兽立即调头向岸上泅去。

6 Who among you fears the LORD, heeds his servant's voice, And walks in darkness without any light, Trusting in the name of the LORD and relying on his God?

你们中凡敬畏上主的，应听他仆人的声音！凡于黑暗中行走而不见光明的，该依靠上主的名字，并仰仗自己的天主。

Listen to sweet music, and your foolish fears and petty jealousies will pass away.

听着美美的音乐，你愚蠢的担心和那些没有意义的嫉妒也会消失不见。

Listen, you've got to get down below. There is something coming through and it's the nastiest looking thing yet.

听着，我有种不祥的预感……你的几个朋友刚才下去了，不过现在还不见他们上来。

If any one were going to die they put a screen around the bed so you could not see them die, but only the shoes and puttees of doctors and men nurses showed under the bottom of the screen and sometimes at the end there would be whispering.

倘若有人要死了，那张床边就围起屏风来，这样你就看不见人家怎么死去了，只看得见屏风底下医生和男护士们的鞋子和绑腿，有时候到末了还听得见他们的低语声。

For everything on earth that doesn't concern her she were black shirts, but she doesn't care a rap that one elderly mower whose stroke she can hear, wears black trousers instead of bright blue glassy slope and say to the fat mower: Cher monsieur, pourquoi portezvous les pantalons noirs?

她特别关心，因为在看不见的远方，假想中的意大利人穿着黑衬衫，可是她却毫不关心那位身穿黑裤而非天蓝色棉布裤子的年长割草人，尽管她听得到他割草的声音。假如她现在会从阳台上走下去，爬上平静的山坡，对胖胖的割草人说：亲爱的先生，你为什么穿了一条黑裤子啊？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。