听不见

Subject says below, discharge is king, content is king it is the instruction that countless elder give us, but the novice does not know how to look for discharge really, statistical job was done many, do not see growth namely, listen to others the thousands of discharge of tens of thousands of, the tooth root of hate is crawly.

下面说正题，流量为王，内容为王是无数前辈给我们的教诲，但新手真的不知道如何去找流量，统计工作做了不少，就是不见增长，听别人几千几万的流量，恨的牙根都痒痒。

As I bent down to look, just opposite, [ 460 ] A Shape within the watry gleam appeard Bending to look on me, I started back, It started back, but pleas'd I soon returnd, Pleas'd it returnd as soon with answering looks Of sympathie and love; there I had fixt [ 465 ] Mine eyes till now, and pin'd with vain desire, Had not a voice thus warnd me, What thou seest, What there thou seest fair Creature is thy self, With thee it came and goes: but follow me, And I will bring thee where no shadow staies [ 470 ] Thy coming, and thy soft imbraces, hee Whose image thou art, him thou shalt enjoy Inseparablie thine, to him shalt beare Multitudes like thy self, and thence be call'd Mother of human Race: what could I doe, [ 475 ] But follow strait, invisibly thus led?

那时，若不是一种声音的警告，我恐怕会对它凝视，直到如今，徒劳虚幻的愿望。那声音说：'你看什么？美丽的人儿，你在那儿所看的就是你自己啊；它和你一块来一块去；你跟我来，我要领你到一个不是影子，却在等着你，和你作温柔相拥的地方去。你是他的形像，你将要享受他，他是你的，不能和你分离，你将为他生下众多和你们一样的人，因此将称你为人类的母亲。虽不见人，但听了这声音，怎能不顺从？

A powerful detachment of infantry of the line, broken at regular intervals, by the National Guard and the Municipal Guard on foot, and supported by serried masses which could be heard though not seen, debauched into the street at a run, with drums beating, trumpets braying, bayonets levelled, the sappers at their head, and, imperturbable under the projectiles, charged straight for the barricade with the weight of a brazen beam against a wall.

一支强大的步兵呈战列纵队，在相当的距离内，平均地安插在国民自卫军和保安警察队之间，并有无数听得到看不见的人作后盾，向大街跑步冲来，他们擂起战鼓，吹着军号，刺刀平端，工兵开路，在枪林弹雨中沉着前进，直抵街垒，象根铜柱那样把重量压在一堵墙上。

There he walked at a slow pace, with his head strained forward, seeing nothing, hearing nothing, his eye immovably fixed on a point which seemed to be a star to him, which never varied, and which was no other than the corner of the Rue des Filles-du-Calvaire.

到了这里他就放慢脚步，头冲向前，什么也看不见，什么也听不到，目不转睛地注视着一个目标，这对他是一个星光闪烁的地方，这不是别的，就是受难修女街的转角。

"Ah," thought Inge,"they should have punished me, and driven all my naughty tempers out of me."

她的母亲和上面所有的人都知道了她的罪恶，知道她踩着麵包走，知道她沉沦不见了；这是一个放牛的人说的，他在山坡上看见了。"你让你母亲伤透了心，英娥！"母亲说道："是啊，我早料到了！""要是我没有生到世上来就好了！"听了母亲的话，她想道，"那就好得多了。现在母亲哭又有甚么用呢。"

Because you can't see or even hear the person it would be easy for someone to misrepresent him- or herself.

因为你看不见他，也听不到他；在网上不如实地说话，自称为他或为她，是一件很容易的事。

The poke of her black bonnet hide her face from him.

她那痕诗帽子的前沿遮住滤听蹬脸，使他康不见

To common people, a thing that is invisible, soundless and touch-less is petty.

对一般人而言，这种看不见、听不到、摸不着的东西是无关紧要的。

The squad car's long gone, man.- Yeah. I called it. Was I right?

条子的车不见了就说吧，听我的准没错

But somehow I was changing my mind about her almost against my will and I said,"Listen, my Z is out front and if you got no place better to go my apartment is in Lafayette," and shesaid,"I'd love to see it lap the miles," but then she explained that she had to get back to the nineteenth century and she was gone like that just gone and I noticed the whole time we'd been talking she'd been shredding up a paper napkin and it lay in a littlepile like snowflakes that had drifted against the ashtray except of course they weren't snowflakes at all but little shreds of paper, little teensy shreds, and I tried to get one more shot but it was too late.

不过不知怎的，我几乎违背意愿的在改变对她的看法，那我就说："听着，我的 Z 出去了，那如果你没有更好的地方去，我的公寓在拉斐特，"那她说，"我很愿意绕几哩路去看看，"但是接着又解释说她得回十九世纪去，她就无影无踪了，就这么不见了，而我一直注意着，我们一边谈着话，她就这么一边在撕着一张纸巾，现在它堆在那儿就像一堆从烟缸里飘下来的雪片，当然这不是雪片而是小碎纸片，细细的小碎片，而我想再喝一杯但是已经太迟了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。