吟游诗人的

Here, it is true, were none of the appliances which popular merriment would so readily have found in the England of Elizabeth's time, or that of James- no rude shows of a theatrical kind; no minstrel, with his harp legendary ballad, nor gleeman, with an ape dancing to his music; no juggler, with his tricks of mimic witchcraft; no Merry Andrew, to stir up the multitude with jests, perhaps hundreds of years old, 8ttt8.com still effective, by their appeals to the very broadest sources of mirthful sympathy.

诚然，这里没有伊丽莎白时代或詹姆斯时代在英国比比皆是的通俗娱乐设施，没有演剧之类的粗俗表演，没有弹着竖琴唱传奇歌谣的游吟诗人，没有奏着音乐耍猴的走江湖的人，没有变戏法的民间艺人，也没有逗得大家哄堂大笑的&快乐的安德鲁&①说那些由于 www.ddd§tt.com 笑料选出、虽已流传上百年、仍让人百听不厌的笑话。

Here, it is true, were none of the appliances which popular merriment would so readily have found in the England of Elizabeth's time, or that of James- no rude shows of a theatrical kind; no minstrel, with his harp and legendary ballad, nor gleeman, with an ape dancing to his music; no juggler, with his tricks of mimic witchcraft; no Merry Andrew, to stir up the multitude with jests, perhaps hundreds of years old, but still effective, by their appeals to the very broadest sources of mirthful sympathy.

诚然，这里没有伊丽莎白时代或詹姆斯时代在英国比比皆是的通俗娱乐设施，没有演剧之类的粗俗表演，没有弹着竖琴唱传奇歌谣的游吟诗人，没有奏着音乐耍猴的走江湖的人，没有变戏法的民间艺人，也没有逗得大家哄堂大笑的&快乐的安德鲁&①说那些由于笑料选出、虽已流传上百年、仍让人百听不厌的笑话。

Fiske drawed a analogy between modern mass media and the bard of Middle Ages, then, pointed out that mass media has a function which moulds collective culture. Under the influence of Gramscis's theory of """" hegemony"""", he thinks that media text is open space with diverse meaning and regards media text as popular producerly text through using the concept of """"open/ciosed"""" text of Eco and """"writerly/readerly"""" text of Barthes. On the basis of inheriting the theory of """"encoding and decoding"""" of Hall, he also absorbs the theory of """"resisting"""" of Decerteacc. Then, he thinks that audience don't simply passively absorb while contacting media, but have a kind of strong positive initiative, can """"produce"""" and """"consume"""" the meaning from the text according to their own demand.

费斯克将现代的大众传媒与中世纪的&吟游诗人&进行类比，指出大众传媒具有塑造集体文化的功能；在葛兰西文化霸权理论的影响下，他将媒介文本视为一个意义开放的空间，并借鉴艾科的&开放式／封闭式&文本及巴特的&作者式／读者式&文本概念，进一步将媒介文本界定为一种&大众的生产者式文本&；他在继承霍尔编码／解码理论的基础上，又吸收了德塞图的&抵抗理论&，认为受众在接触媒介时不是一味消极被动的&吸收&，而是具有一种强烈的积极主动性，能够按照自己的需求从文本中&生产&和&消费&意义。

New interactive event - Troubadours!

互相影响的事件-游吟诗人

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。