向那

That ancient totem pole, as if in narrates Indian's history to the people, lets the human feel incomparably sacredly.

那古老的图腾柱，仿佛在向人们讲述印第安人的历史，让人感到无比神圣。

For the fastest sailer in the Mediterranean would have been unable to overtake the little tartan, that with every stitch of canvas set was flying before the wind to Leghorn.

这个誓言不再是一个空洞的威胁，因为地中海上最快速的帆船追不上这只小小的独桅船，船上的每一片帆都鼓满了风，直向里窝那飞去。

This oath was no longer a vain menace; for the fastest sailer in the Mediterranean would have been unable to overtake the little tartan, that with every stitch of canvas set was flying before the wind to Leghorn.

这个誓言不再是一个空洞的威胁，因为地中海上最快速的帆船追不上这只小小的独桅船，船上的每一片帆都鼓满了风，直向里窝那飞去。

At the salient of that second angle was a large flat rock, jutting out from the ridge to the northward, overlooking the deep valley from which the road ascended.

在这第二个拐角的突出部有一个大而平坦的岩山，从山脊向北伸出，俯瞰深谷，路就是从那几盘旋而上的。

So void was I of every Thing that was good, or of the least Sense of what I was, or was to be, that in the greatest Deliverances I enjoy'd, such as my Escape from Sallee; my being taken up by the Portuguese Master of the Ship; my being planted so well in the Brasils; my receiving the Cargo from England, and the like; I never had once the Word Thank God, so much as on my Mind, or in my Mouth; nor in the greatest Distress, had I so much as a Thought to pray to him, or so much as to say, Lord have Mercy upon me;no nor to mention the Name of God, unless it was to swear by, and blaspheme it.

那时，我完全没有善心，也不知道自己的为人，不知道该怎样做人；因此，即使上帝赐给我最大的恩惠，在我心里或嘴里却从未说过一句"感谢上帝"的话。譬如，我从萨累出逃，被葡萄牙船长从海上救起来，在巴西安身立命并获得发展，从英国运回我采购的货物，凡此种种，难道不都是上帝的恩赐吗？另一方面，当我身处极端危难之中时，我从不向上帝祈祷，也从不说一声"上帝可怜可怜我吧"。在我的嘴里，要是提到上帝的名字，那不是赌咒发誓，就是恶言骂人。

So the sallow picked out the ruby and flew to the poor house.

然后，小燕子取出了红宝石，飞向了那间破房子。

Sand fly, confused, I just read down and suddenly I found someone to say hello, that's not right Taibai?

黄沙飞舞，迷茫中，我只顾低头看书，突然发现有人在向我招呼，那不是诗仙太白吗？

Only the trainee thinks the Captain is doing too little, and he becomes increasingly agitated as the ship seems to be drifting to the sandbar on the left.

只有那名学员认为船长做得不够，而且随着船不断向左侧的沙洲移动，他变得越来越不安。

It was full of sap, full of leaves, and full of boughs; but now in vain does the busy art of man pretend to vie with nature, by tying that withered bundle of twigs to its sapless trunk; it is now at best but the reverse of what it was, a tree turned upside-down, the branches on the earth, and the root in the air; it is now handled by every dirty wench, condemned to do her drudgery, and, by a capricious kind of fate, destined to make other things clean, and be nasty itself; at length, worn to the stumps in the service of the maids, it is either thrown out of doors or condemned to the last use - of kindling a fire.

如今变了样，却还有人自作聪明，想靠手艺同大自然竞争，拿来一束枯枝捆在它那已无树液的身上，结果是枉费心机，不过颠倒了它原来的位置，使它枝干朝地，根梢向天，成为一株头冲下的树，归在任何干苦活的婆子的手里使用，从此受命运摆布，把别人打扫干净，自己却落得个又脏又臭，而在女仆们手里折腾多次之后，最后只剩下一支根株了，于是被扔出门外，或者作为引火的柴禾烧掉了。

It was full sap, full of leaves, and full of boughs, but now in vain does the busy art of man pretend to vie with nature, by tying that withered bundle of twigs to its sapless trunk, it is now at best but the reverse of what it was ,a tree turned upside down, the branches on the earth,and the root in the air, it is now handled by every dirty wench, condemned to do her drudgery, and, by a capricious kind of fate, destined to make other things clean, and be nasty itself, at length, worn to the stumps in the service of the maids, it is either thrown out of doors or condemned to the last use —kindling afire.

如今变了样，却还有人自作聪明，想靠手艺同大自然竞争，拿来一束枯枝捆在它那已无树液的身上，结果枉费心机，不过颠倒了它原来的位置，使它枝干朝地，根梢向天，成为一株头冲下的树，归在任何干苦活的脏婆子的手里使用，从此受命运摆布。把别人打扫干净，自己却落得个又脏又臭，而在女仆们手里折腾多次之后，最后只剩下根株了，于是被扔出门外，或者作为引火的柴火烧掉了

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。