向那

During the bombing days in London, I was always longing for the old city surrounded by the moat and the weeping willows. Late in 1985, I also expressed my miss for it in my work Manse.

在大轰炸中的伦敦，，我的心也驰向那座被护城河和垂杨柳围着的古城。1985年年底，我还在几篇《杂忆》里宣泄了自己对它的依恋。

On her return, she said to Marguerite, who was at work beside her:-- What is a miliary fever?

她转来，向那在她身旁工作的玛格丽特说：猩红热是什么东西？

During the London blitz, even if I slept on the subway platform, my heart was longing for the old city surrounded by moat and drooping willow. In the end of 1985, I bared my attachment to the city in my work Miscellany.

在大轰炸中的伦敦，即使躺在地铁站台上过夜，我的心也驰向那座被护城河和垂杨柳围着的古城。1985年年底，我还在几篇《杂忆》里宣泄了自己对它的依恋。

During the London blitz, even if slept on the subway platform, my heart was longing for the old city surrounded by moat and drooping willow. In the end of 1985, I bared my attachment to the city in my work Miscellany.

在大轰炸中的伦敦，即使躺在地铁站台上过夜，我的心也驰向那座被护城河和垂杨柳围着的古城。1985年年底，我还在几篇《杂忆》里宣泄了自己对它的依恋。

He nerved himself to express his love to the girl.

隐藏 翻译他鼓起勇气向那

Arise, go to Nineveh, the great city, and cry out against it, for their evil has come up before Me.

1：2 你起来往尼尼微大城去，向那城的居民呼喊，因为他们的恶已经达到我面前。

It glided noiselessly towards the recumbent woman.

它无声无息地向那斜倚着的女人走去。

Even sleeping on subway station at night in London when it is in time of war, my heart had already come back to the ancient city which is surrounded by moat and osier.

在大轰炸中的伦敦，即使躺在地铁站台上过夜，我的心也驰向那座被护城河和垂杨柳围着的古城。1985年年底，我还在几篇《杂忆》里宣泄了自己对它的依恋。

This was no infidelity to Cosette; it was a gentle and pensive farewell to an unhappy soul.

这不算对珂赛特的不忠，这是怀着无可奈何的感伤向那不幸的灵魂告别。

And pulling out my perspective glass, which I had taken on purpose, I laid me down flat on my belly

我平卧在山顶上，取出我特意带在身边的望远镜，向那一带地方望去。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。