向那

In the time of the Blitz, my soul came back to the old city which is embraced with the moat and weeping willow even though I was lying on the railway platform for the night.

在大轰炸中的伦敦，即使躺在地铁站台上过夜，我的心也驰向那座被护城河和垂杨柳围着的古城。1985年年底，我还在几篇《杂忆》里宣泄了自己对它的依恋。

At night, even lying on the station platform, I still thought of the old city, which was surrendered by moat and weeping willow in London suffering air attack. At the end of 1985, I expressed my attachment in a few "Reminiscences".

在大轰炸中的伦敦，即使躺在地铁站台上过夜，我的心也驰向那座被护城河和垂杨柳围着的古城。1985年年底，我还在几篇《杂忆》里宣泄了自己对它的依恋。

During the London Blitz, I still longed for the ancient city of Beijing which was surrounded by the city moat and the weeping willow. At the end of 1985, I got those feelings attached to Beijing off my chest in my several articles.

在大轰炸中的伦敦，即使躺在地铁站台上过夜，我的心也驰向那座被护城河和垂杨柳围着的古城。1985年年底，我还在几篇《杂忆》里宣泄了自己对它的依恋。

Just then a loud whinny came from the herd of mustangs. They began moving up the moonlit slope."Hey! The horses!"

就在这时一声烈马的嘶叫，从远处的树林里传了出来，一个黑影在向那被月光照亮的斜坡上移动，嘿！

He threw his spear at the man but it went wide of the mark.

他将梭镖掷向那人，但偏得太远没有击中。

He resorted to his pint of wine for consolation, drank it all in a few minutes, and fell asleep on his arms, with his hair straggling over the table, and a long winding-sheet in the candle dripping down upon him.

他向那一品脱酒寻求安慰，几分钟之内把它喝了个精光。然后他便双臂伏在桌上睡着了，他的头发拖在桌上，烛泪点点落在他身上，犹如流成了一道长长的裹尸布。

I'll do my best to woo your lady and yet a barful strife!

纵使痛苦，也会替你向那女子求爱

Beings and occurrences displaced bytime and space, and long lost to the history of Man were pulled s creaminginto the ever-expanding domain.

存在与事件被置换时空，并在人类历史上被遗忘已久的历史中，再次惊叫着被拖向那不断扩张的黑暗领域。

And now Through all restraint broke loose he wings his way Not farr off Heav'n, in the Precincts of light, Directly towards the new created World, And Man there plac't, with purpose to assay [ 90 ] If him by force he can destroy, or worse, By some false guile pervert; and shall pervert For man will heark'n to his glozing lyes, And easily transgress the sole Command, Sole pledge of his obedience: So will fall, [ 95 ] Hee and his faithless Progenie: whose fault?

现在他已经挣脱一切的枷锁，振翼飞到天国附近的光明界，计划直接飞向那新造的世界，安置于人类的地方，将在那儿试用暴力毁灭人类，或用更坏的阴谋诡计，设陷阱使他坠落，人将受骗，这样人将听了那些谄媚的谎言，很容易违反他必恪守的惟一禁令，他和他不忠的子孙将从此坠落。这过失在于谁？

Said I; yes, says he; let fly then, says I, in the Name of God, and with that I fir'd again among the amaz'd Wretches, and so did Friday; and as our Pieces were now loaden with what I call'd Swan-Shot, or small Pistol Bullets, we found only two drop; but so many were wounded, that they run about yelling, and skreaming, like mad Creatures, all bloody, and miserably wounded, most of them; whereof three more fell quickly after, though not quite dead.

他说：&好了。&我就说：&凭上帝的名义，开火！&说着，我就向那群惊慌失措的畜生又开了一枪，星期五也开了枪。这一次，我们枪里装的都是小铁沙或手枪子弹，所以只打倒了两个，但受伤的却很多。只见他们像疯子似地乱跑乱叫，全身是血，大多数受了重伤；不久，其中有三个也倒下了，虽然还不曾完全死去。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。