向头后

All wear a tightly wrapped dhoti with the end falling from the waist to fill a narrow space between the legs. They wear a three-pronged golden tiara, with elongated halo behind and ring-lets of black hair falling behind the ears and over the shoulder, as in some of the other figures associated with the Tibetan period at Dunhuang.

全都穿了裹得很紧的腰布，腰部的末端从腰部垂下位於两腿之间的部分，他们像吐蕃时期敦煌画中常见的诸像一样，戴著金色通天冠，黑色卷发从耳后垂到肩上，头后面的光环向四周发著光。

Her head is thrown back and there is a grimace of pleasure there.

她的头是向后，并有一个鬼脸高兴的。

Desirable seat or lie on one's back, the head is admired backward a bit, with left

可取坐位或仰卧位，头稍向后仰，用左

The Thenardier, dishevelled and terrible, set her feet far apart, threw herself backwards, and hurled the paving-stone at Javert's head.

蓬头散发、杀气腾腾的德纳第大娘叉开两腿，身体向后仰，使出全身力气把石磴对准沙威的脑袋抛去。

With a pocketknife he cut Herring's seat belt, reclined her seat, then cradled her head and neck in his hands.

他用随身带的小刀割断海岭的安全带，把她的座位向后倒，并用手抱持住她的头和脖子。

Everything about her had been smooth and definite, even the tones of her voice and the way her light brown hair, which she wore la Pompadour, was rolled stiffly back from her forehead and coiled in a burnished rope on the top of her head.

所有关于她的事物都是光洁流畅的，甚至是她的语调，她浅棕色的头发的发式，戴着拉泼帕斗，直挺挺地从她的前额向后盘着，用亮灿灿的发绳系在头顶上。

Everything about her had been smooth and definite, even the tones of her voice and the way her light brown hair, which she wore a Pompadour, was rolled stiffly back from her forehead and coiled in a burnished rope on the top of her head.

她的一切都是那么安详平淡，那么不事张扬，甚至包括她说话的声调和她选择的发式；她梳的是高卷式发型，淡褐色的头发从前额向后紧紧地卷过去用一根光亮的头绳盘绕在头顶上。

Everything about her had been smooth and definite, even the tones of her voice and the way her light brown hair, which she wore a la Pompadour*, was rolled stiffly back from her forehead and coiled in a burnished rope on the top of her head.

她的一切都是那么安详平淡，那么不事张扬，甚至包括她说话的声调和她选择的发式；她梳的是高卷式发型，淡褐色的头发从前额向后紧紧地卷过去用一根光亮的头绳盘绕在头顶上。

Durbeyfield, leaning back, and with his eyes closed luxuriously, was waving his hand above his head, and singing in a slow recitative

德北菲尔德在车里向后靠着，舒舒服服地闭着眼睛，一只手不停地在头顶上舞动着，嘴里头慢慢地哼着一首宣叙小调

Feature of cephalometric hard tissue in patients with OSAHS: It was characterized that cranio-maxillo-facial hard tissue of submaxilla significantly retracted upward posteriorly and the distance from hyoid bone to mandibular plane increased obviously.

阻塞性睡眠呼吸暂停低通气综合征患者的头影硬组织测量特征为：以下颌改变为显著的颅颌面硬组织结构向后上缩进和舌骨至下颌平面距离明显地增加。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。