向地的

The rain is knockin at my heart and I can't see the sun no more I can't live without you my sun if I'm ever gonna get back picture this You got a kid in a room his hands sweatin and shakin while he's lacin his shoes the excitement's buildin up for what's comin up soon To get there and do what he was born to do He's listenin to the beats He's trying to get in the zone He's gotta take control and make every moment his own just a little bit tired he is a little bit scared but he's so focused he won't show it when he's finally there Cuz now he's out on the floor And he's catchin the pass slashin to the glass, movin so fast, right to the hole, they don't know how to stop him and he keeps on droppin 2's and 3's by the second and the crowd is rockin so they knock him knock him down to the ground before he's crowned as the best He takes a deep breath before he gets up and looks around Everything's in slow motion The crowd is an ocean Only one minute left The rain is knockin at my heart and I can't see the sun no more I can't live without you me sun if I'm ever gonna get back, get back, get back The rain is knockin at my heart and I can't see the sun no more Ican't lice without you my sunif I'm ever gonna get back Imagine A little girl in the stands the kid's her older brother and she's his number one fan He's always lookin out for her and she looks up to him and she wants nothin more than for her brother to win But the truth is that there's someone on the other team Someone who stole her heart Someone who holds her dreams They kiss for the 1st time just the other evening Her brother's 23 but her lover's number 16 The drama is set the whole scene is intense she doesn't know which one to cheer for and she's gettin upset 23 on the chase cuz they're at each other's necks and what happens next Her boyfriend steals the ball and checks the kid in the chest 16 on the break Brother goes in the air with brother up in his face They come crashing to the dirt Tears about to burst When the game is over who she gonna run to first, yo The rain is knockin at my door and I can't see the sun no more I'ma hafta fight my way if I'm ever gonna get back, get back, get back The rain is knockin at my door and I can't see the sun no more I'ma hafta fight my way if I'm ever gonna get back 有时感觉阻碍太多但我还是为了我的梦想而奋斗 Nothin's gonna stop me Ey yo this game of life is one big struggle We gotta hustle just to make it everyday to fight the fears we facin and grab those dreams we chasin cuz there ain't no competition when we rise to the occasion c'mon The rain is knockin at my door and I can't see the sun no more I'ma hafta fight my way if I'm ever gonna get back, get back, get back The rain is knockin at my door and I can't see the sun no more I'ma hafta fight my way if I'm ever gonna get back 注:IN可以看作是ING如FACIN可以看作facing

雨是敲入我的心我看不到太阳不再我不能没有你我的太阳如果我曾经去买回来此图片你有一个孩子在一个房间里他的手sweatin和沙金，而他的拉欣他的鞋兴奋的buildin了什么的，很快就要来要到那里做什么，他出生做他listenin的节拍他试图在该地区获得他得采取控制和利用自己的每一刻只是有点累了他有点害怕但他是如此专注，他将不显示它的时候，他终于有现在的Cuz他在地上他的捉通行证 slashin的玻璃，居无定得那么快，有权向孔，他们不知道如何阻止他他不断droppin 2的和3的由第二摇滚和人群所以他们会把他会把他撞倒在地之前，他的加冕为最佳他深吸了一口气，才起身环顾四周一切都在慢动作人群是一个海洋仅1分钟雨是敲入我的心我看不到太阳不再我不能没有你我的太阳如果我曾经去买回来，回来，回来雨是敲入我的心我看不到太阳不再没有你我的sunif Ican't虱子我曾经去买回来想像看台上的一个小女孩这个孩子是她的哥哥，她是他的头号球迷他总是在找谁了她和她抬起头来他和她想没什么比她的哥哥更赢得但是，事实是，对其他团队的人有人谁偷了她的心有人谁拥有她的梦想他们只是亲吻对方的第一时间为晚上她的弟弟，但她的爱人23的16号该剧设置整个场面激烈她不知道哪一个加油，她的gettin不高兴 23大通他们的Cuz在对方的脖子和接下来会发生什么她的男朋友抢断球，并检查孩子的胸部 16个突破哥哥和弟弟去他的脸在空中他们来到崩溃的污垢即将爆裂泪当比赛结束谁，她要去跑第一，溜溜雨是敲着我的门我看不到太阳不再我是打我的方式hafta 如果我曾经去买回来，回来，回来雨是敲着我的门我看不到太阳不再我是打我的方式hafta 如果我曾经去买回来有时感觉阻碍太多但我还是为了我的梦想而奋斗没办法，拢不惊安永哟这样的生活游戏是一个大斗争我们得喧嚣这只是为了日常战斗的恐惧，我们都会面临的两个并抓住那些梦想，我们查辛没有的Cuz没有竞争当我们挺身而出来吧雨是敲着我的门我看不到太阳不再我是打我的方式hafta 如果我曾经去买回来，回来，回来雨是敲着我的门我看不到太阳不再我是打我的方式hafta 如果我曾经去买回来

Ever since Franklin Roosevelt lifted himself from his wheelchair to lift this nation from its knees -- wagon train after wagon train -- to new frontiers of education, housing, peace; the whole family aboard, constantly reaching out to extend and enlarge that family; lifting them up into the wagon on the way; blacks and Hispanics, and people of every ethnic group, and native Americans -- all those struggling to build their families and claim some small share of America.

自从富兰克林罗斯福总统从他的轮椅上站起来，把这个国家从他的膝盖上举起来，一列一列的车队不断的向新的目标出发，包括教育的，住房的，和平的。所有的家庭都到达了目的地，并且不断的扩张和延展，不断地有新的车队出发；黑人，西班牙人，每个种族的人和美国原住民，都在为建立他们的家庭和分享美利坚的光辉而奋斗。

Whatever they borrowed, this pessimism they did not borrow -- not from Greek thought, which was a joyous acknowledgment of and homage to the beautiful and noble in this world, with a studied disregard of the element of sorrow; not from Egyptian thought, which did not allow its elaborate speculations on retribution and judgment in the netherworld to cast a gloom on this present existence, but considered the universe created or evolved under the presiding wisdom of Thoth; not from Iranian thought, which held to the absolute supremacy of Ahura Mazda and only allowed Ahriman a subordinate share in the creation, or rather counter-creation, of the world; not from Indian Brahminic thought, which was Pantheism pure and simple, or God dwelling in, nay identified with, the universe, rather than the Universe existing as the contradictory of God; not, lastly, from Semitic thought, for Semitic religions were strangely reticent as to the fate of the soul after death, and saw all practical wisdom in the worship of Baal, or Marduk, or Assur, or Hadad, that they might live long on this earth.

无论他们借来的，这悲观，他们并没有借用-而不是从希腊思想，这是一个欢乐的承认和致敬，向美丽的和高尚的在这个世界上，一个研究无视元素的悲哀；并非来自埃及的思想，不容许其拟订的揣测对报应和判断，在地狱投忧愁就这本存在，但认为宇宙的创造或演变下，主持会议的智慧，透特；不是来自伊朗的思想，举行以绝对优势的阿胡拉马自达和只允许ahriman下属分享在创造，或者更确切地说，反创造，整个世界的；不是从印度brahminic思想，这是泛神论单纯和简单，或上帝在住家，在NaY查明，宇宙，而不是宇宙现有的作为矛盾的上帝；没有，最后，从反犹思想，为犹太人的宗教是奇怪的沉默，以命运的灵魂，死亡后，看到所有实际可行的智慧，崇拜巴力，或马尔杜克，或杆，或哈达，他们可能活，只要这个地球上。

The most serious desertification occurred in southeast of MuSu Desert,then appeared inferior degree in midst,north,south and east,anddegression degree in other directions.6.The changes of environment in Mu Su Desert in historical times havebeen controlled by climatic changes in temperature and drought-wetwithin hundreds or thousands years.At present,it came into being suchspatial structure and environmental characteristics fordesertification land because of being relative to other naturalgeographic characters and human activities.In all that,physiognomyand hiemal wind are the driving factors.The sandy matter in stratumis the physical fountain factor.The depravation of surface water inthis region is one of representations of environmental changes, meanwhile,it is also the factor which leads to the degradation ofvegetation and desertification.On the whole,human activity has actedupon these natural elements,becoming a dominant factor in the regionalenvironment changes since Ming and Qing dynasty.7.Influencing of human activities on the environment of Mu Su Deserthad occurred before Qin dynasty,and its intensity of earlier influencewas so slight that it could not cause a large scope and long timeenvironmental changes.

沙漠化的程度是东南部最强，中北部、南部和东部次之，而后向其他方向递减。6、毛乌素沙地历史时期的环境变化是受百年乃至千年尺度的气候冷暖、干湿变化控制的，之所以形成目前这样的沙漠化土地空间分布格局和环境特征，则与其地的自然地理特征和人类活动有密切关系，其中地貌及冬季风是动力因素；地层中的沙物质是物源因素；地表水环境恶化是区域环境变化的表现之一，同时又是植被退化和沙漠化的引致因素；人类活动总体上是叠加在自然因素之上的，只是明清以来在局地环境变化中成为主导因素。7、毛乌素沙地人类活动的环境影响在先秦时期就已出现，早期的影响程度是轻微的，不足以造成大范围、长时段的环境变化。

From describing the false and lonely world with a series of paradoxes and a kind of way to rescue, to outline the borderline world with the type of Utopia; and this world is full of the truth and the justice, the eternal art and the spiritual harmony, the beauty and the love, the sympathy and the compassionating for all the life; it is the dwelling-place of the soul and beyond the people's birth and death.

纳博科夫通过描摹一系列二元悖论共存的虚假、孤独的世界，通过&向生的死&这样一种营救方式，勾勒出一方乌托邦式的边缘世界：它被纳博科夫抽象为真理和正义、艺术的永恒、精神的和谐与共鸣、美与爱温柔相惜、以及对所有生灵的同情和怜悯统统包涵在其中完美的世界，几乎涵盖了所有的人性美德；它超脱于人的生死之上，是灵魂的栖居地。

Forthwith from every Squadron and each Band The Heads and Leaders thither hast where stood Thir great Commander; Godlike shapes and forms Excelling human, Princely Dignities, And Powers that earst in Heaven sat on Thrones; [ 360 ] Though of thir Names in heav'nly Records now Be no memorial blotted out and ras'd By thir Rebellion, from the Books of Life. Nor had they yet among the Sons of Eve Got them new Names, till wandring ore the Earth, [ 365 ] Through Gods high sufferance for the tryal of man, By falsities and lyes the greatest part Of Mankind they corrupted to forsake God thir Creator, and th' invisible Glory of him that made them, to transform [ 370 ] Oft to the Image of a Brute, adorn'd With gay Religions full of Pomp and Gold, And Devils to adore for Deities: Then were they known to men by various Names, And various Idols through the Heathen World.

各队的队长，各班的班长，都匆匆地奔向他们的大司令站立的地方；一个个雄姿英发，形貌非凡人能比，有王者的威严，都是天上有座位的诸掌权者；虽然由于叛逆，他们的名号已从生命册上被删除了，在天上群生的记忆中，如今已渐渐被淡忘，在夏娃的子孙中也没有得到过新的名号，一直到后来，在天神的允许下，得以游历人间来试探世人，用各种的诡计、谎言去腐蚀他们，使他们背叛天神，他们的创造者，并且把创造主无形的光彩，转化做兽类的形像，用浮华的装饰，打扮得金碧辉煌，用淫乐的仪式，把魔鬼尊为神明。

And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us——then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master——her son in that he loves her, her master in that he knows her.

当夜晚的迷雾带着面纱诗意般地来到河边，老旧的房子在昏暗的夜色中渐渐模糊，高高的烟囱和仓库在夜晚也分别成为了钟楼和宫殿，这个城市犹如挂在天上一样，童话中的土地出现在我们面前，旅人加快了回家的步伐；所有的人都停止了对大自然的了解与观赏，因为大自然已用它自己的曲调，向孤独的艺术家唱出了她最美的歌曲，因为艺术家爱着大自然，因为艺术家了解大自然。

Robert Zemickis is the visual genius who directed Back to the Future, here he is back into the movies, returning into fashion with a rightfully won Best Director Oscar in hand, Zemickis is my favourite director and most of his movies have made it so, this is one of the movies that creates that vision, thanks in turn to the writers of the incredible comedy drama that uses the best conventions possible to create one of the most entertaining and spot-on movies of the 1990's.

罗伯特zemickis是视觉的天才导演回到未来，他在这里是返回到电影，返回到时装与理所当然地赢得了奥斯卡的最佳导演奖在手， zemickis是我最喜欢的导演和他的大部分电影都说得那么，这就是其中的电影创造了这一设想，表示感谢，向作家的令人难以置信的喜剧话剧，使用最好的公约，有可能创造一个最娱乐性和突击上的电影， 90年代的。

On my way up north up on the ventura i pulled back the hood and i was talking to you and i knew then it would be a life long thing but i didn't know that we we could break a silver lining and i'm so sad like a good book i can't put this day back a sorta fairytale with you a sorta fairytale with you a sorta fairytale with you things you said that day up on the 101 the girl had come undone i tried to downplay it with a bet about us you said that- you'd take it as long as i could i could not erase it and i ride along side and i rode along side you then and i rode along side till you lost me there in the open road and i rode along side till the honey spread itself so thin for me to break your bread for me to take your word i had to steal it and i'm so sad like a good book i can't put this day back a sorta fairytale with you a sorta fairytale with you i could pick back up whenever i feel down new mexico way something about the open road i knew that he was looking for some indian blood and find a little in you find a little in me we may be on this road but we're just imposters in this country you know so we go along and we said we'd fake it feel better with oliver stone till i almost smacked him seemed right that night and i don't know what takes hold out there in the desert cold these guys think they must try and just get over on us and i was ridin' by ridin' along side for a while till you lost me and i was ridin' by ridin' along till you lost me till you lost me in the rear view you lost me i said way up north i took my day all in all was a pretty nice day and i put the hood right back where you could taste heaven perfectly feel out the summer breeze didn't know when we'd be back and i, i don't didn't think we'd end up like like this

在途中提高北方在 ventura 上提高我向后地拉头巾而且我正在和你说话而且我知道然后它会是生活长的事物但是我没有知道那我们我们可以休息一个一线希望而且我很这么忧愁同类一本善行书我不能放这日子背面一近似美丽宛如在神仙故事中的与你一近似美丽宛如在神仙故事中的与你一近似美丽宛如在神仙故事中的与你你说那个日子的事物在 101 上提高女孩有来未完成的我试验过的不予重视它藉由一个打赌有关我们你说那-你将会拿它只要我可以我无法消除它而且我乘坐向前边而且我向前骑边你然后而且我向前骑边直到你失去的我在那里在开着的道路中而且我向前骑边直到蜂蜜传布它本身如此瘦的因为我对休息你的面包因为我拿你所说的话我必须偷它而且我很这么忧愁同类一本善行书我不能放这日子背面一近似美丽宛如在神仙故事中的与你一近似美丽宛如在神仙故事中的与你我可以精选向后地向上的每当我感觉？？落新的 mexico 方法关于开着的道路某事我知道他是找寻一些 indian 血和稍微在你里面稍微找发现在我里面我们可能是在这一条道路上除了我们只是 imposters 在这国家中你知道因此我们向前去和我们说我们有假货它以脚踏铁槌石头感觉好很多直到我几乎有味道他似乎是权利哪一夜晚和我不知道什么控制向那边在那沙漠寒冷这些人认为他们一定尝试而且仅仅在我们身上克服而且我是 ridin'被 ridin'向前边一阵子直到你失去的我而且我是 ridin'被 ridin'向前直到你失去的我直到你失去的我在那后面视野你失去的我我说方法向上的北方我花了我的日子极其重要的是一相当好的日子和我放头巾正确地背面哪里你可以味道天堂完全地感觉夏天微风没有知道当我们将会回来而且我我做不没有想我们有结束在同类上面同类这

The deceased have to, toward the heaven, where there will be no more disasters, there will be no more tears, but for those who survived the disaster in the compatriots, alive to become a challenge, let them in an instant disaster Separated from the experience of life and death, the mother and son have Qingshen, once the husband and wife Enai, the twinkling of an eye they are yin and yang, the two separated, disaster, not only their physical destruction, destruction of their soul, flesh wounds over time slowly healing, Can be the soul of grief, but not so far recovered pieces, post-quake reconstruction of their homes can, we can even build their homes more beautiful, but for us, more important is how to build their own spiritual home, how to ask The soul-deep scars.

但今天，这三分钟，我们哭了，我们哭的整个山河大地为之动容，整个华夏上空，凝聚着悲愤的力量，我们再也不必压抑在心中的情绪，再也不必控制连日来在眼圈中打转的泪水，街道上汽车集体的鸣笛，城市上空拉响的警报，那是城市的呜咽，它也在哭泣，想哭就哭吧，我们有太多的压抑需要释放，想哭就哭吧，我们有太多的郁闷需要宣泄，这三分钟，我们什么都不想做，我们只想哭，为我们那些奔向天堂的兄弟姐妹，为那些坚强地活下来的手足同胞。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。