向上拱

Incline rock-beam"the structure is always goes against after the working surface above main roof snaps forms along inclines the direction three-pinned arch, manifested "Voussoir beam" the structure basic characteristic, its scope was upward expansion "the balance - lost unceasingly steadily - balances again - loses again steadily the dynamic process.

倾斜岩梁"结构是由工作面上方的老顶破断后形成的沿倾斜方向的三铰拱，体现了"砌体梁"结构的基本特征，其范围是不断向上扩展的一个"平衡—失稳—再平衡—再失稳的动态过程。

Anyway, you people knew it came to the root of this Imperial City, and take root, sprout, arch territories and inadvertently stuck Nennen head, encouraged by the wind, so shake the, first look at this it seems strange the world, and then is quite a pretty body, looked at the foot of the sky, then looked again to see behind the walls, the cheeky smile, save enough effort and craned upward like branches.

反正，你在人们的不觉间就来到了这个皇城根下，而且生根、发芽、拱土并不经意地探出嫩嫩的头颅，在风的鼓动下，左右摇动着，先是看看这个似乎陌生的世界，然后又是挺了挺身子，看了看脚下又望了望天空，再看看身后的城墙，面露着微笑，攒足了劲似的向上伸着枝干。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。