后节

In 2 Corinthians chapter 1 verses 16 and 17

哥林多后书一章16到17节那里

I want to refer you to First Corinthians, chapter

我建议你去看哥林多后书第六章14 节。

In 2 Corinthians 4:4 he's also called,"the god of this age."

林后四章四节中又将他称为&这世界的神。&

And that is why Paul could say, in 2 Corinthians

正因为如此，保罗在哥林多后书五章17 节

Look at verse 6 of chapter 2 of 2 Corinthians.

请看哥林多后书二章第6节。

In 2 Corinthians chapter 13 verse 5, Paul said

在哥林多后书十三章第5节那里，保罗说

Roughly 30-50% of them are aimed at the carrier, while the others go after accompanying ships. Another salvo of 12-24 missiles was to be launched by aircraft, mainly to saturate the carrier groups defenses. The 30-knot speed of the Oscar I/II submarines enables a rapid approach to the launch area, about 450-500 km from the carrier group, and equally quick evasion after the attack.

大体上有30-50%的导弹瞄准航母，剩余的导弹攻击伴随舰艇，飞机将发射另外12-24枚导弹，主要用来饱和航母战斗群的防空能力。30节的航速使得O/O-II级能迅速占领航母战斗群450-500公里外的发射阵位，并且在发射后快速撤离。

14 Mathura, India: Women tear off the clothes of men as they play huranga, a game played between men and women a day after the Holi festival of colours

印度。马图拉：在一场&忽然嘎&游戏中妇女们扯掉男人们的衣服，这项游戏是在胡里节这一&颜色&节日的后一天在男女间举行的一种传统游戏。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。