后腿

Ribs deep and well arched in the upper half of rib, extending at least to the elbows, and presenting a flattish side appearance.

后部肋骨也相当深，最后一根肋骨到后腿的距离很短，使身躯能自由运动。

Then he handed Samuel the forceps and told him to pull up on the skin between the rear legs to separate it from the muscle.

随后他递给塞缪尔手术钳，告诉他先把后腿之间的皮肤扯起来，使之与肌肉分离。

Dad said: All the rabbits are foreleg short and long back legs.

爸爸说：所有的兔子都是前腿短，后腿长。

Each rear leg should move in line with the foreleg of the same side, neither thrown in nor out.

两条后腿都应该与相应的前腿处于同一直线，不能向内或向外歪。

The hind legs of an animal are usually longer than the forelegs.

动物的后腿通常是比前腿长。

Foreshank bow, legs stretched, to form a dance and Recall.

前腿弓，后腿绷，舞罢一番要造型。

In the Fox Trot, the fore leg is moved before the hind leg, so that the horse always has one foot on the ground, which gives a smoother action and which is also less tiring for both horse and rider.

福克斯在那套，做菜前后腿腿移动，马总是让一只脚在地上，赋予了更为流畅和行动也是骑士与马匹都较累。

Nationality: Visits: T-home;: S-home;: Region:I am a medical student plus a free lance journalist in Guangzhou. I am fluent in english with a neutral tone. Besides I also have an excellent writing skill in English. Having had spent three years in China I have come across with lots of teaching opportunitie

08年单位派我出国学习，自己大学时候英语底子还不错，结果考了两次雅思成绩都不理想，都是口语和写作拖了后腿，后来在千言万语找外教Jen恶补了一下口语和写作，结果雅思考了7.5分顺利过关，我现在已经在英国了。

Like the frilled dragon, it can also rear up on its hind legs and run away.

和褶伞蜥一样，它也是靠后腿弹跳来逃跑的。

The hind legs of the gerbil are particularly well adapted to leaping across its desert habitat.

沙鼠的后腿尤其适应于在沙漠栖息地跳跃。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。