后现代主义的

During the decipherment of Erika"s identity, the author puts in question the Oedipus complex, the proportion of masculinity/ femininity in gender construction and the function of language in the release of Erika"s desires.

作为女性主义研究的课题之一，"身份"问题在后现代主义中找到了新的活力，并发展成为女性主义摆脱长久以来父权下桎梏和约束的有力切入点。

Postmodernism shows the inclination of inaction in their viewpoints to theory, life and art :On theory, they oppose constructing theory system, oppose pursuing the deep essential, while advocate "cutting away the deep mode",to stay on the surface; On liff, they oppose controlling the object and advocate that the subject should surrender to the object world, discarding the plan and in ter tion to control the object, While should imitate and follow the object; On art, the postmodern writers no longer undertake the mission of transmitting the truth, no longer pretest alienation, but sink in the earthy joyousness, going to absurdity.

后现代主义之所以能够与轴心时代的三位思想家达成这种一致，是因为当今人类重新面临了、认识了人类在相对弱小的轴心时代所遭遇的困境——今天世界的强大又重新造成了人的弱小和无能为力，人类又重新进入困境时代，常有废墟、荒原之感的后现代主义就是这种困境时代的反映。

She argued that canonical feminist understandings of gender and sexuality institutionalized by"post"theories, such as poststructuralism, postcolonialism, postmodernism, and postmarxism, were strategies for bypassing questions of labor and capital.

她认为，在当代，无论哪种冠之以"后"的理论，如后结构主义、后殖民主义、后现代主义以及后马克思主义，在对性和性别的说明上采取的策略都是回避劳动和资本问题。

It covers most of the important theoretical paradigms developed in the twentieth century, including neo-Marxism, structuralism, poststructuralism, psychoanalysis, postmodernism, postcolonialism and feminism. Through the selected readings, it analyzes how different schools define the task of literary interpretation and discusses their strengths, achievements, and limitations.

科目内容包括了大部分在二十世纪出现的主要理论范式，如新马克思主义、结构主义、后结构主义、心理分析、后现代主义、后殖民主义，以及女性主义等，并通过所选资料，分析各个学派对文学诠释的不同观点，讨论它们的贡献、影响和局限。

The sameness of postmodernism and Socrates is that they all prore the ignorance of man to the terminal truth、 terminal meaning: Socrates made a factual provementthrough nis failure to pursue the terminal meaning of the conceptions, while postmodernism made a theoretic provement through illustrating the difference 、dissemination,、 trace.

后现代主义与苏格拉底的一致之处是他们都证明了人对终极真理、终极意义的"无知"：苏格拉底通过对那些概念的终极意义的追寻的失败对此作出了事实的证明，后现代主义则进行了理论的证明，即通过论证文本意义的分延、播撒、踪迹、替补等证明其终极意义的不可获致，证明对终极意义的追寻是一个无限的过程，这恰好符合苏格拉底对话的情形，因此二者可以互为佐证。

The above topics will be seen to have formal or theoretical resonances in a host of architectural movements: the technofantasist movements of the 1960s,"post-modern" semiosis, phenomenology, Third World "social modernism", vernacularism, post-modernism, cybernetics, and so on.

前述的议题其实在许多的建筑思潮中，所产生形式上或理论上的回响应该都是大家所知的。诸如：六十年代的科技崇拜运动、「后现代」的符号阐释、现象学、第三世界的「社会现代主义」、乡土主义、后现代主义与电驯论等等。

Defenders of Westernism have rebelled against multiculturalism, feminism, postmodernism, and the sociology of science in defense of traditions from Greek philosophy and Christianity to Elizabethan drama and modern science that they claim hold universal truths and values.

西方论的捍卫者抵制多元文化主义、女权主义，以及后现代主义，抵御来自从希腊哲学和基督教，到伊丽莎白舞台剧和现代科学的科学社会学声称拥有普遍的真理和价值。

However, Post-Modernism itself hasn't combined form and perfectly. Ultimately, it is resulted from natural defect caused by garbling and compromise. The style turns into "Decoratedshed" which faded away in 90th. However, I believe that Post-Modernism is comparatively acceptable in boundary science such as relationship among architecture, human beings and nature, and also on the topic of urban development.

但后现代主义自身也并未真正解决形式与功能的所谓完美结合，究其根本，我认为是在于其形式感上的断章取义和不得已的折衷理论所造成的天生缺陷，其风格变成了&一张装饰的皮&（Decoratedshed《历史主义不是一种类型》波菲罗斯）因此在90年代终于衰退，但是我觉得后现代主义在一些边缘科学如建筑、人、自然的关系、城市文脉等议题上的研究是相当可取的。

But in the thoughts of today china, all the culture climates coming form the Western will impact with Marxism. So the relationship of Marxism and Postmodernism must be rescanned.

由于这两个术语(在十足的后现代的意义上)装载着整个大众的想象，&马克思主义&已经被理解为列宁和苏维埃革命时期泛黄的老照片，而&后现代主义&则是豪华的大酒店。

The paper firstly examines the philosophical background. It holds that philosophical currents such as phenomenology and existentialism have an effect on this theory to some degree, and then traces the inner logic of origin and development of the theory from post-modernism and "anti-cultural" trend. Afterwards, it generalizes several important post-modern theorists such as Alain Robbe-Grillet, Roland Barthes, Susan Sontag, Michel Foucault, Jacques Derrida, Gilles Deleuze, Jean Baudrillard and so on. The paper proposes that "against-interpretation" is not only a literary critical claim, but also a cultural theory. Its attitude that overthrows and rebells tradition makes it inevitably tend towards the logic of deconstruction.Chapter two, chapter three and chapter four analyze in detail of Robbe-Grillet, sontag and Baudrillard respectively, and systematicly discuss the aesthetics pursuit and the cultural significance of the theory against interpretation through comparing the thoughts of them.

论文首先对反阐释理论产生的哲学背景作了辨析，认为现象学和存在主义哲学思潮在某种程度上对反阐释理论产生了一定的影响；再从60年代之后，后现代主义对现代性的批判与美国的&反文化&潮流两方面追寻反阐释理论产生与发展的内在逻辑；然后又概括介绍了阿兰·罗伯—格里耶、罗兰·巴尔特、苏珊·桑塔格、米歇尔·福科、雅克·德里达、吉尔·德勒兹、让·博德里亚等几位对反阐释理论发生过重要影响的后现代大家，指出&反对阐释&不只是一种文学批评主张，还是一种文化批判理论，它对传统的颠覆与反叛姿态使它不可避免地走向了&解构主义&的逻辑。

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。