后现代主义的

Actually, Derek likes to call his work "Post-Modern Absurdism", linking to the tradition of artists like Rene Magritte and Albert Camus.

事实上，德瑞克认为自己的风格实为"后现代荒谬主义"，承袭超现实派大师马格利特及小说家卡缪之理念。

After empirically proving the incommensurability between Mou and Hall and Ames' typologies, this thesis will then inquire into the motive and context behind the Third-Generation New Confucians' belief that Mou and Hall and Ames' typologies are "commensurable," and their characterizing these two typologies with the aforementioned value-laden dichotomies.

由两方论述的不可共量性之确立，本论文将进一步质问为何「第三代新儒家」会认为两方论述是「可共量」的，并以「现代」和「后现代」以及「非东方主义」和「东方主义」等带有价值判断的对立性标签来描述两方的论述。

Frederic. Jameson is the one of the most crucial figures in contemporary Marxist and post-modern theorists.

弗雷德里克·詹姆逊是当代西方最为重要的马克思主义理论家及后现代理论家之一。

However,the striking political orientation of feminism and its stern humanitarian stand,place it in fundamental disagreement with the nihilism and negativism of postmodern culture.

但女性主义鲜明的政治实践指向与严肃的人本主义立场，又使其与虚无的、崇尚消解的后现代文化具有根本分歧。

In this post-feminist, postmodern world, anything a man can do, a woman can, too.

在这个后，女权主义，后现代世界，任何一个人可以做的，一个女人也可以做到。

We can know clearly that the characters and differences among its branches, and postmodern feminism is reconcilable theory of feminism theory.

通过比较分析，可以清楚地发现各女性主义理论流派之间的特点及差异，以及后现代女性主义就是女性主义理论的调和理论、中庸理论。

Individual chapters treat the work of Eliel and Eero Saarinen, Eric Gunnar Asplund, Richard Neutra, Alvar Aalto, Le Corbusier, and Louis Kahn, as well as the Case Study, High Tech, Postmodern, and Deconstructivist architects.

个别章节对待伊利尔和Eero Saarinen的，埃里克贡纳尔阿斯普伦德，理查德努特拉，阿尔瓦阿尔托，勒柯工作，路易斯康，以及案例研究，高科技，后现代和解构主义建筑师。

The shaping of New Cultural History has three main sources in the theoretical and methodological aspects, that is, British New Marxist history and French Annale history school, Post-Modernist cultural criticism and Historical Narratism, and Cultural Anthropology.

新文化史在形成过程中，主要吸收了三个方面的理论和方法———英国马克思主义史学和法国年鉴派史学、后现代文化批评和历史叙述主义、文化人类学。

This thesis, applying western postmodern- feminism as the theory background, and the social and history status of Chinese women as the culture background, tries to unveil the postmodernism spirit trend that demonstrated by Chinese feminine writing in 90s in the following three aspects: the establishment of female discourse power, orectic writing, the breakdown of maternity mythology, and under the guidance of this spirit trend, the persistency and hard work Chinese female writers has put in reconstructing feminine "detailed history", fighting oppression of the masculine discourse power and actively expressing her creativity and vitality.

本文以西方后现代女性主义批评理论作为阐释的理论背景，以中国女性的社会历史地位作为阐释的文化背景，结合90年代中国女性写作的实践，从女性话语权的树立、欲望化写作、母性神话的窥破这三个方面，力图揭示出90年代中国女性写作所展现出的后现代精神向度，及在这一精神向度的指引下，中国女性写作重构女性&具细的历史&、抗争男性话语权力的压抑、积极表现女性创造力与生命力的执著与努力。

Here in this thesis,the authors make a analysis of the transformationist origin,of three French feminists- Helene Cixous ,Luce Irigaray,and Julia Kristeva-and their main theories,then put forward a brief evaluation,prediction,development and their influence to that of Chiona.

本文分析了法国女性主义后现代理论转向的思想渊源，剖析了法国后现代女性主义三大家希克苏斯、伊里格芮、克里丝蒂娃的主要思想及有关理论，并对它们作了简短的评价、预测、发展及其对我国的影响。

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。