后现代主义的

Taking as examples the dialogues on historical knowability in postmodernism and realism, the dialogues between different historical periods and the dialogues between various voices from different perspectives, this paper intends to tackle the colorful polyphonic features of Possession from all sorts of voices and consciousnesses to reveal the cause of controversies and conflicts in the criticism around the novel.

本文以《占有》中后现代主义和现实主义有关历史可知性的对话，各个历史时期之间的对话和多视角叙事为例，探讨了该小说中的众声喧哗的景象，以说明《占有》研究中存在大相径庭的各种解读的原因。

Through the analysis of Ironic value in Rem Koolhaas books and works, and with the comparing to the irony in Postmodern Architecture, I discuss on the meaning of the architecture transformation from public anticipation to private irony, and from moral burden to liberalistic social critics.

本文通过库哈斯的理论与实践，讨论作为个人批评立场与方法的反讽观念在建筑学中的地位和作用，探讨后现代主义以后建筑学从普遍的公共期望中发展出个人反讽，以及从道德负担到自由批评的意义。

A novel only in the loosest sense, Finnegans Wake looks forward to postmodern texts in its playful celebration of the fragmentation of experience and the decentered nature of identity, as well as its attention to the nontransparent qualities of language.

一种新型的只有loosest意义上讲，芬尼根的守灵期待着后现代主义文本在其好玩的庆祝活动不成体系的经验和偏心性质的身份，以及其注意nontransparent素质的语言。

Aiming at interrogating Erika"s identity in the context of postmodernism and feminism, the author employs psychoanalytical theories in the research in an attempt to offer strong evidence for the argument that Erika"s identity challenges the traditional doctrines and principles imposed on women for a long time.

在对埃里卡的身份解读过程中，笔者在对俄狄浦斯情节、男性和女性在性别建构中的比例以及语言作为释放欲望载体的功能提出质疑的同时，还提出了一个后现代主义框架下全新的看待&身份&的角度。

Because for us the arbitrariness used by post-modernism was ridiculous— its lack of rigor in the presumed programme of recovery of historic languages, its criticism of the peripheries, dehumanisation, etc.

因为对于我们而言，后现代主义所采用的随心所欲的方式十分荒谬——它所确立的恢复历史语言纲领的精确性的缺乏，以及它对边缘性和非人化的批评等。

The Critical Legal Studies Movement and post-modern law study arising in the 1970s, which fight against liberalism law tradition after the existence of classical natural law, aroused the second conversion of modern legal philosophy. It negates that law reflect nous, refuses the independence, conformability and oneness of law, and perturbs the bases and principles on which modern law study lies.

而二十世纪七十年代后兴起的批判法学运动和后现代主义法学将矛头直接指向古典自然法以来的自由主义法学传统，引发了近现代法哲学的第二次转型，它否定法律反映理性，否定法的独立性、确定性和统一性，动摇了现代法学所安身立命的基础和原则。

A recent book, Intellectual Impostures, by Alan Sokal and Jean Bricmont, attacks the scholarship and obscurity of some of France the scholarship and obscurity of some of France's best known post-war, Post-Modern thinkers.

近来有一本叫《知识分子的欺诈》的书，是阿兰·索卡和吉恩·布利芒特合写的，书中抨击了法国战后最著名的一些后现代主义思想家的学究气和晦涩难解。

In the opinion of Arthur Danto, the innovation of modernism artThe article regards abstraction of modernism art as the first part: the emergence of impressionism, post-impressionism, the development of modernism—it is a course of gradual abstraction; Art after Duchamp is as the second part: Duchamp and Dadaism, Surrealism, the device and Neo-Dadaism, Pope"s art, from Minimist art to idea art, New-figuration—it is a diversion of abstract art, has realized its oneself Along with Greenburgh"s impetus, and already obtained what it wanted at the beginning ------ so it has ended.

依阿瑟·丹托之见，现代主义艺术的创新随着格林伯格的推动已经实现了它自身，已经取得了它在出发伊始就想要取得的东西——所以它终结了。那么在这个&艺术已经终结&后的&后历史&、&后美学&或&后现代主义&时期，艺术需要以新的方式重新解读。

At the same time, with the re-recognition of the western modern aesthetics and classicism, the relationship among modernism, post-modernism as well as classicism is discussed. Their development and practical significance are treated dialectically.

并分析了这些若干现象及引发的困惑与迷茫的社会历史背景和原因，同时，通过对西方现代美学和中西古典美学的再认识，论述现代主义、后现代主义与古典主义美术在中国的紧张关系，辩证地看待它们在中国美术的发展及现实意义。

Abnormal development of advertising art, as well as post-modernism in the contemporary concept of the state under the note, and its emergence, development and prosperity are in a specific context of the times embodied.

反常艺术性广告的发展过程及其在当代后现代主义观念下的状态说明，它的出现、发展和繁荣都是在特定的时代语境中体现出来的。

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。