后现代主义的

It distinguishes between the avant-gardism,Modernism and Postmodernism, and points out the "silent" feature of the avant-garde literature, highlights Hassans uniqueness among the postmodern theorists.

主要阐述先锋派、现代主义和后现代主义的区别，先锋派文学的"沉默"特征，"沉默"文学内在含义等，突显哈桑在后现代理论家中的独树一帜。

Identifying Kantianism as a common thread that runs through both traditional and postmodern legal theory via the work of Adorno and Horkheimer, the book considers the ethical questions that postmodernism raises for the legitimation of legal rules and legal judgements.

经由阿多诺和霍克海默的著作，发现康德主义成为一个普遍的趋势承载着传统的与后现代主义的法律理论。这本书是在考虑一个伦理问题，即后现代主义引发的法律规则和法律判断的合法性问题。

The first chapter comprehensively inspects its essence and extension. The second chapter reconsiders Jameson basis on the acceptance situation of postmodernism in china. The last chapter analyzes postmodernism cultural spirit,discusses the paragenesis relations between postmodernism and the modernity construction of Chinese culture.

第一章全面考察其理论的内核及外延，第二章根据后现代主义在中国的接受情况来反思詹明信，最后一章对后现代主义的文化精神进行剖析，探讨它与中国文化现代性建构的共生关系。

The dissertation exposes the essence of hegemonism and powerpolitics, analyses the nature of perniciousness in the healthy development of international human rights affairs, and admonishes people to safequard state sovereignty and world peace, by means of the analysis of main view points, source and evil consequence of the theory of post modernist "human rights centre" in the West.

后现代主义的"人权中心"论是第二次世界大战后特别是 2 0世纪 70、80年代以美国为首的西方资本主义国家奉行的人权理论。它集中反映了西方垄断资产阶级人权理论的霸权主义和强权政治本质，是当代国际人权事业健康发展的最大毒瘤。一、后现代主义"人权中心"论的主要观点其一

This influence is particularly outstanding at vanguard fashion design The contemporary art of vanguard fashion design exits in works' original design, it reflected t-he idea and current of thought of the vanguard contemporary art. Since 1990s, having been gone through the strong impact of modernism, post-modernism and post-post-modernism, which is neonatal in realm of philosophy, western art have gradually tend to be unreasonable, unaesthetic and anti-centric.

前卫时装设计中的当代艺术性存在于作品的原创设计中，它反映了当代文化艺术前沿的观念与思潮。20世纪90年代以来，西方艺术经历了现代主义、后现代主义以及新生的后后现代主义的强烈冲击，逐渐具有了反理性、反审美、反中心的创作倾向。

When American Pop art met the Chinese modernism in that very context, a certain mystery was produced: Pop art was readily understood as a Dadaist destructive art, while its cultural deconstructive property seemed to be ignored. By the early 1990s, due to the political reason, China had undergone its rapid social and cultural transition from Enlightenment era to consumerist era, while artists, who were still in despair because of the failure of cultural Enlightenment movement, found themselves confronted with a completely new economic market and their ideas mingled with those of modernist Enlightenment and post-modern deconstruction.

它以风格上挪用、平面化、去意义、去价值这类语言策略解构和消除现代主义的启蒙神话，成为与后现代主义哲学同构的文化思潮。80年代初沃霍尔访华，尤其是1985年劳申伯在北京和拉萨举办个展开始了美国波普主义在中国的传播，而这时正值中国85现代主义运动的高潮，启蒙和反叛是这一运动的主题，正是这种语境使这种传播产生了十分吊诡的意义落差：波普主义很轻易地被理解为一种达达式的破坏性艺术，而它的文化解构主义色彩反倒不易被体会。90年代初中国社会由于政治的原因急促地完成了由启蒙文化向消费文化的转型，艺术家们还沉迷在文化启蒙运动失败的悲壮气氛中却突然发现自己已深陷在一个一完全陌生的经济世界中，理想的失落和批判身份的丧失使他们的思想开始混杂于现代主义的启蒙建设和后现代主义的解构观念之间，于是，波普主义成为这个时代的一种自然的风格选择。

It has been attacked as a mixture of "narcissism" and "nihilism" by former United States vice-president Al Gore; it has been defined as the triumph of the spectacle by French Marxist theorist Guy Debord; it has been lamented as the abolition of reality by simulacra in the works of philosopher Jean Baudrillard; and it has been defended as the liberation of communication from hegemonic narratives by the philosopher Jean-Francois Lyotard; and so on and so on.

美国前副总统Al Gore讥之为「自恋」与「虚无」的结合；法国马克思理论家Guy Debord则赞扬它代表了「景象」的巨大成就；Jean Baudrillard的哲学作品中则感叹后现代主义的「拟象」消除了真实；哲学家Jean-Francois Lyortard则为它辩护，认为后现代主义解构霸权论述，是一种沟通的解放。

The appearance of postcolonial criticism has therefore overlapped with the debates on postmodernism, though it brings, too, an awareness of power relations between Western and Third-World cultures which the more playful and parodic, or aestheticising postmodernism has neglected or been slow to develop.

殖民地时期后的批判主义的出现与有关后现代主义的争论交迭起来，尽管其出现使人们意识到西方与第三世界文化的强烈关系。这种关系被有趣滑稽但又有审美感的后现代主义忽视从而缓迟发展。

As the leading exponent of post-modernism, Baudrillard's communication theory has postmodern-words features of spurning identical system and totalization, advocating otherness and emphasizing instantaneous feeling.

作为后现代主义的代表人物，鲍德里亚的传播理论具有拒斥同一体系、总体化，崇尚差异性，强调瞬间感的后现代话语特征。

In the following discussion,when I refer to postmodernism, I always mean constructive postmodernism, unless I specifically refer to deconstructive forms.

在随后的讨论中，当我说后现代主义的时候，除非特别说清是解构主义，我通常是指建构后现代主义。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。