后现代主义

The value-oriented education is ambiguous, The moral curriculum is hard to be put into pructice, The acher professional ethics need to be rebuilt, and the definition of teacher-student relationship is inexplicit.

当前后现代文化摧残理性与科学之后，自我中心主义盛行，伦理价值标准匮乏，理性思维解构冲突，以致造成校园伦理事件层出不穷、价值导向教育混淆不清、道德课程教学窒碍难行、教师专业伦理有待建立，及师生关系内涵定位不明。

Individual chapters treat the work of Eliel and Eero Saarinen, Eric Gunnar Asplund, Richard Neutra, Alvar Aalto, Le Corbusier, and Louis Kahn, as well as the Case Study, High Tech, Postmodern, and Deconstructivist architects.

个别章节对待伊利尔和Eero Saarinen的，埃里克贡纳尔阿斯普伦德，理查德努特拉，阿尔瓦阿尔托，勒柯工作，路易斯康，以及案例研究，高科技，后现代和解构主义建筑师。

The dissertation revisits Metromarxists such as Lefebvre, Production of Space; Benjamin's dialectical seeing and Debord's theorization of Spectacle- in speculating the emerging globalizing consumption space of Taipei.

以&都市马克思主义学者(metro-marxist)&列斐伏尔的空间生产理论为基础，初步探讨台北作为理论化的消费空间，试图在文本分析与行动过程中透视、重审台北，藉由城市经验与物视觉影像辩证性等理论阅读台北作为后现代资本主义城市已浑然成型的空间生产与空间经验所延伸的矛盾与驯服。

In technichques, his works mostly present destructionism and carnivalization.

在后现代语境下，巴塞尔姆的作品从创作方法上看主要体现了解构主义艺术思维策略的运用和狂欢化美学效果的追求。

Meanwhile, Hong Kong films received belatedly and discriminately influences from Western films. Hollywood commercialized films, the European films of art, Japanese films, especially the production system of Hollywood, the French cinematic conception of "new waves", the technique of Japanese swords films, and sex emancipation, post-modernism, recreationism and commercialism have had in varying degrees impact on Hong Kong films, building up their own style which welds Chinese culture and international cinematic culture.

美国好莱坞的商业电影、欧洲的艺术电影乃至日本电影，特别是好莱坞的制片厂制度、法国&新浪潮&的电影理念、日本剑戟片的拍摄技术，还有&性解放&、&后现代&、娱乐主义和商业主义等文化思潮，都不同程度地影响着香港电影的面貌和发展，逐步使香港电影形成了以祖国文化为根基、同时又具有国际化现代电影包装的个性特征。

Therefore,the issue of how to integrate the essence of postmodern culture into its own framework of political practice has become a hot topic in today's feministic circles of literary theory.

因此，如何吸收后现代文化的精华并将之纳入自己的政治实践框架，成为当今女性主义文论界的热点话题。

After " of life careful beautification says to result from on contemporary footing oppose substaintial doctrine, for the word that uses Weitegensitan or Liaoda,"Our stay is in the jumbly diversity of language game, and model by so numerous conversational form place, who be so that we can say us for certain no longer,after all.

生活审美化&说源于后现代立场上的反本质主义，用维特根斯坦或利奥塔的话来说，&我们栖身在语言游戏的混杂的多样性中，且由如此众多的谈话形式所塑造，以至于我们不再能够肯定地说我们究竟是谁。

From the criteria of absolute experience of logic positivism and critical rationalism to the comparative criteria of pragmatism and to the diminishing criteria of anarchism and post-modern philosophy,the division criteria is becoming increasingly obscure,while now the science practicalism,by shouldering the banner of science division,establishes ...

从逻辑实证主义、批判理性主义的绝对经验标准，经实用主义的相对标准，到无政府主义和后现代哲学的消解标准，划界标准越来越模糊。而科学实在论又扛起科学划界的大旗，建立了多元标准。

There is either a way of peculiar proximation or a paradigmatic alienization, since both of themin volve in the business of displacement, an extremely critical aspects of post-modern urbanism.

方式可以是独有的相似性或典型的相异性。这两种特性都与后现代城市主义具有批判性的议题&置换&有关。

First, the theme of this novel, according to the deconstructionism of postmodernism, is the dispelling of family responsibility.

主题部分：按照后现代解构主义的理论，《变形记》是一部消解责任的小说。

The labia have now been sutured together almost completely.The drains and the Foley catheter come out at the top.

此刻阴唇已经几乎完全的缝在一起了，排除多余淤血体液的管子和Foley导管从顶端冒出来。

To get the business done, I suggest we split the difference in price.

为了做成这笔生意，我建议我们在价格上大家各让一半。