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后现代主义

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The first chapter comprehensively inspects its essence and extension. The second chapter reconsiders Jameson basis on the acceptance situation of postmodernism in china. The last chapter analyzes postmodernism cultural spirit,discusses the paragenesis relations between postmodernism and the modernity construction of Chinese culture.

第一章全面考察其理论的内核及外延,第二章根据后现代主义在中国的接受情况来反思詹明信,最后一章对后现代主义的文化精神进行剖析,探讨它与中国文化现代性建构的共生关系。

The dissertation exposes the essence of hegemonism and powerpolitics, analyses the nature of perniciousness in the healthy development of international human rights affairs, and admonishes people to safequard state sovereignty and world peace, by means of the analysis of main view points, source and evil consequence of the theory of post modernist "human rights centre" in the West.

后现代主义的"人权中心"论是第二次世界大战后特别是 2 0世纪 70、80年代以美国为首的西方资本主义国家奉行的人权理论。它集中反映了西方垄断资产阶级人权理论的霸权主义和强权政治本质,是当代国际人权事业健康发展的最大毒瘤。一、后现代主义"人权中心"论的主要观点其一

The sameness of postmodernism and Socrates is that they all prore the ignorance of man to the terminal truth、 terminal meaning: Socrates made a factual provementthrough nis failure to pursue the terminal meaning of the conceptions, while postmodernism made a theoretic provement through illustrating the difference 、dissemination,、 trace.

后现代主义与苏格拉底的一致之处是他们都证明了人对终极真理、终极意义的"无知":苏格拉底通过对那些概念的终极意义的追寻的失败对此作出了事实的证明,后现代主义则进行了理论的证明,即通过论证文本意义的分延、播撒、踪迹、替补等证明其终极意义的不可获致,证明对终极意义的追寻是一个无限的过程,这恰好符合苏格拉底对话的情形,因此二者可以互为佐证。

This influence is particularly outstanding at vanguard fashion design The contemporary art of vanguard fashion design exits in works' original design, it reflected t-he idea and current of thought of the vanguard contemporary art. Since 1990s, having been gone through the strong impact of modernism, post-modernism and post-post-modernism, which is neonatal in realm of philosophy, western art have gradually tend to be unreasonable, unaesthetic and anti-centric.

前卫时装设计中的当代艺术性存在于作品的原创设计中,它反映了当代文化艺术前沿的观念与思潮。20世纪90年代以来,西方艺术经历了现代主义、后现代主义以及新生的后后现代主义的强烈冲击,逐渐具有了反理性、反审美、反中心的创作倾向。

The above topics will be seen to have formal or theoretical resonances in a host of architectural movements: the technofantasist movements of the 1960s,"post-modern" semiosis, phenomenology, Third World "social modernism", vernacularism, post-modernism, cybernetics, and so on.

前述的议题其实在许多的建筑思潮中,所产生形式上或理论上的回响应该都是大家所知的。诸如:六十年代的科技崇拜运动、「后现代」的符号阐释、现象学、第三世界的「社会现代主义」、乡土主义、后现代主义与电驯论等等。

It has been attacked as a mixture of "narcissism" and "nihilism" by former United States vice-president Al Gore; it has been defined as the triumph of the spectacle by French Marxist theorist Guy Debord; it has been lamented as the abolition of reality by simulacra in the works of philosopher Jean Baudrillard; and it has been defended as the liberation of communication from hegemonic narratives by the philosopher Jean-Francois Lyotard; and so on and so on.

美国前副总统Al Gore讥之为「自恋」与「虚无」的结合;法国马克思理论家Guy Debord则赞扬它代表了「景象」的巨大成就;Jean Baudrillard的哲学作品中则感叹后现代主义的「拟象」消除了真实;哲学家Jean-Francois Lyortard则为它辩护,认为后现代主义解构霸权论述,是一种沟通的解放。

However, Post-Modernism itself hasn't combined form and perfectly. Ultimately, it is resulted from natural defect caused by garbling and compromise. The style turns into "Decoratedshed" which faded away in 90th. However, I believe that Post-Modernism is comparatively acceptable in boundary science such as relationship among architecture, human beings and nature, and also on the topic of urban development.

后现代主义自身也并未真正解决形式与功能的所谓完美结合,究其根本,我认为是在于其形式感上的断章取义和不得已的折衷理论所造成的天生缺陷,其风格变成了&一张装饰的皮&(Decoratedshed《历史主义不是一种类型》波菲罗斯)因此在90年代终于衰退,但是我觉得后现代主义在一些边缘科学如建筑、人、自然的关系、城市文脉等议题上的研究是相当可取的。

The appearance of postcolonial criticism has therefore overlapped with the debates on postmodernism, though it brings, too, an awareness of power relations between Western and Third-World cultures which the more playful and parodic, or aestheticising postmodernism has neglected or been slow to develop.

因此,尽管它也使人们了解到西方文化和更为有趣的第三世界文化之间的强大关系,或者说后现代主义审美观已经停止或放慢了发展速度,后殖民主义批评观与后现代主义争论观点上是一致的。

In this article, the postmodernism curriculum viewpoint and the revelation of the postmodernism to the informational technology education on task, form, model and evaluation will be descanted.

文章就后现代主义课程观、后现代主义给信息技术教育带来的关于任务、形式、模式、评价等方面的启示展开了具体详实的论述。

Moreover, postmodernist aesthetics and art as a significant component of the post-aesthetic culture yet remains peculiar in nature.

作为后现代主义文化的重要组成部分,后现代主义美学和文艺也具有自己的独特性。

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此刻阴唇已经几乎完全的缝在一起了,排除多余淤血体液的管子和Foley导管从顶端冒出来。

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