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后现代主义

与 后现代主义 相关的网络例句 [注:此内容来源于网络,仅供参考]

Post-modernism is the phenome-non of this social experience and is the process and result of cultural vicissitude.

后现代主义是这一社会经验的现象,是文化变迁的过程和结果。

Its symbolic character and significance, breakthrough against the traditional framework as its increasingly-demonstrated viscounty in post-modernity art studies as well contribute vital importance to the necessity of research.

电视广告文本的符号特征和意义,它对以往广告模式的突破和反叛,它在后现代主义艺术研究中日益凸显的地位等,都显示出了重要的研究价值。

However, post-modernism asserted that this was the primary mode of human existence, an individual aswim in a sea of the products of people.

然而,后现代主义的观点是,人存在的主要形式是,个体涵盖在所有人的产物之中。

To achieve this goal, the author of this thesis is trying to approach the newlyprospering star-making TV programs by employing Bakhtin"s carnivalesque theoryagainst the background of postmodernism. The star-making TV programs, such as"Super Girls, are used for analysis.

为达到这一目的,本文作者运用后现代主义背景下巴赫金的狂欢化理论作为理论框架来解读中国近年来新兴的造星电视娱乐节目,例如湖南卫视的&超级女声&栏目。

And cant understand understanding on it is as to designing contemporarily,especially to after modernism, new for understanding of modernism, should in fact set up on knowing in an all-round way and thorough foundation that understand to modernism.

对于当代设计的认识和了解,特别是对后现代主义、新现代主义的理解,其实是应该建立在对现代主义的全面认识和透彻了解的基础上。

Even Post-Modernism, arising at the end of 60th, aiming at changing the formalistic language, is actually further research on form rather than disaffirm on organization and of Modernism.

即便是60年代末产生的,希望改变现代主义形式语言的后现代主义(Post-Modernism)的运动开端,也只是对形式的再次深入研究而不是针对现代主义的构造及功能进行否定。

This thesis probes into the social and cultural background when post-modern art was originated, its characteristics and evolutive structure.

论文分析了后现代主义艺术产生的社会文化背景、特征和发展格局。

You should regard others as the same of yourselves in the three dimensions of teaching the knowing dimension, the power dimension, and the ethics dimension (this is the taxonomy by Fouler, who is the famous French postmodern thinker ).

将心比心应发生在教学中的认识、权力与伦理三个维度(著名后现代主义思想家福科的观点)。

Seen from the above mentioned two aspects, this thesis concludes that Under My Skin is a text of historiographic metafiction with the characteristics of postmodern features.

本章从以上两方面的分析得出结论,认为《在我的皮肤下面》是具有后现代主义历史编纂元小说特色的文本。

Taking as examples the dialogues on historical knowability in postmodernism and realism, the dialogues between different historical periods and the dialogues between various voices from different perspectives, this paper intends to tackle the colorful polyphonic features of Possession from all sorts of voices and consciousnesses to reveal the cause of controversies and conflicts in the criticism around the novel.

本文以《占有》中后现代主义和现实主义有关历史可知性的对话,各个历史时期之间的对话和多视角叙事为例,探讨了该小说中的众声喧哗的景象,以说明《占有》研究中存在大相径庭的各种解读的原因。

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此刻阴唇已经几乎完全的缝在一起了,排除多余淤血体液的管子和Foley导管从顶端冒出来。

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