后现代主义

This article proposed: First, the political philosophy and latter modernism are to the initiation inheritance profound resonsideration, but their standpoint is different; Second, the political philosophy's subject is just, but regarding anything is just, the new liberalism interior is debated, between it and the social group principle's argument is more intense; Third, the initiation

本文提出：第一，政治哲学和后现代主义是对启蒙遗产的深刻反思，但它们立场是不同的；第二，政治哲学的主题是正义，但对于什么是正义，新自由主义内部是充满争论的，它与社群主义之间的争论则更为激烈；第三，启蒙是一项未竟的事业，新自由主义和后现代主义都不可能终结启蒙。

This article proposed: First, the political philosophy and latter modernism are to the initiation inheritance profound resonsideration, but their standpoint is different; Second, the political philosophy's subject is just, but regarding anything is just, the new liberalism interior is debated, between it and the social group principle's argument is more intense; Third, the initiation is a not enterprise unexpectedly, the new liberalism and latter modernism are impossible to end the initiation.

本文提出：第一，政治哲学和后现代主义是对启蒙遗产的深刻反思，但它们立场是不同的；第二，政治哲学的主题是正义，但对于什么是正义，新自由主义内部是充满争论的，它与社群主义之间的争论则更为激烈；第三，启蒙是一项未竟的事业，新自由主义和后现代主义都不可能终结启蒙。

It meets the demands of both the cultural context of Postmodernism and the targeted group in Hong Kong. Such intertextual techniques as parodying, buffoonery, playing a reversed role, and "piecing together", etc., produce a stirring effect among viewers. Meanwhile, the openness of the interpretation of this postmodernist text is in accordance with the characteristics of the cyber media. It can be said that it is the web that accomplishes this film.

《大话西游》是按照后现代主义原则对《西游记》进行改编的范例，它的出现符合后现代主义文化语境和香港受众群体的需求，其中戏拟、滑稽反串、拼帖等互文性手法的运用使作品产生震撼人心的效果，同时，《大话西游》这部后现代文本在阐释上的开放性恰恰契合了网络媒体的互文性特征，可以说，正是网络成就了《大话西游》。

Postmodernism shows the inclination of inaction in their viewpoints to theory, life and art :On theory, they oppose constructing theory system, oppose pursuing the deep essential, while advocate "cutting away the deep mode",to stay on the surface; On liff, they oppose controlling the object and advocate that the subject should surrender to the object world, discarding the plan and in ter tion to control the object, While should imitate and follow the object; On art, the postmodern writers no longer undertake the mission of transmitting the truth, no longer pretest alienation, but sink in the earthy joyousness, going to absurdity.

后现代主义之所以能够与轴心时代的三位思想家达成这种一致，是因为当今人类重新面临了、认识了人类在相对弱小的轴心时代所遭遇的困境——今天世界的强大又重新造成了人的弱小和无能为力，人类又重新进入困境时代，常有废墟、荒原之感的后现代主义就是这种困境时代的反映。

Identifying Kantianism as a common thread that runs through both traditional and postmodern legal theory via the work of Adorno and Horkheimer, the book considers the ethical questions that postmodernism raises for the legitimation of legal rules and legal judgements.

经由阿多诺和霍克海默的著作，发现康德主义成为一个普遍的趋势承载着传统的与后现代主义的法律理论。这本书是在考虑一个伦理问题，即后现代主义引发的法律规则和法律判断的合法性问题。

Nabokov is a writer of multiple identities——not only a talented latecomer in "the first wave" of Russian emigrant literature, but also a forerunner of American postmodernism literature; not only a novelist, but also a critic, a translator, and a poet writing in Russian and English; furthermore, apart from his distinguished contribution in literature, he is also an expert in lepidopterology——which make Nabokov's works particularly appealing to from three perspectives, that is, postmodernism, comparative literature and Russian emigration literature.

纳博科夫是一名多重身份的作家，他既是俄罗斯侨民文学第一次浪潮中的后起之秀，也是美国后现代主义文学的先驱；既是一名小说家，也是评论家、翻译家、诗人；既用俄语创作，也用英语创作；既在文学领域内纵横，又在鳞翅目昆虫学方面颇有建树。他的这些跨越性特征使他同时出现在后现代主义研究、比较文学研究以及俄罗斯侨民文学研究的视阈内。

A postmodern approach starts from a different premise than both libertarianism and the socialism. Postmodernism is holistic.

后现代主义始于一个与自由主义和社会主义都不同的前提，后现代主义是整体主义的。

When American Pop art met the Chinese modernism in that very context, a certain mystery was produced: Pop art was readily understood as a Dadaist destructive art, while its cultural deconstructive property seemed to be ignored. By the early 1990s, due to the political reason, China had undergone its rapid social and cultural transition from Enlightenment era to consumerist era, while artists, who were still in despair because of the failure of cultural Enlightenment movement, found themselves confronted with a completely new economic market and their ideas mingled with those of modernist Enlightenment and post-modern deconstruction.

它以风格上挪用、平面化、去意义、去价值这类语言策略解构和消除现代主义的启蒙神话，成为与后现代主义哲学同构的文化思潮。80年代初沃霍尔访华，尤其是1985年劳申伯在北京和拉萨举办个展开始了美国波普主义在中国的传播，而这时正值中国85现代主义运动的高潮，启蒙和反叛是这一运动的主题，正是这种语境使这种传播产生了十分吊诡的意义落差：波普主义很轻易地被理解为一种达达式的破坏性艺术，而它的文化解构主义色彩反倒不易被体会。90年代初中国社会由于政治的原因急促地完成了由启蒙文化向消费文化的转型，艺术家们还沉迷在文化启蒙运动失败的悲壮气氛中却突然发现自己已深陷在一个一完全陌生的经济世界中，理想的失落和批判身份的丧失使他们的思想开始混杂于现代主义的启蒙建设和后现代主义的解构观念之间，于是，波普主义成为这个时代的一种自然的风格选择。

The appearance of postcolonial criticism has therefore overlapped with the debates on postmodernism, though it brings, too, an awareness of power relations between Western and Third-World cultures which the more playful and parodic, or aestheticising postmodernism has neglected or been slow to develop.

殖民地时期后的批判主义的出现与有关后现代主义的争论交迭起来，尽管其出现使人们意识到西方与第三世界文化的强烈关系。这种关系被有趣滑稽但又有审美感的后现代主义忽视从而缓迟发展。

In the following discussion,when I refer to postmodernism, I always mean constructive postmodernism, unless I specifically refer to deconstructive forms.

在随后的讨论中，当我说后现代主义的时候，除非特别说清是解构主义，我通常是指建构后现代主义。

The labia have now been sutured together almost completely.The drains and the Foley catheter come out at the top.

此刻阴唇已经几乎完全的缝在一起了，排除多余淤血体液的管子和Foley导管从顶端冒出来。

To get the business done, I suggest we split the difference in price.

为了做成这笔生意，我建议我们在价格上大家各让一半。