同时代的

This paper mainly studies on people Jui-Tu neglected to look further into these questions.:one, through the works of Zhang Rui Figure comprehensive carding, so can their have a comprehensive understanding; 2, the morphological changes from the works start, to explore its origins calligraphy; 3, through their works shall know Handscroll analysis to help determine without the banners section in the approximate age of the work; 4 of their book to learn the concept of analysis, in order to more clearly understand the formation process of calligraphy styles. 5. Allograph home and at the same time learn the concept of the book, we can know that the formation of personality style and its concept of an independent study of the book is closely related to, but also deepen their understanding of the law of Zhang Rui.'s calligraphy.

本文主要就人们研究张瑞图时所忽略的一些问题做进一步的探讨：1、通过对张瑞图作品的全面梳理，以求能对其有一个全面的认识；2、从其作品的形态变化入手，探寻其书法的渊源，并尝试对其书法上一个很长的空白期进行探索；3、通过对其手卷作品进行款识分析，以帮助对无年款的条幅作品进行断代；4、对其书法观念进行论述，以求更清晰地理解其书法风格的形成；5、与同时代书家书法观念的比较，可以知道个性风格的形成与其独立的书学观念密切相关，更能加深对张瑞图书法的理解。

While compared with the vocal pieces of other composers in the same period of time, with all-sided analysis from the topic, the structure, the melody and the music element of S.C.Foster's vocal pieces, the article clearly shows the most prominent character of his songs —"approachability" and the important value of Foster in the development of American music and the history of human being.

本文通过对福斯特歌曲作品的创作题材、形态结构、乐汇来源等多角度的分析与阐释，使读者对福斯特歌曲作品在同时代其他声乐作品中体现出的"亲和力"的这一特征有一个全方位的、较为清晰的认识；并在对这些作品进行细致分析研究后指出，福斯特及其歌曲作品不仅在美国本土音乐文化发展史上有着重要历史地位，还因为歌曲作品本身所具备的对时空的超越性，即歌曲中饱满蕴含的人性和爱这一人类永恒的主题，而成为全人类共有的精神财富。

I am twenty-two blocks from where Rudolph Valentino lay in state, eight blocks from where Nathan Hale was executed, five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose, four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle, thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska, one block from where Marceline used to clown on the boards of the Hippodrome, thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public, thirteen blocks from where Harry Thaw shot Stanford White, five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany (I could continue this list indefinitely); and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in, some of them on hot, breathless afternoons, lonely and private and full of their own sense of emanations from without.

黑尔就义在8个街区之外，5个街区之外的出版社办公室中厄内斯特？海明威(1899-1961，美国著名作家)曾挥拳击中马科斯？伊斯特曼（海明威同时代美国政治家）的鼻子，在4英里外瓦尔特？惠特曼(1819-1892，美国诗人)曾奋力为《鹰报》撰写社论，34个街区之外是威拉？凯瑟(1873-1947，美国作家)在纽约为内布拉斯加拓荒者著书立传时居住的街道，玛瑟琳曾经常在一个街区之外的马戏场扮演小丑，36个街区之外是历史学家乔高德在大庭广众下踢烂收音机的地方，哈里？福射在13个街区之外杀了斯坦福？怀特（1906年），5个街区之外是我曾做引座员的大都会歌剧院，而在112个街区之外老克拉伦斯？戴(1874-1935，美国作家)在主现节教堂洗去他的罪过；也因而，我此刻置身的房间可能迎接过无数显赫人物，一些人是在令人窒息的炎热下午到来，孤独而隐退，散发着莫名的自我。

In the Suras of the second Meccan period we first find the long stories of the prophets of olden times, especial stress being laid upon the punishment which fell upon their contemporaries for disbelief, the moral is always the same, namely, that Mohammed came under precisely similar circumstances, and that a denial of the truth of his mission would bring on his fellow-citizens the self-same retribution.

在Suras第二Meccan期间，我们首先找到长期的故事先知的古代，尤其是强调被解雇的惩罚落在他们的同时代人的怀疑，在道义上始终是相同的，即穆罕默德遭到恰恰类似的情况，并剥夺了的真理他的使命将他的同胞公民的自我相同的报复。

From him, and other Impressionists, she acquired an interest in the rehabilitation of the pictural qualities of everyday life, inclining towards the domestic and the intimate rather than the social and the urban (Lady at the Teatable, 1885; Metropolitan Museum, New York), with a special emphasis on the mother and child theme in the 1890s (The Bath, 1891; Art Institute of Chicago). She also derived from Degas and others a sense of immediate observation, with an emphasis on gestural significance.

除7l临摹卢浮宫的先辈大师作品外，她也到巴黎沙龙学习同时代艺术家的作品。1867年她参观了库尔贝和马奈的画展，对马奈作品很有兴趣。1872年春，卡萨特向巴黎沙龙送的第一件作品《狂欢节日之前》被接受，其后两年她都送作品参加沙龙的展览。1874年她的一幅妇女肖像画在沙龙展出，受到德加的高度评价。1879年，应德加的邀请，卡萨特参加了印象派画展，直到l船6年这段时间，她始终是印象派的活跃成员。1879年展出的《蓝色扶手椅中的小女孩》和作于1883年的《穿黑衣的妇女》是她的代表作品。

What distinguishes Lotto from his more famous contemporaries is his psychological insight into character and his personal vision's unconventionality, which is sufficient to account for the comparative neglect suffered by him when his art is placed beside the more typical art of Titian and Giorgione, the supreme expression of the character of the period.

与众不同之处是什么乐天从更是世界闻名的同时代人是他的心理洞察性格和他的个人抱负的异常，这是足以帐户比较忽视所遭受的他时，他的艺术是放在旁边的更典型的艺术，提香和乔尔乔内，最高法院的表达对性质的时期。

The religion sense in Modan's poetry had come into being upon the influences of Job, the doctrines of which lied in the poet had observed the individual's sufferings and chaos in then society to the deiform eye to turn out the truths in the religion circle, to surpass the restrictions of the modern enlightenment and the thinking and artistic limitations of an age and to broaden a fresh existing room for the individual life.

穆旦诗歌中的宗教意识是在《约伯记》的影响下形成的，其要义在于诗人以神性的眼光来看待个体生命在社会历史境域中遭遇到的痛苦与混乱，使之变成了信仰领域中的真理，从而超越了现代启蒙思想的桎梏，超越了同时代人的思想和艺术局限，为个体生命拓展出了一片全新的生存空间。

This proposition ferreted out unsympathetically the various melodies of our country\'s issue on the intellectuals, especially exposed Linbiao and:"Gang of Four " \'s fallacies on the issue of the intellectual and has serious tone of criticism. This proposition also proposed that the mass line must be followed on the practices, the range and the channel of choosing the intellectuals and on the checking of the cadres, and has profound mass character. At the same time, as this proposition came into being in the new period of our country\'s reform and opening to the world as well as the period of the Socialist modernization construction, and it is firmly connected with the era theme, it has distinct epoch character.

针对我国人才问题上的种种(来源：ABC论文a4网www.abclunwen.com)弊端，尤其是林彪、&四人帮&在人才问题上的种种谬论，进行了无情揭露，具有严肃的批判性；在选用人才的具体实践、在选用人才的范围和渠道方面、在干部人才考核方面，主张要走群众路线，具有深厚的人民性；产生和形成于我国改革开放和现代化建设的新时期，同时代主题密不可分，具有鲜明的时代性；在干部队伍建设、识别人才、选用人才、培养人才方面，坚持一分为二的观点，具有丰富的辩证性。

Lin discusses Li Ch'ing-chao's critical comments on her fellow song lyricists in the context of these developments and concludes by speculating on possible reasons behind the often-noted and curious omission of Chou Pang-yen from her essay: these are related, he suggests, to the fact that Chou's attention to the musical nature of the form restored what Li considered to be an essential aspect of its original identity and therefore exempted him from Li's otherwise unstinting critique of her contemporaries.

林顺夫在这些发展的情境中就李清照的几阙词论述了其批评，并通过周邦彦（Chou Pang-yen）对其诗文的忽略的背后的可能原因推测到：这些是相互联系的，周邦彦对这种体式的音乐本质的关注恢复了李清照所考虑的东西，并且成为其原始特性的重要方面，因此，除了他，否则李清照一直遭受着同时代人的批评。

Overshadowed by the genius of his three great contemporaries, Titian , Giorgione and Palma , he had been comparatively neglected by art historians until Mr Bernard Berenson devoted to him an essay in constructive art criticism, which not only restores to him his rightful position among the great masters of the Renaissance, but also throws clear light upon the vexed question of his artistic descent.

所掩盖的天才他的三个伟大的同时代人，提香，乔尔乔内和帕尔马，他一直比较忽略了艺术史学家，直到陈智思议员毕瑞森专门讨论他的一篇文章在建设性的文艺批评，这不仅恢复到他应有的地位之间的伟大当家作主的文艺复兴运动，而且还投掷明确轻后，棘手的问题，他的艺术后裔。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失