同时代的

A noble place; inside as well as out, a noble place--a house in which you incontinently lost yourself if ever you were so rash as to go about it alone; a house in which no one room had any sympathy with another, every chamber running off at a tangent into an inner chamber, and through that down some narrow staircase leading to a door which, in its turn, led back into that very part of the house from which you thought yourself the furthest; a house that could never have been planned by any mortal architect, but must have been the handiwork of that good old builder--Time, who, adding a room one year, and knocking down a room another year, toppling down a chimney coeval with the Plantagenets, and setting up one in the style of the Tudors; shaking down a bit of Saxon wall there,and allowing a Norman arch to stand here; throwing in a row of high narrow windows in the reign of Queen Anne, and joining on a dining-room after the fashion of the time of Hanoverian George I.

一个高贵的地方，里里外外，全然是个高贵的地方——好一个府邸，如果你竟鲁莽得独自东闯西跑，你立刻就会茫然迷失；好一个府邸，其中没有一个房间同另一个房间有什么和谐一致之处，每个房间都逸出常轨，突入一个内室，再经由内室下到某一个楼梯上，楼梯通向一个门，门又导引你回到了老地方，你还自以为这是府邸中离此最远的部分哩；好一个府邸，任何人间的建筑师都设计不出来的，必定是善良古老的建设者——时间——亲手营造的。时间在这一年增加了一个房间，在另一年又弄塌了一个房间；一会儿推倒一个与金雀花王朝同时代的烟囱，另外垒起一个都锋王朝风格的烟囱；那儿推倒一点儿撒克逊时代的墙垣，这儿又容许建立一道诺曼拱门；既把安女王统治时期流行的一排又高又狭的窗子硬装了上去，又按照乔治一世时代的时髦样式修建了餐室，同一个自从威廉征服英国以来兀立至今的斋堂相毗连。

The Koran, however, the most authentic document of Islam, whose beginnings are probably contemporaneous with Mohammed's first sermons, speaks of this revelation on the "fateful night" rather vaguely in a passage of the later Meccan period, while the earlier passages give the impression that Mohammed himself had somewhat hazy ideas on the first stages of the revelation which culminated in his occasional intercourse with God, through the mediation of various spiritual beings.

可兰经，然而，最真实的文件伊斯兰教，其起源可能与穆罕默德同时代的第一说教，讲这个启示的"命运之夜"相当含糊的通过后Meccan时期，而以前的段落给人的印象穆罕默德本人也有些模糊的想法在第一阶段的启示，最终在他偶尔与上帝交往，通过调解各种精神存在。

Many of the composers had a direct connection to the Vatican and the papal chapel, though they worked at several churches; stylistically they are often contrasted with the Venetian School of composers, a concurrent movement which was much more progressive. By far the most famous composer of the Roman School is Giovanni Pierluigi da Palestrina, whose name has been associated for four hundred years with smooth clear polyohonic perfection.

大多数作曲家与梵蒂冈和教皇教堂有着直接的联系，虽然他们在不同的教堂工作，在文体上他们与威尼斯乐派的作曲家形成鲜明对比，它比同时代的威尼斯乐派取得了更多的发展，至今最著名的罗马乐派作曲家是Giovanni Pierluigi da Palestrina，他的名字400年来都与平稳，清澈的完美复调音乐联系在一起。

Indeed,in pieces such as his O Lord,arise and in many anthems by his contemporaries(Morley's Out of the deep is another striking exmlple),the musical logic and the use of musical figures or devices to "paint"words,images,feelings,or ideas in the text are overtly madrigalian,though the control of musical form and balance can justly be attributed as well not to the influence of the Italian madrigal but to the discipline of the long-standing English tradition of sacred music.

事实上，诸如他的《O Lord，arise》和其他一些由同时代的其他教会音乐家所创作的圣歌一样（另一个鲜明的例子是莫里的《圣颂》），乐理以及运用音乐人物形象和节奏去描绘形象，感受以及理念的手法被明显的牧歌化了，即使音乐的形式和平衡出自长年的英国宗教音乐传统的原理而非受意大利牧歌的影响。

For that reason,Marx did not content to changecertain form of"ontological philosophy",just as other philosophers(such as Schopenhauer and Nietzsche)did,he otherwise radically rejected the"absolutized"basic thinking mode on which the traditional ontology based.Thus he brought philosophy back to the real human being who had dual life in nature and the actual world in which human being lived.

对此，马克思没有采取与他同时代的其他哲学家仅仅改变&本体论哲学&的某种理论形态的做法，而是从根本上否定了传统本体论借以立论的那种&绝对化&的基本思想原则和思维方式，使哲学找回了具有双重生命本性的现实的人和由人参与开拓的现实生活世界。

The second part of the paper introduces "the background of Chopin"s creation of piano Etude. Then through the comparison of his and the people of his time or before on Etudes, the paper concludes that Chopins" has broken the traditional meaning on this genre. In the end, the paper analyses how Chopin"s Etudes combine art with technique, through three aspects: synthetical melody and technique, colorful harmony and technique, and singular piano and technique.

第二部分首先简要介绍肖邦钢琴练习曲的创作背景；接着通过肖邦练习曲与他之前和同时代的作曲家的练习曲的比较，说明肖邦的练习曲已突破了这一体裁的传统意义；最后从三个方面：综合的旋律特征和技术的结合、丰富的和声风格和技术的结合、独特的钢琴织体和技术的结合，来阐述肖邦练习曲是艺术性和技术性的有机结合。

Contemporary postmodern theater moves the ground for the execution of tragedy from the hamartia of the individual tragic hero to the tragic hero's inability to have agency over his own life, without even the free will to make mistakes.

同时代的后现代作品，已经从个别的悲剧性的英雄的悲剧性的错误，移动到了悲剧性的人物无法自主自己的生活，甚至无法自主控制不去犯错误。已经由典型的希腊式的，命运由上帝主宰变化成个体的思想被现实和经历所磨砺。

It is also puzzling in this well-researched book that Mr Graebner fails to broaden his context beyond America: the SLA and contemporaries such as the Black Panthers and the Weathermen were of the same mould and time as Germany's Baader-Meinhof group or Italy's Red Brigades or the Japanese Red Army.

同样令人费解的是格雷布纳没有在这本研究透彻的书中将其视角拓展到美国以外的地方。譬如和SLA同时代的黑豹党和气象员派，还有德国的Baader-Meinhof 小组以及意大利的红色勋章组织、日本的红色军队组织都是处在同一时代，采用统一模式的。

Its related to his good-fellowship with the substrate. His theories of the animadversion of the society and the reformation of the society were advanced in his times, so he was commended by other ideologists in the same times. Especially his discussion of women and his tendency to the commons were illuminative and advanced.

他的社会批判和社会改革思想在当时的思想界是独树一帜的，因而受到与他同时代的一些思想家的高度评价；特别是他思想中凸显的平民意识和对妇女问题的探讨，具有很强的批判性和启蒙性。

It was with the fourteenth century that major works of English literature began once again to appear; these include the so-called Pearl Poet's Pearl, Patience, Cleanness, and Sir Gawain and the Green Knight; Langland's political and religious allegory Piers Plowman; Gower's Confessio Amantis; and, of course, the works of Chaucer, the most highly regarded English poet of the Middle Ages, who was seen by his contemporaries as a successor to the great tradition of Virgil and Dante.

这是与14世纪的重大工程的英语文学开始再次出现，其中包括所谓的珍珠诗人的明珠，耐心，洁净，并加文爵士与绿骑士；朗格兰的政治和宗教寓言墩Plowman ；高尔的Confessio Amantis ；，当然，乔叟的作品，最高度重视英国诗人的中世纪，谁是被他同时代的继任者的伟大传统，维吉尔和但丁。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失