同时代

Contemporary postmodern theater moves the ground for the execution of tragedy from the hamartia of the individual tragic hero to the tragic hero's inability to have agency over his own life, without even the free will to make mistakes.

同时代的后现代作品，已经从个别的悲剧性的英雄的悲剧性的错误，移动到了悲剧性的人物无法自主自己的生活，甚至无法自主控制不去犯错误。已经由典型的希腊式的，命运由上帝主宰变化成个体的思想被现实和经历所磨砺。

To make sure Xiao"s female tragic consciouness"s great position, Xiao Hongs difference in description of female the achievements in the history of modern female literature and the history ot Chinese modern literature through the comparison between Xiao Hong and the other female writers.

通过萧红与女性作家、男性作家的比较研究，探寻萧红与同时代女性作家、男性作家的个性差异，进而确立她的女性悲剧意识在中国现代女性文学乃至中国现代文学史上不同凡响的地位和意义。

But as to our country and our race, as long as the well compacted structure of our church and state, the sanctuary, the holy of holies of that ancient law, defended by reverence, defended by power, a fortress at once and a temple, shall stand inviolate on the brow of the British Sion—as long as the British Monarchy, not more limited than fenced by the orders of the State, shall, like the proud Keep of Windsor, rising in the majesty of proportion, and girt with the double belt of its kindred and coeval towers, as long as this awful structure shall oversee and guard the subjected land—so long as the mounds and dykes of the low, fat, Bedford level will have nothing to fear from all the pickaxes of all the levellers of France.

但是对于我们国家和我们民族来说，只要我们教会和政府的结构稳固，这耶路撒冷的神殿，那个最神圣的古老的法律，用我们的敬畏之心和力量来保护，一座堡垒和一座神殿马上就可以在&不列颠的锡安山&的前沿建立起来——只要不列颠的君主，不逾越这个国家的秩序界限，就像那个值得自豪的逐渐形成的王权的&温莎的遵守&，并且用同民族和同时代两条纽带将我们系在一起做好准备，只要这种强大的结构注视和保卫着受影响的土地——只要低地建有堤坝，愚蠢的Bedford水平的人就不会害怕法兰西平均主义者手拿铁镐的示威。

The young Darwish and his contemporaries, writers of populist, nationalist verse, were lionised abroad as the voices of a "literature of resistance", which suddenly became a legitimate alternative to the armed resistance often preferred by Palestinians in exile.

年轻的达尔维什与他同时代的平民主义作家、民族主义诗词一道，被广泛冠以&抵抗文学&之声的称号。相对流亡巴勒斯坦人惯用的武装抵抗而言，写作突然间成为了一种合法的选择。

Lin discusses Li Ch'ing-chao's critical comments on her fellow song lyricists in the context of these developments and concludes by speculating on possible reasons behind the often-noted and curious omission of Chou Pang-yen from her essay: these are related, he suggests, to the fact that Chou's attention to the musical nature of the form restored what Li considered to be an essential aspect of its original identity and therefore exempted him from Li's otherwise unstinting critique of her contemporaries.

林顺夫在这些发展的情境中就李清照的几阙词论述了其批评，并通过周邦彦（Chou Pang-yen）对其诗文的忽略的背后的可能原因推测到：这些是相互联系的，周邦彦对这种体式的音乐本质的关注恢复了李清照所考虑的东西，并且成为其原始特性的重要方面，因此，除了他，否则李清照一直遭受着同时代人的批评。

For the men and women of Reverend Wrights generation, the memories of humiliation and doubt and fear h*e not gone away; nor has the anger and the bitterness of those years.

对于赖特牧师同时代的男男女女，对羞辱、疑虑和恐惧的记忆并没有淡出；那些年代留下的愤怒和怨恨也没有消逝。

In post-Biblical times St. Irenus tells us that "many" of his contemporaries were heard "speaking through the Spirit in all kinds of tongues""Contra haer.", V, vii; Eusebius, Hist. eccl.

在后圣经时代圣irenus告诉我们，&许多&他的同时代的人听到&经过几个月的精神，在各种的舌头&（下称&合同haer &，五，七；尤西比乌斯的历史。

However, what strikes me is Inca civilization was only 500 years ago, almost the same period of China's Song Dynasty and post-Renaissance era in Europe.

但是， 我也第一次明白了所谓的印加文明，不过是500年前的产物，与同时代东方的宋朝，以及西方的文艺复兴时期相比，那些印加的古城还有所谓的神秘 Nazca 线条实在是微不足道。

It is also puzzling in this well-researched book that Mr Graebner fails to broaden his context beyond America: the SLA and contemporaries such as the Black Panthers and the Weathermen were of the same mould and time as Germany's Baader-Meinhof group or Italy's Red Brigades or the Japanese Red Army.

同样令人费解的是格雷布纳没有在这本研究透彻的书中将其视角拓展到美国以外的地方。譬如和SLA同时代的黑豹党和气象员派，还有德国的Baader-Meinhof 小组以及意大利的红色勋章组织、日本的红色军队组织都是处在同一时代，采用统一模式的。

Milstein, who was able to bring everything together in a way matched by very few violinists of his time.

米尔斯坦能够恰倒好处地将一切都表达出，就这一点而言，可以和他相提并论的他同时代的小提琴家鲜有人在。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失