同意义的

Technique development, basic facilities improvement and cost decline make "globalization" communication possible. 4. Globalization of communication technique aggravates the "unfairness" of international communication and leads to its different layers, classes and unbalanced distribution. 5. The end of "cold war" deconstructs the opposite between the East and the West, but not ends the difference between the South and the North and the "civilization conflict". 6. The population redistribution makes the traditional nations and countries in the relevant areas unstable and influences the original national cultural identity. 7."Globalization" communication deepens the alertness of national elite intellectuals, which makes them strengthen their sense of mission to keep and guard the spiritual home of national traditional culture (including traditional belief, value, cultural pattern and so on) that will be possibly subverted and maliciously remade. 8. The combination of "direction" and "strategy", or the speciousness makes big trans-national media corporations sweep away all obstacles and occupy the markets in the developing countries, in which have appeared the phenomenon of "narrations of traditional cultures tending to similarities". 9."Global village": myth or reality? 10. The difference of culture and ideology often causes the different understanding and value judgement to the contents of trans-national communication.

第一部分将中国国家电视文化安全问题放到"全球化"的大背景中加以考量，分别从以下18个维度展开论述：1、全球化语境与我们的抉择；2、与"全球化"同样历史悠久的"国际传播"；3、技术的进步和相关基础设施的广泛建立并不断完善以及使用成本的持续下降，使得"全球化"传播成了可能；4、传播技术的全球化，加剧了国际传播的"不平等"，导致了国际传播的层级性和不均衡分布；5、"冷战"的终结解构了东西对立，但却并未终结南北差异和"文明的冲突"；6、人口的重新分布使得相关区域的传统意义上的民族国家面临潜在的不稳定，并有可能影响到原来各个国家已经定型的民族文化认同；7、"全球化"传播加深了民族国家精英知识分子的戒心，"守望民族传统文化的精神家园"的使命感使得他们开始关注核心的"传统文化"（具体包括传统的信仰、价值观、文化模式等）的有可能被颠覆或被恶意改造；8、"方向"与"策略"的有机结合，使得大型跨国传媒公司所向披靡，在发展中国家屡屡得手，很多国家出现了"祖母的同质化"现象；9、"地球村"：神话还是现实？

So to analyze in the aspect of description, it is useful to delouse the fount how inarticulateness comes into being; Based on the economic relationship and from the viewpoint of the pursuit of aim, the object of studying, the original creation of aesthetics, as well as the articulate knowledge and inarticulate knowledge, Polanyi distinguished the acquisitive way of science and technology. The development model of personal Knowledge can be generalized as the enthusiasm of seeking knowledge; Polanyi revealed how personal factors of mathematician cut across logical chasm, and gained mathematics findings in math" s activities. Thus he proved mathematics was also activity-needed techniques as natural science; Last evaluating the theory of "Personal Knowledge systematically, it can reveal its realistic significance and limitation.

波兰尼把认知结构区分为可言传知识与不可言传知识，与20世纪以来西方哲学的中心课题转向语言学的研究一致，所以从言述的角度出发，有助于了解不可言传性如何形成的根源；波兰尼以经济关系为立足点，从科学与技术的目的追求、研究对象、美的原创性，以及从可言传知识与默会知识的角度对两者的获取途径做了区分；其个人知识发展模式可以概括为：求知热情→启发性热情→说服性热情……；波兰尼揭示出数学家的个人因素是如何在数学活动中跨越逻辑鸿沟，取得数学发现的，从而证明数学同自然科学一样，也是一项需要技能的活动；最后对&个人知识&理论作一系统的评价，揭示&个人知识&理论的现实意义和局限性。

Allowed the date that" year" indulge in atrocities on the whole, the common people treat this terrible night as to close to come then very, call" year end", and figured out a the whole set to celebrate New Year's Eve the way of the pass:Each time to this evening, each per families work well the supper in advance, turn off the clean cooking stove, then chase a fastening with all stockade of chicken, the house hospital in front and back the doors all seal, hiding to eat" New Year's Eve dinner" in the house, because of this dinner have fierce 吉 don't 卜 of meaning, so buy very flourishing, in addition to wanting that the whole family the old and the young rounds together to have a meal to mean in peace and harmony and reunitedly, return the beard at have a meal to provide the worship of ancestors before and first first, the spirit of the imprecation ancestry protect, spending this night safe and sound, after eating the supper, who all dare not the sleeping, pushing to sit together to talk away to encourage.

到了宋代，人们便开始在桃木板上写对联，一则不失桃木镇邪的意义，二则表达自己美好心愿，三则装饰门户，以求美观。又在象征喜气吉祥的红纸上写对联，新春之际贴在门窗两边，用以表达人们祈求来年福运的美好心愿。为了祈求一家的福寿康宁，一些地方的人们还保留着贴门神的习惯。据说，大门上贴上两位门神，一切妖魔鬼怪都会望而生畏。在民间，门神是正气和武力的象征，古人认为，相貌出奇的人往往具有神奇的禀性和不凡的本领。他们心地正直善良，捉鬼擒魔是他们的天性和责任，人们所仰慕的捉鬼天师钟馗，即是此种奇形怪相。所以民间的门神永远都怒目圆睁，相貌狰狞，手里拿着各种传统的武器，随时准备同敢于上门来的鬼魅战斗。

Allowed the date that" year" indulge in atrocities on the whole, the common people treat this terrible night as to close to come then very, call" year end", and figured out a the whole set to celebrate New Year's Eve the way of the pass:Each time to this evening, each per families work well the supper in advance, turn off the clean cooking stove, then chase a fastening with all stockade of chicken, the house hospital in front and back the doors all seal, hiding to eat" New Year's Eve dinner" in the house, because of this dinner have fierce 吉 don't 卜 of meaning, so buy very flourishing, in addition to wanting that the whole family the old and the young rounds together to have a meal to mean in peace and harmony and reunitedly, return the beard at have a meal to provide the worship of ancestors before and first first, the spirit of the imprecation ancestry protect, spending this night safe and sound, after eating the supper, who all dare not the sleeping, pushing to sit together to talk away to encourage.

到了宋代，人们便开始在桃木板上写对联，一则不失桃木镇邪的意义，二则表达自己美好心愿，三则装饰门户，以求美观。又在象征喜气吉祥的红纸上写对联，新春之际贴在门窗两边，用以表达人们祈求来年福运的美好心愿。为了祈求一家的福寿康宁，一些地方的人们还保留着贴门神的习惯。据说，大门上贴上两位门神，一切妖魔鬼怪都会望而生畏。在民间，门神是正气和武力的象征，古人认为，相貌出奇的人往往具有神奇的禀性和不凡的本领。他们心地正直善良，捉鬼擒魔是他们的天性和责任，人们所仰慕的捉鬼天师钟馗，即是此种奇形怪相。所以民间的门神永远都怒目圆睁，相貌狰狞，手里拿着各种传统的武器，随时准备同敢于上门来的鬼魅战斗。由于我国民居的大门，通常都是两扇对开，所以门神总是成双成对。唐朝以后，除了以往的神荼、郁垒二将以外，人们又把秦叔宝和尉迟恭两位唐代武将当作门神。相传，唐太宗生病，听见门外鬼魅呼号，彻夜不得安宁。于是他让这两位将军手持武器立于门旁镇守，第二天夜里就再也没有鬼魅搔扰了。

Good philosophy is defined: It is the components of the concrete things to be good, it is sports, behavior and special performance, positive meaning and straight value that have to the survival and development of the society and most people exists of the concrete things, in until concrete thing keep in close touch, his function and course influenced people, go on, compare reality concrete thing with concrete thing that experience pass, distinguish concrete sport, behavior of thing and have, accord with oneself and social most will of people, can satisfy after oneself and social most physiology and psychology of people need, decompose and collect out from the sport, behavior and existing of the concrete things, different from a fierce one relatively abstract thing or yuans of entity.

善的哲学定义：善是具体事物的组成部分，是具体事物的运动、行为和存在对社会和绝大多数人的生存发展具有的特殊性能、正面意义和正价值，是人们在与具体事物密切接触、受其作用和影响的过程中，把现实具体事物同经验过的具体事物进行比较，判明具体事物的运动、行为和存在符合自己和社会绝大多数人的意愿，能够满足自己和社会绝大多数人的生理和心理需要后，从具体事物的运动、行为和存在中分解和抽取出来的，有别于恶的相对抽象事物或元实体。

This article starts form carding the formation and development of the animations in the United States, Japan and Europe, in their respective national television animation style characteristics. In the second chapter, from the national culture, folk customs and ways, the character and geographical four conditions explore the United States, Japan, Europe, ethnic style animation in the film formation due to the dynamic; Chapter III trays to find the common aesthetic features of the Television Animation factors in United States, Japan, Europe, also this part describes the characters from four aspects, such as to find truthfulness, to find kind and so on. Chapter four is the key of this article, this part colludes several parts , such as film animation level, the way how animation to present to the concept of integrity, the character and language of the text character and so on . This end of this article is a summary of papers, down from globalization understanding of the vision of China Television Animation, the theoretical study of the ultimate goal is to practice creative services, what is more important is a comparative analysis, which received some of reference, identify China Television Animation and the gap between other countries, in order to learn from foreign advanced development of the film and television animation experience in the domestic film and television animation themes and concepts updates, in the localization of the close integration with the international on the road to the former OK, can have a more far-reaching significance.

论文首先从美、日、欧、中影视动画各自民族风格的特点出发，对其民族风格的形成与发展进行系统的梳理；进而在第二章中，从民族文化、民风民俗、民族性格和地域条件四个方面探究美、日、欧、中影视动画民族风格形成的动因；第三章是对美、日、欧、中影视动画的同质性因素进行比较，论文从启真、扬善、弘美、尚趣四个维度来寻求其共通的美学特征；第四章中外影视动画民族风格的异质性因素比较是本文的重点，也是论文的难点，这一章涉及到许多影视动画本体性的层面，拟从动画的观念品格、文本品格和行为品格三个方面进行把握、比较；最后一章是论文的总结，从全球化的视野下来认识中国影视动画，理论研究的最终目的是要为实践创作服务的，因而，论文更主要的是通过比较分析，从中获得一些借鉴性意见，找出中国影视动画和其他国家之间的差距，更好的学习国外影视动画先进的发展经验，以期对国产影视动画在题材和观念的更新上、在本土化与国际化紧密结合的道路上如何前行能够有更为深远的指导意义。

Based on those analyses and conformed international and national economic condition in china and some intrinsic defects of target zone regime, author transform target zone exchange rate regime by dividing two layers and bring forward a new exchange rate regime: double-layer-monitor exchange rate regime, the new model have possessed two merits, one is that the new model make "hollymoon effect" of target zone recurrence,and the merit can alleviate the fluctuation of exchange market;another merit is that the new model is a self-regulation system, that is say, the model can avoid long-term misalignment of exchange rate, those merit have major significance for china economy sustainable development and Chinese financial system more perfection, in paper we also present some fiscal policy and money policy served as a foil to double-layer-monitor exchange rate regime in order to make it work well, at last, we conclude that the new model will be the prior selection of RMB exchange rate regime reform for a long time form now on, and it also can serve as the bridge of RMB exchange rate regime steering to one of bipolar—free float.

在这些分析的基础上，并考虑到当前中国所面临的国际国内经济环境，针对汇率目标区的一些固有缺陷，笔者又对汇率目标区模型进行了分层改造，提出了一个新的汇率机制模型：汇率目标区双层监控模型，该模型有两个主要优势，一是可以使&蜜月效应&得以重现，从而避免外汇市场的过度波动；二是该模型是一个自稳定系统，能够进行自我调整，使实际汇率同长期均衡汇率保持一致，从而避免实际汇率的长期错位。这些优点对于我国经济的可持续发展，对于我国金融的更加完善，有着十分重要的意义。为使汇率目标区双层监控模型良好运行，论文还就相应配套的财政政策、货币政策措施作了探讨。最后得出结论，按照汇率制度&并存继起&假说，今后很长一段时间内，汇率目标区双层监控模型都将是人民币汇率制度的合意选择，另外，它也可作为人民币汇率制度向独立浮动制过渡的桥梁。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。