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What balance we strike- whether we build on the blessings, and progress into an ever-increase of the good things on the positive side, or whether we magnify the miseries until our life sinks to what an old nurse of mine used to call a "depressingness" on the negative side-this issue can depend to a surprising extent on what spirits we create with words.

什么平衡我们走,我们是否基础上的祝福,并进展到一个不断增加的美好事物的积极方面,或者我们是否放大的苦难,直到我们的生活汇到什么一个老护士的地雷用于所谓的&压抑&在消极的方面,这个问题可以依靠一个令人吃惊的程度上,我们创造的精神是什么的话。

Sousa and his wife were enjoying a European vacation in 1896, when they saw a startling newspaper article. Sousa's band manager, David Blakely, had died a few days earlier. Soon Sousa and his wife were on a ship heading home to New York. On the journey home, Sousa started hearing "the rhythmic beat of a band playing within my brain. It kept on ceaselessly, playing, playing, playing. Throughout the whole tense voyage, that imaginary band continued to unfold the same themes, echoing and re-echoing the most distinct melody." When he got home he wrote down the music for what would become "The Stars and Stripes Forever."

苏沙和他的太太在1896年一次愉悦的欧洲之旅途中,看到一篇令人吃惊的报导,苏沙的乐团经理大卫布雷克在几天前突然去世,他们在知道这个消息后立刻搭船回到纽约,在返航途中,苏沙开始听见「乐团在我脑中演奏的节拍、不停地演奏、演奏、演奏,整个回程中那个想像中的乐团一直重复著同样的旋律、并重复演奏最特别的一段旋律」,在他回到家写下整首旋律后、就完成了「永恒的星条旗」的初稿。

Having met some twenty-five thousand analysts, designers, and programmers throughout the world, I found a surprising number of them have never read any computer articles or evend a copy of Datamation or Computerworld; have never heard of ACM, DPMA, IEEE, ASM, or any other professional organizations; can't spell Dijkstra's name and probably have never heard of him; aren't aware of the structured techniques and wouldn't be interested if somebody showed them.

已经遇到过整个世界的25000个分析员、设计员及程序,我很吃惊的发现他们中的很多从来没有读过任何计算机的文章甚至是公开的Datamation或 computerworld的拷贝;没有听说过ACM,DPMA,IEEE,ASM,或者是其它任何专业组织;不能拼出Dijkstra的名字,可能从来没有听说过他;不清楚结构化技术,即使是有人告诉他们也不感兴趣。

Having met some twenty-five thousand analysts, designers, and programmers throughout the world, I found a surprising number of them have never read any computer articles or even opened a copy of Datamation or Computerworld; have never heard of ACM, DPMA, IEEE, ASM, or any other professional organizations; can't spell Dijkstra's name and probably have never heard of him; aren't aware of the structured techniques and wouldn't be interested if somebody showed them.

已经遇到过整个世界的25000个分析员、设计员及程序员,我很吃惊的发现他们中的很多从来没有读过任何计算机的文章甚至是公开的Datamation或 computerworld的拷贝;没有听说过ACM,DPMA,IEEE,ASM,或者是其它任何专业组织;不能拼出Dijkstra的名字,可能从来没有听说过他;不清楚结构化技术,即使是有人告诉他们也不感兴趣。

Having met some twenty-five thousand analysts, designers, and programmers throughout the world, I found a surprising number of them have never read any computer articles or even opened a copy of Datamation or Computerworld; have never heard of ACM, DPMA, IEEE, ASM, or any other professional organizations; can't spell Dijkstra's name and probably have never heard of him; aren't aware of the structured techniques and wouldn't be interested if somebody showed them.

已经遇到过整个世界的25000个分析员、设计员及程序,我很吃惊的发现他们中的很多从来没有读过任何计算机的文章甚至是公开的Datamation或 computerworld的拷贝;没有听说过ACM,DPMA,IEEE,ASM,或者是其它任何专业组织;不能拼出Dijkstra的名字,可能从来没有听说过他;不清楚结构化技术,即使是有人告诉他们也不感兴趣。

Havin g met some twenty-five thousan d analysts, designers, and pro grammers throughout the world, I found a surprising number o f them have never read any com puter articles or even opened a copy of Datamation or Comput erworld;have never heard of A CM, DPMA, IEEE, ASM, or any ot her professional organizations ;can't spell Dijkstra's name and probably have never heard of him;aren't aware of the st ructured techniques and wouldn 't be interested if somebody s howed them.

已经遇到过整个世界的25000个分析员、设计员及程序,我很吃惊的发现他们中的很多从来没有读过任何计算机的文章甚至是公开的Datamation或 comput erworld的拷贝;没有听说过ACM,DPMA,IEEE, ASM,或者是其它任何专业组织;不能拼出Dijkstra的名字,可能从来没有听说过他;不清楚结构化技术,即使是有人告诉他们也不感兴趣。

After 25 years of traveling across more than 90 countries, one Interior Design Hall of Fame member is exploring Africa—in the Clodagh for Perennials outdoor fabrics collection. The 10 Perennials designs pulse with energy, balanced by the calm of an earth-toned palette. Seven are jacquards in solution-dyed acrylic, including the thatched roofs of It Takes a Village and the tribal shield of Amazed.

经过了25年,穿越了90多个国家,一个室内设计名人堂的成员为了探索户外面料在非洲的克劳达芙进行了对多年生植物的收集,其中的10年用来为多年生植物设计脉冲能量,它靠地面缓和调色板的平静来达到平衡。7年时间用来在解决染色腈纶的提花问题,包括村落里建造的茅草屋顶和令人吃惊的部落盾牌。

Yet all of history has taught us that the denial of these ultimates, the placement of man or state at the core of the universe, results in a paralyzing mass selfishness; and the first signs of it are already frighteningly evident.

但,全部的历史已经教会我们这些根本的否定,在宇宙的核心人或国家的安置,产生在一种令人麻痹的大众的自私中;并且它的第一个征兆就已经是令人吃惊的明白的。

On screen, Ennis's self-repression and self-loathing are given startling physical form: the awkward, almost hobbled quality of his gait, the constricted gestures, the way in which he barely opens his mouth when he talks all speak eloquently of a man who is tormented simply by being in his own body—by being himself.

萤屏上,Ennis 的那种自我压抑和自我憎恨被赋予了令人吃惊的外在形态:笨拙的几近蹒跚的步态,收敛的姿势,讲话时几乎张不开嘴;这些有说服力的特徵为我们描绘了一个为自己苦恼,被自己折磨的男人。

With the amazing credulity which is typical of the classicists, Fenelon ignores the authority of reason and facts when he attributes the general happiness of the Egyptians, not to their own wisdom but to the wisdom of their kings

带着这种典型经典学者的令人吃惊的轻信,当Fenelon将埃及人的一般的幸福不是归于他们自己的智慧而是归于他们国王的智慧的时候,他不顾理性和事实的权柄

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