右边的

Now the cherubims stood on the right side of the house, when the man went in; and the cloud filled the inner court.

10：3 那人进去的时候，基路伯站在殿的右边，云彩充满了内院。

Now the cherubims stood on the right side of the house, when the man went i and the cloud filled the ier court.

10：3 那人进去的时候，基路伯站在殿的右边，云彩充满了内院。

To the right is the elegant Winter Palace, former home of the czars.

右边是优雅的冬宫，是沙皇从前的住处。

The third wind belt develops as cold polar air sinks and moves south, is deflected to the right, and is therefore called the polar easterlies.

当冷的极地的空气下沉并且移动南方，受科氏力影响偏向右边，因此被称为极地东风带。

The yacht became white and lake was green at the time when sunshine burst out from the right of the lake, especially that fire-red river flowers.

一到码头恰好赶上朝阳初照，光芒从湖的右边射过来，映得游艇白，湖水碧，尤其岸上的那珠&江花&火红，真个是&日出江花红胜火，春来江水绿如蓝&。

When I arrived in the dock, the sun rose. The yacht became white and lake was green at the time when sunshine burst out from the right of the lake, especially that fire-red river flowers. Sunrise makes river flowers as red as fire and the spring brings green and blue river water.

日出江花红胜火 Sunrise makes river flowers as red as fire 一到码头恰好赶上朝阳初照，光芒从湖的右边射过来，映得游艇白，湖水碧，尤其岸上的那珠&江花&火红，真个是&日出江花红胜火，春来江水绿如蓝&。

And for lesser amounts, you could guarantee first-page placement on the right sidebar.

而对于较小的数额，可以保证在右边侧栏第一页的位置。

MARTIN - There was a frame building in front of our position and right next to the trees.

马丁——在我们阵地前方，树林的紧右边，有一幢框架结构的建筑。

The box at the right of the Time Slider lets you set the current frame of the animation.

在右边一栏的时间标尺让你设置动画的当前帧

Qian Gang: Their center hit a blast to the right corner, past the outstretched arms of our goalkeeper.

钱刚： 他们的中锋一记劲射将球射入球门的右边，守门员没能扑救出去。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。